Showing results by author "Simon Brett" in All Categories

The complete series 1-5 of the thrilling mystery series. On sabbatical from the Franciscan order, Father Paolo Baldi is working as a philosophy lecturer in Dublin when his life takes an unexpected turn and he finds himself helping the police to solve crimes. Along with Tina, Paolo uncovers the truth behind the killings of several rockabilly band members and a high-profile case of a police officer’s murder as well as delving into the highly competitive world of celebrity chefs.

Actor, alcoholic and amateur sleuth Charles Paris returns in another quintet of humorous theatrical thrillers. All Charles asks for is a nice juicy part in a successful play - but wherever he appears on the bill, murder and mystery always play a starring role.

For Mrs Pargeter, it is a matter of principle that she should complete any of her late husband's unfinished business. Amongst his many bequests, perhaps the most valuable is his little black book, in which he listed all the people who ever worked for him, with details of their particular skill sets. This means that whenever Mrs P has a crime to solve, she can readily contact someone with the relevant expertise.

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears.

After the death of her GP husband, widow Sarah is battling to bring up her strong-willed 18-year-old daughter, Clare, hindered by her meddling mother, Eleanor. Living on the middle floor of the family home, with Clare downstairs and Eleanor upstairs, Sarah finds herself besieged from above and below as she tries to cope with the demands of both her mum and her daughter. Luckily, she finds solace at work, where her best friend and boss at Bygone Books, Russell, provides a sympathetic ear.

It is her characteristic generosity rather than her love of animals that finds Mrs Pargeter supporting her friend, Jasmine Angold, at a charity reception for PhiliPussies, whose worthy aim is to rehabilitate stray cats from the Greek island of Atmos into caring English homes. But the evening is to have unexpected consequences. At the event, Mrs P is taken aback to meet a woman who claims to be the sister of her late husband, the much-missed Mr Pargeter.

Thespian sleuth Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. Estranged from his long-suffering wife, Frances, his personal life is shambolic, and as an actor, he's C-list at best. But he does have a talent for solving murders - which is just as well, because wherever he goes, someone seems to drop dead.

A three-month run of a new farce is not to be sniffed at by a jobbing actor. Especially when there's the distinct possibility of a West End run. Which is why Charles Paris is standing on stage. However, by the time the troupe reaches Bath a darker mood has set in and Charles' old friend Mark has a drink problem that amounts to a death wish. But it's not the drink that kills Mark - it's somebody in the cast who has a secret that Mark must not be allowed to reveal....

Charles Paris - unsuccessful actor, bad husband, and dipsomaniac - is back, and getting into trouble once more. As he tries to woo back his semi-detached wife, Frances, and land a few half-decent roles, he finds himself embroiled in murder and mayhem and forced to turn detective. Luckily, his sleuthing is much better than his acting.

It wasn't the rain that upset Carole Seddon during her walk on the West Sussex Downs. It wasn't the dilapidated barn in which she was forced to seek shelter. No, what upset her most was the human skeleton she discovered there.... So begins the second investigation for straitlaced Carole and her more laid-back neighbour Jude. This time their enquiries take them away from Fethering to the small download hamlet of Weldsham, where gossips quickly identify the corpse as Tamsin Lutteridge, a young woman who had disappeared from the village months before....

When Charles Paris’ agent rings with the news that he has a part for him in a new musical, Charles is delighted - and somewhat amazed, as he can neither sing nor dance. But Maurice has an ulterior motive: as one of the show’s backers, he wants Charles to play detective and investigate a series of accidents that have dogged the production. The pianist has been shot in the hand, and another cast member fell downstairs - or was he pushed? Anxious about their investment and their star, Chris Watt, the ‘angels’ are keen to ensure that nothing else goes wrong.

A job in pantomime seems the perfect way to spend the Christmas season for Charles, but the cast of Cinderella are a motley crew from reality TV and Charles finds himself having to explain the traditions of panto to their baffled American star whose career is on a downward trajectory. When the star is shot dead, and Charles finds the body, he finds himself under suspicion.

Charles Paris returns again, in a fringe show at the Edinburgh Festival, with another nubile girl to provoke him, his accommodating wife to console him and a gory murder to challenge him. Edinburgh and the Festival are both background and foreground with Charles flitting between a production of A Midsummer Night’s Dream, a ‘mixed-media’ satire, a late-night revue and his own one-man show on Thomas Hood. Then a fading pop star is murdered, there’s a bomb scare in Holyrood Palace and someone makes a suicide leap from the top of the Rock….

Charles has got a part in a new sitcom. It's been a while since he's done comedy and the world has changed enormously; it's now all single camera and darker subject matters. Maurice is thrilled to see Charles getting in with the cool gang rather than clock-watchers counting their pension pots. Charles counts his lines, hears the offer and says yes please! He's also relieved to have an excuse not to model for Frances, who has taken up painting.

Very little disturbs the ordered calm of Fethering, a pleasingly self-contained retirement town on England's southern coast. Which is precisely why Carole Seddon, who has outlived both her husband and her career at the Home Office, has chosen to reside there. So the last thing Carole expects to encounter in Fethering is a new neighbour with but one name and an obviously colourful past.

A BBC Radio 4 full-cast dramatisation of Simon Brett's entertaining crime novel, starring Bill Nighy. Charles Paris has been resting for quite a while, so he's relieved when he is cast as Ghost of Hamlet's Father and First Gravedigger in a touring production of Hamlet. But rehearsals are a little tense - the lead roles of Hamlet and Ophelia are played by a reality TV contestant and TV talent show winner respectively, and their opinions on celebrity and the theatre differ somewhat from those of the more experienced members of the cast.

Locked down with his semi-detached wife, Frances, Charles has thrown himself into a new career as a handyman, becoming quite the DIY expert. He's developed muscles, stopped smoking and even cut back on the booze. Then his agent, Maurice, offers him the chance to get back on stage - and in a West End play, no less. The star, Justin Grover, asked for him specifically, but Charles has reservations. Grover was cocky enough when they were both young hopefuls; now, he's the star of a massive TV fantasy series, and the play - a verbatim piece set in a monastery - is dire.

Life is good for Charles Paris. He's moved back in with his estranged wife, and has landed a plum stage role as Sir Toby Belch in Twelfth Night. But it can't last. First his attempts to woo Frances fall flat, then the play's director is taken ill with gastric trouble. His replacement, Romanian wunderkind Alex Radelescu, is determined to take the play in a radical new direction—with or without Charles.

Having landed a small part in a new West End play, The Habit of Faith, Charles Paris is dismayed to discover that his good fortune has been orchestrated by his bête noire, the now-famous screen actor Justin Grover. But why has Grover become involved in this relatively obscure production - and why has he roped in Charles to star? From the outset the production is fraught with difficulties - and matters become even more complicated when a body is discovered at the foot of the dressing room stairs.

Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. He’s been out of work so long now he feels he may never get a job and he’s driving Frances, his semi-ex-wife, mad. So when he’s offered a small role in a play, she nearly pushes him out of the door. But it seems that ‘The Message is Murder’ is such a terrible production that someone wants to kill off the cast.