Showing results by narrator "Shaheen Khan" in All Categories

India, 1855. There are two kinds of magic in Chompa's world. The kind her mother favours: writing-magic, which anyone can do if they take the time. Write a spell in Farsi, and wait. It's calm, controlled, safe, says Ammi. It's slow, frustrating, boring, thinks Chompa. Then there's finger-magic, which only those descended from ancient djinn are born with. Immediate, powerful - and dangerous, for every act of finger-magic leaves a trace, and comes at a price.

Amjad cradles his baby daughter in the middle of the night. He has no time to mourn his wife’s death. Saahil and Zahra, his two small children, are relying on him. Amjad vows to love and protect them always. Years later, Saahil and his best friend, Ehsan, have finished university and are celebrating with friends. But when the night turns dangerous, its devastating effects will ripple through the years to come. Zahra’s world is alight with politics and activism. But she is now her father’s only source of comfort, and worries she’ll never have time for her own aspirations.

Among the rarefied circles of Mumbai's posh Temple Hill, there is nothing more tragic than loss of face—not even loss of life. Radhi's pregnant best friend Sanjana's father is found dead in his study. Everyone says it's suicide. And yet, just hours before, he was telling Sanjana that he couldn't wait to hold his grandchild in his arms. Something feels off to Radhi. Her suspicions are further raised by the surly cook and timid young maid's odd behaviour. And who did the second cup of tea on his desk belong to? Radhi is determined to uncover the truth.

When human remains are discovered under Bradford’s derelict Odeon car park, DS Nikita Parekh and her team are immediately called to the scene. Distracted by keeping her young nephew out of trouble, Nikki is relieved when the investigation is transferred to the Cold Case Unit, and she can finally focus on her family. But after the identity of the victim is revealed, she’s soon drawn back into the case. The dead man is a direct link to her painful past. As the body count begins to rise, Nikki must do everything she can to stop the killer in their tracks before anyone else gets hurt.

When Felicity Springer is reported missing after a police training conference, the countdown to find her begins.... On her way home after an exhausting weekend, with colleagues she can’t wait to escape, Felicity notices something odd about the white van in front of her. A hand has punched through the car’s rear light and is frantically waving, trying to catch her attention. Desperate to help, Felicity dials 999 and calls it in. But whilst on the phone, she loses control of the car on the icy road, crashing straight into the vehicle ahead.

In her 30 years as Temple Hill's most renowned matchmaker, Sarla thought she'd seen it all. Blissful unions, marriages of convenience, Mr. and Mrs. Good Enough. Not to mention the bitter unfortunates who never made it down the aisle. She's received as many threats as thank-yous along the way. Surely no one would actually harm her. A series of threatening notes, sent in blood-red envelopes, suggest otherwise. Then the body of a woman is found at Sarla's office, sprawled on her stomach next to a heavy bronze statue of the Nataraja — the god of dance. Who was the intended victim?

When someone hacks into the systems of eight self-driving cars, their passengers are set on a fatal collision course. The passengers are: a TV star, a pregnant young woman, a disabled war hero, an abused wife fleeing her husband, an illegal immigrant, a husband and wife - and parents of two - who are travelling in separate vehicles and a suicidal man. Now the public have to judge who should survive but are the passengers all that they first seem?

In this comprehensive anthology, former Poet Laureate Andrew Motion has gathered together exceptional poems from the 14th century through to the present day, creating an extraordinary poetic journey for the listener. From the love poems of Shelley and Keats to the grim war elegies of Owen and Sassoon, there is a poem here for every sentiment, each with something different to offer.

Grand Life Apartments is a middle-class apartment block surrounded by lush gardens in the coastal city of Chennai, India. It is the home of Kamala, a pious, soon-to-be retired dentist who spends her days counting down to the annual visits from her daughter who is studying in the UK. Her neighbour, Revathi, is a thirty-two-year-old engineer who is frequently reminded by her mother that she has reached her expiry date in the arranged marriage market. Jason, a British chef, has impulsively moved to India to escape his recent heartbreak in London.

