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The Sunday Times top ten bestselling memoir of Tracey Thorn's 30-year pop career with Marine Girls and Everything But The Girl, and her collaborations with Paul Weller, Massive Attack and Todd Terry. 'I was only sixteen when I bought an electric guitar and joined a band. A year later, I formed an all-girl band called the Marine Girls and played gigs, and signed to an indie label, and started releasing records. Then, for eighteen years, between 1982 and 2000, I was one half of the group Everything But the Girl.

In a 1970s commuter town, Tracey Thorn's teenage life was forged from what failed to happen. Her diaries were packed with entries about not buying things, not going to the disco, the school coach not arriving. Before she was a best-selling musician and writer, Tracey Thorn was a typical teenager: bored and cynical, despairing of her aspirational parents. Her only comfort came from house parties, Meaningful Conversations and the female pop icons who hinted at a new kind of living.

In her bestselling autobiography, Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a 30-year career in pop music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage fright.

One half of duo Everything but the Girl as well as a solo artist, Tracey Thorn is a singer, a writer, a mother, a wife, a feminist, and so much more. In Another Planet: A Teenager in Suburbia, we are given an insight into life before music...and when the music begins to arrive. In this interview, Tracey spoke to us about the intrigue of her 'hilariously dull' teenage diary entries, buying her first guitar, and tells us the lyrics of an early song she wrote - an ode to music journalist Julie Burchill.