Showing results by narrator "Elliot Levey" in All Categories

In April 1942, Hitler and Mussolini plan the huge offensive on the Eastern Front that will culminate in the greatest battle in human history. Hundreds of miles away, Pyotr Vavilov receives his call-up papers and spends a final night with his wife and children in the hut that is his home. As war approaches, the Shaposhnikov family gathers for a meal: despite her age, Alexandra will soon become a refugee, Tolya will enlist in the reserves, Vera, a Nurse, will fall in love with a wounded pilot and Viktor Shtrum will receive a letter from his doomed mother which will haunt him forever.

London, 1942. Flight Lieutenant David Heron, home on convalescent leave, awakes to the news that a murder victim has been discovered in the garden of his boardinghouse. With a week until his service resumes, David sets out to solve the murder. Drawn into a world of mystery and double-dealing, he soon realises that there is more to the inhabitants of the boardinghouse than meets the eye and that wartime London is a place where opportunism and the black market are able to thrive. Can he solve the mystery before his return to the skies?

Vasily Grossman, author of Life and Fate, was transformed by his experiences as a war correspondent. Following the shock invasion of the Soviet Union in June 1941, Grossman volunteered for front line duty. Declared unfit for active service he was assigned to Red Star newspaper as a special correspondent. In these BBC Radio programmes, Elliot Levey reads three of Vasily Grossman's front line despatches.

On an ordinary day in a strangely unfamiliar London, Kleinzeit is fired from his advertising job and told he must go to hospital with a skewed hypotenuse. There on Ward A4, he falls in love with the divine, rosy-cheeked Sister and is sent spinning into a quest involving, among other things, a glockenspiel, sheets of yellow paper, Orpheus, the Underground and that dirty chimpanzee, Death.

Kwasi Kwarteng is the child of parents whose lives were shaped as subjects of the British Empire, first in their native Ghana, then as British immigrants. He brings a unique perspective and impeccable academic credentials to a narrative history of the British Empire, one that avoids sweeping judgmental condemnation and instead sees the Empire for what it was: a series of local fiefdoms administered in varying degrees of competence or brutality by a cast of characters as outsized and eccentric as anything conjured by Gilbert and Sullivan.