What if the Western world does not have its ultimate origins in a single cultural bloodline but rather a messy bramble of ancestors and influences? As battles over privilege, identity and prejudice rock the cultural wars, it's never been more important to understand how the concept of The West came to be. This book tells a bold, empowering new story of how the idea of the West was created, how it has been used to justify imperialism and racism, and also why it's still a powerful ideological tool to understand our world.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is of immense importance to the culture of the Indian subcontinent and is a major text of Hinduism. Its discussion of human goals (artha or 'purpose', kama or 'pleasure', dharma or 'duty' and moksha or 'liberation') takes place in a long-standing tradition, attempting to explain the relationship of the individual to society and the world (the nature of the 'self') and the workings of karma.

In a small pocket of the city, between the houses of No.77 and No.79 on Eastbourne Road, there’s a neglected community garden. Once vibrant and welcoming, and a sanctuary for the people when they needed it most, the garden’s gate is firmly closed. But it only takes a small seed of an idea for big changes to happen. And as the neighbours’ need for connection grows, the twilight garden comes out of hibernation.

Hana has a perfect job, a perfect home, a perfect marriage. It is her younger sister Mira who is a mess. But Hana wants children and her husband is hesitating, and perhaps her control is slipping. Mira dreams of a creative life but she's stuck working at a local café. She hates her flatmate and Hana's dismissal of her writing but she can't find the right inspiration. One night, a fight between Hana and her husband sparks something in Mira: the words ring in her head and she starts typing. But what can you borrow from your sister? And what can be forgiven?

"How ought one to live?" This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical, economist husband; their twins; and even the authors he edits and publishes. One of those authors, a mysterious M. N. Opie, writes a story about a young academic involved in a car accident that causes her life to veer in an unexpected direction.

When Ugandan President Idi Amin expelled the country's entire Asian population in 1972, more than 28,000 people from Britain's former colony arrived on airstrips around the country and began building new lives - but their incredible stories remained largely hidden. Fifty years later, first and second-generation testimony uncovers an under-explored period of history, touching on colonialism, immigration, identity and modern multiculturalism through the lens of individual experience.

When Nusrit Mehtab joined the Met Police in the late 80s the organisation was rife with racism and misogyny. Officers refused to patrol with her, or even call her by her name. Her attempts to get promoted were met with hostility and ridicule and she was subject to cruel pranks. As the years passed and her seniority grew, Nusrit was dismayed to find that these problems got worse, not better. After 30 years, she finally had enough and left the MET, initiating an employment tribunal against them in the process.

When Detective Nikki Parekh receives a set of threatening postcards, she knows it can only mean one thing… The man who escaped arrest after murdering her mother two years ago is back. Each postcard has a similar message: You’re next Parekh. As the post marks on the cards gradually get closer to Bradford, Nikki must do everything she can to protect her family and catch the killer before it’s too late. But when human remains are found in a remote barn on the icy Yorkshire moors, Nikki’s attention is pulled away from her family.

The chant of 'Azadi!' - Urdu for 'Freedom!' - is the slogan of the freedom struggle in Kashmir against what Kashmiris see as the Indian Occupation. Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism. Even as Arundhati Roy began to ask what lay between these two calls for freedom - a chasm or a bridge? - the streets fell silent. Not only in India, but all over the world.

Meet Tula, Vinny, Jabeen, Sonal and Samina - best friends and members of the 'Girlie’ club. Listen to this joyous exploration of friendship, family, work and womanhood in the British Asian community in the 90s. In their regular gatherings for ‘Girlie’ evenings the friends drink, laugh, blow off steam and commiserate. Nothing is sacred and friendships are tested, marriages analysed, and secrets exposed.

"How ought one to live?" This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical economist husband; their twins; and even the authors he edits and publishes.