Showing results by narrator "Robin Speare" in All Categories

Rosie was betrayed and rejected by her mate and sent back to Orca Cove against her wishes, but nothing will stop her from returning to her true home. Rosie and her father team up, trying to get back to the Enchanted Vale so that Rosie can see her Princes again and they can find her mother who has been missing for 25 years. When Rosie manages to tap into the magic of Castletree and make contact with Prince Ezryn of the Spring Realm, she begs him to bring her home.

The fourth book in the Beasts of the Briar series, a spicy Beauty and the Beast retelling filled with morally grey characters, a stupidly hot villain and a Princess who has found her Prince Charming. All four of them.

Since Rosalina O’Connell journeyed to the Enchanted Vale, she has discovered many things about herself. Most importantly, she is the fated mate of Prince Keldarion and Prince Farron and she is half fae. Meaning her missing mother, wasn’t stolen by fae, she is fae. In her new fae form Rosalina attempts to discover the magic hidden inside while keeping Castletree standing as the Princes are forced to return to their realms due to the aftermath of the attack on Autumn.

Rosalina O’Connell lives her life in Orca Cove as quietly as she can. Known as the daughter of Crazy George she tries to keep her head down. But George isn’t crazy, he’s searching for his wife who disappeared, and is convinced she was stolen by fae. When George goes missing, Rosie goes after him and finds herself in a new world, the Enchanted Vale, the world of the fae and her father has been imprisoned in Castletree by the Winter Prince. Rosie has no choice but to make a deal to take her father’s place, meaning she must remain in Castletree forever.

From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included “any inference” of the lives of homosexuals. In a landmark 1981 book, gay activist Vito Russo famously condemned Hollywood’s censorship regime, lambasting many midcentury films as the bigoted products of a “celluloid closet.”