Showing results by narrator "Tony Robinson" in All Categories

Barney is a solitary little boy, given to wandering off by himself. One day he is lying on the edge of a disused chalk-pit when it gives way and he lands in a sort of cave. Here he meets 'somebody with a lot of shaggy hair and two bright black eyes' wearing a rabbit skin and speaking in grunts. He names him Stig. Of course nobody believes Barney when he tells his family all about Stig, but for Barney cave-man Stig is totally real. They become great friends, learning each other's ways and embarking on a series of unforgettable adventures.

Other children receive xylophones. Susan just had to ask her grandfather to take his vest off. Yes. There's a Death in the family. It's hard to grow up normally when Grandfather rides a white horse and wields a scythe: especially when you have to take over the family business, and everyone mistakes you for the Tooth Fairy. And especially when you have to face the new and addictive music that has entered Discworld. It's lawless. It changes people. It's called Music With Rocks In.

Deep in the Chalk, something is stirring. The owls and the foxes can sense it, and Tiffany Aching feels it in her boots. An old enemy is gathering strength. This is a time of endings and beginnings, old friends and new, a blurring of edges and a shifting of power. Now Tiffany stands between the light and the dark, the good and the bad. As the fairy horde prepares for invasion, Tiffany must summon all the witches to stand with her. To protect the land. Her land. There will be a reckoning.

The most powerful men in the world were all together in a circle in the middle of the room. Drawing their daggers, they cut their right hands and, above the pile of gold, swore Odysseus’ vow: Helen could marry whom she liked, and the Princes would defend them both.… Everyone’s heard of the wooden horse of Troy, and of the beauty of Helen. Well this is the story as Odysseus saw it, from his boyhood in Ithaca to his participation in the bloody Trojan war itself.

Shortlisted for the British Book Awards, Children's Book of the Year, 2007.
Tiffany Aching is a trainee witch now working for the seriously scary Miss Treason. But when Tiffany witnesses the Dark Dance, the crossover from summer to winter, she does what no one has ever done before: she leaps into the dance. And into the oldest story there is.

When a large, heavily fortified and armoured empire makes a faintly menacing request of a much smaller, infinitely more cowardly neighbour, it would be churlish, if not extremely dangerous, not to comply; particularly if all they want is a wizard, and they don't specify whether competence is an issue.

Time is a resource. Everyone knows it has to be managed. And on Discworld, that is the job of the Monks of History, who store it and pump it from the places where it's wasted (like underwater; how much time does a codfish need?) to places like cities, where there's never enough time. But the construction of the world's first truly accurate clock starts a race against, well, time for Lu Tze and his apprentice, Lobsang Ludd. Because it will stop time. And that will only be the start of everyone's problems.

Up on the chalk downs they call The Wold, witches are banned: ever since the Baron's son vanished in the woods. Anyway, as all witches know, chalk's no good for magic. Nine-year-old Tiffany Aching thinks her Granny Aching, a wise shepherd, might have been a witch, but now Granny Aching is dead, and it's up to Tiffany to work it all out when strange things begin happening.

Theseus certainly has a reputation to live up to! After being saved from death as a baby, he goes on to fight the Great Tosser, falls into the clutches of Pine Bender and duffs up his uncle Laius. He even manages to defeat a horde of pirates and visits the Underworld. Oh, and he kills the Minotaur. And all in the space of this book!

It is a truth universally acknowledged that a policeman taking a holiday would barely have had time to open his suitcase before he finds his first corpse. And Commander Sam Vimes of the Ankh-Morpork City Watch is on holiday in the pleasant and innocent countryside, but not for him a mere body in the wardrobe. There are many, many bodies and an ancient crime more terrible than murder. He is out of his jurisdiction, out of his depth, out of bacon sandwiches, and occasionally snookered and out of his mind, but never out of guile. Where there is a crime there must be a finding, and a chase....

This isn't real life. This isn't even cheese mongering. It's opera - where the music matters, and where an opera house is being terrorised by a man in evening dress with a white mask, lurking in the shadows, occasionally killing people, and, most worryingly, sending little notes, writing maniacal laughter with five exclamation marks. Opera can do that to a man. In such circumstances, life has obviously reached that desperate point where the wrong thing to do has to be the right thing to do.

Koom Valley? That was where the trolls ambushed the dwarfs, or the dwarfs ambushed the trolls. It was far away. It was a long time ago. But if he doesn't solve the murder of just one dwarf, Commander Sam Vimes of Ankh-Morpork City Watch is going to see it fought again, right outside his office. With his beloved Watch crumbling around him and war-drums sounding, he must unravel every clue, outwit every assassin, and brave any darkness to find the solution. And darkness is following him.

DEATH IS MISSING: PRESUMED...ER...GONE....which leads to the kind of chaos you always get when an important public service is withdrawn. Meanwhile, on a little farm far, far away, a tall dark stranger is turning out to be really good with a scythe. There's a harvest to be gathered in.

Religion is a controversial business in the Discworld. Everyone has their own opinion, and indeed their own gods - who come in all shapes and sizes. In such a competitive environment, there is a pressing need to make one's presence felt. And it's certainly not remotely helpful to be reduced to be appearing in the form of a tortoise, a manifestation far below god-like status in anyone's book. In such instances, you need an acolyte, and fast - preferably one who won't ask too many questions.

Scottish writer Edward Boyd was well known for his TV and radio plays, including The Corridor People and The View from Daniel Pike, and he also penned several episodes of Z-Cars. He specialised in the thriller genre, and this collection showcases six of his best radio crime dramas.

Tony Robinson stars in this BBC Radio 4 full-cast dramatisation of E. T. A. Hoffmann's renowned Christmas story, which inspired Tchaikovsky's ballet The Nutcracker. It is Christmas Eve, and young Mary and Fred are opening presents from their godfather, Drosselmeier the toymaker. Mary's favourite gift is a nutcracker soldier, and she is disappointed when his jaw breaks on a particularly hard nut.

Johnny Maxwell and his friends have to do something when they find Mrs Tachyon, the local bag lady, semi-conscious in an alley...as long as it's not the kiss of life. But there's more to Mrs Tachyon than a squeaky trolley and a bunch of dubious black bags. Somehow she holds the key to different times, different ears: including the Blackbury Blitz in 1941. Suddenly, now isn't the safe place Johnny once thought it was as he finds himself caught up more and more with then.

To the consternation of the patrician, Lord Vetinari, a new invention has arrived in Ankh-Morpork - a great clanging monster of a machine that harnesses the power of all of the elements: earth, air, fire and water. This being Ankh-Morpork, it's soon drawing astonished crowds, some of whom caught the zeitgeist early and arrive armed with notepads and very sensible rainwear.

A Bright New Dawn is just around the corner for thousands of tiny nomes when they begin to move into the ruined buildings of an abandoned quarry. Or is it? Soon strange things start to happen. Like the tops of puddles growing hard and cold, and the water coming down from the sky in frozen bits. Then humans appear and they really mess everything up. But how long will the nomes be able to keep the humans at bay: even with the help of the monster Jekub? A hilarious sequel to Truckers.

Mightily Oats has not picked a good time to be priest. He thought he'd come to the mountain kingdom of Lancre for a simple little religious ceremony. Now he's caught up in a war between vampires and witches, and he's not sure there is a right side.