Showing results by narrator "Gemma Carfi" in All Categories

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played 'The Thin Kid' is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming and the dangerous crossed lines on set that resulted in tragedy.

Art Barbara was so not cool. He was a 17-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers’ Club was cool. And she brought along her Polaroid camera to take pictures of the corpses. Okay, that part was a little weird. So was her obsessive knowledge of a notorious bit of New England folklore that involved digging up the dead.

They say that the higher you climb, the harder you fall—and Madison Clarke will do anything to keep her new life from crumbling to pieces. Moving from a small town in Maine to Florida, Madison grasps the opportunity to reinvent herself, to forget about those days of being a lonely, loser outcast, and jumps at the chance when the popular kids decide to take her under their wing.

Mulberry Hotel, perched on a clifftop above a sweeping bay, was once the heart and soul of pretty seaside town Mulberry Bay. Run by the Harte family for years, the place itself is almost as beloved as cheery landlady Anna. The hotel was also once home to 30-something sisters Eleanor and Penny, and while youngest sister Penny still lives close by, it's been some time since Elle has visited. But following a family tragedy, Elle is forced to return from her busy London life and reassess her past.

The Magpie Wing is set on football fields, in sharehouses, at punk gigs and in dilapidated and gentrifying pubs. Max Easton’s debut novel moves from the nineties to the present, and between the suburbs and the inner city, exploring how communities that appear worlds apart—underground music scenes, rugby league clubs, communist splinter groups—often share unexpected roots.

Ashley Bennett is a straight-A student in her junior year of high school, and life is looking good: she's got a boyfriend whom she loves, a group of friends who love to party. But really, Ashley loves to curl up at home with a good book, and she can't wait to go to college. When junior year starts, the life Ashley's settled into is turned upside down - the empty house next door has finally been sold, and moving in is Todd O'Connor.

When funny, kind and gorgeous Shane proposes, Cara is over the moon, and can't wait to share the news of their engagement with all their friends and family. Excitement, however, quickly turns to apprehension when it seems that everyone has a fixed idea of the perfect wedding and offers to 'help' with the planning. With tussles over the ceremony and the size of the guest list, sibling rivalry and insistent in-laws-to-be, Cara can see her vision of the big day being ripped to shreds.

It’s 2022 and Helen is starting again. Newly single, dogged by grief, adrift in a hostile rental market, she finds a four-bedroom house flanked by apartment blocks that stare into the yard. Despite the lack of privacy, she fills its rooms with an unlikely group of residents looking for communal belonging: zine maker, activist, disaffected artist, part-time rugby league player – each looking to build a future, each haunted by their recent past. But if a rented house in Sydney could ever promise salvation, it would come with a coating of black mould.

The Magpie Wing is set on football fields, in sharehouses, at punk gigs and in dilapidated and gentrifying pubs. Max Easton’s debut novel moves from the nineties to the present, and between the suburbs and the inner city, exploring how communities that appear worlds apart—underground music scenes, rugby league clubs, communist splinter groups—often share unexpected roots.

Rosie Royce is trying to live her best life. Really, she is. But it seems like life hasn't gotten the memo. It's been six years since childhood sweetheart Wes Preston jumped on a plane and never looked back, and Rosie spends most nights spooning her laptop. If she has to swipe on one more bloke posing with a sedated tiger, she'll scream. An impulse move to the idyllic country town of Mudgee is the fresh start Rosie needs, as she trades in her high-pressure marketing career for a laidback gig in local radio. Hell, she may even meet one of those dreamy farmers she's seen on TV.

It’s 2022 and Helen is starting again. Newly single, dogged by grief, adrift in a hostile rental market, she finds a four-bedroom house flanked by apartment blocks that stare into the yard. Despite the lack of privacy, she fills its rooms with an unlikely group of residents looking for communal belonging: zine maker, activist, disaffected artist, part-time rugby league player – each looking to build a future, each haunted by their recent past. But if a rented house in Sydney could ever promise salvation, it would come with a coating of black mould.