Showing results by narrator "Sian Clifford" in All Categories

Time is a resource. Everyone knows it has to be managed. You mess with it at your peril. You can let it move fast or slowly, but what you mustn't do is allow it to stop. The Monks of History have the glamorous job of time management in the Discworld. They store it and pump it from the places where it's wasted (like underwater—how much time does a codfish need?) to places like cities, where there's never enough time. But the construction of the world's first truly accurate clock starts a race against, well, time for Lu Tze and his apprentice Lobsang Ludd.

Being 16 is always difficult, even more so when there's a Death in the family. After all, it's hard to grow up normally when Grandfather rides a white horse and wields a scythe. Especially if he decides to take a well-earned moment to uncover the meaning of life and discover himself in the process, so that you have to take over the family business, and everyone mistakes you for the Tooth Fairy.

Death comes to us all. When he came to Mort, he offered him a job. Death is the Grim Reaper of the Discworld, a black-robed skeleton with a scythe who ushers souls into the next world. He is also fond of cats and endlessly baffled by humanity. Soon Death is yearning to experience what humanity really has to offer, but to do that, he'll need to hire some help. It's an offer Mort can't refuse. As Death's apprentice he'll have free board, use of the company horse—and being dead isn't compulsory. It's a dream job—until Mort falls in love with Death's daughter, Ysabell.

Olive is many things. Independent. Adrift. Anxious. Loyal. Kind. Knows her own mind. It’s okay that she’s still figuring it all out, navigating her world without a compass. But life comes with expectations, there are choices to be made, boxes to tick and - sometimes - stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices - because life according to Olive looks a little bit different.

Death has been fired by the Auditors of Reality for the heinous crime of developing…a personality. Sent to live like everyone else, Death takes a new name and begins working as a farmhand. He's got the scythe already, after all. And for humanity, Death is just…gone. Which leads to the kind of chaos you always get when an important public service is withdrawn. If Death doesn't come for you, then what are you supposed to do in the meantime? You can't have the undead wandering about like lost souls—there's no telling what might happen.

The stockings are hanging ready, the sherry and pies are waiting by the fireplace - but where is the jolly fat man with his sack? It's not right to find Death creeping down chimneys and trying to say 'Ho ho ho'—but someone's got to bring the little kiddies their presents. Or else they might stop believing. Belief is important in Discworld, particularly on the last night of the year when the time is turning. If the real man in the red suit isn't found by morning, there won't be a morning. Ever again....

In his first-ever short story collection, which spans forty years of work and features many never-before-published pieces, international bestselling author and legendary creator of From Hell, The League of Extraordinary Gentlemen and other modern classics, Alan Moore, presents nine stories full of wonder and strangeness, each taking us deeper into the fantastical underside of reality.

From Dickens's A Christmas Carol to the ghost stories of M.R. James, the tradition of a haunted tale at Christmas has flourished across the centuries. The twelve stories of The Winter Spirits are all centred around Christmas or Advent, boldly and playfully re-imagining a beloved tradition for a modern audience. Taking you from a haunted Tuscan villa to a remote Scottish island with a dark secret, and drawing inspiration from festive traditions from all around the globe, these vibrant haunted stories are your ultimate companion for frosty nights.

When Tess Durbeyfield is driven by family poverty to claim kinship with the wealthy D'Urbervilles and seek a portion of their family fortune, meeting her 'cousin' Alec proves to be her downfall. A very different man, Angel Clare, seems to offer her love and salvation, but Tess must choose whether to reveal her past or remain silent in the hope of a peaceful future. With its sensitive depiction of the wronged Tess and powerful criticism of social convention, Tess of the D'Urbervilles is one of the most moving and poetic of Hardy's novels.

In summer 1939, war was brewing. Eileen Alexander was a bright young graduate just leaving Cambridge and newly smitten with Gershon Ellenbogen, a fellow student who had inadvertently involved her in a car crash. Her first letter to him, written from the hospital, sparked a correspondence that would last the length of the war and define the love of their lifetimes. Love in the Blitz is a remarkable portrait of one woman’s coming-of-age. Her previously undiscovered letters are vivid, intimate and crackling with intelligence.

With an incredible list of celebrated contributors including DAVID SEDARIS, NAOMI FRY, PATTI SMITH, SIAN CLIFFORD and JIA TOLENTINO, My First Popsicle revels in the delights of food in all its forms. Edited by ZOSIA MAMET—Shoshanna in Girls—this is a riotous, mouth-watering celebration of jelly, mac and cheese, donuts, the best sandwich in the entire world—and much more.

From New York Times bestselling author Alan Moore—one of the most influential writers in the history of comics—"a wonderful collection, brilliant and often moving" (Neil Gaiman) which takes us to the fantastical underside of reality. In his first-ever short story collection, which spans forty years of work, Alan Moore presents a series of wildly different and equally unforgettable characters who discover—and in some cases even make and unmake—the various uncharted parts of existence.