Showing results by narrator "Amir Abdullah" in All Categories

Decolonization has lost its way. Originally a struggle to escape the West's direct political and economic control, it has become a catch-all idea, often for performing "morality" or "authenticity;" it suffocates African thought and denies African agency. Olúfemi Táiwò fiercely rejects the indiscriminate application of 'decolonization' to everything from literature, language and philosophy to sociology, psychology and medicine. He argues that the decolonization industry, obsessed with cataloguing wrongs, is seriously harming scholarship on and in Africa.

The sudden death of Not Sidney Poitier's mother orphans him at age eleven. He is left with a name no one understands, an uncanny resemblance to an Oscar winning actor, and serious amount of shares in the Turner Corporation. Percival Everett's novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin colour with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not Sidney learns to navigate a world that doesn't know what to do with him.

The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it.

Unlike their younger brother, André, whose star as a comedian is rising, neither Dwayne nor Brick Duquesne is having luck with his career - and they're unluckier still in love. Former child star Dwayne has just been fired from his latest acting role and barely has enough money to get by after paying child support to his spiteful former lover, while Brick struggles to return to his uninspiring white-collar job after suffering the dual blows of a health emergency and a nasty breakup with the woman he still loves.

After winning Olympic medals for Britain in 1920, Harry Edward (1898-1973) decided to try his luck in America. The country he found was full of thrilling opportunity and pervasive racism. Immensely capable and energetic, Harry rubbed shoulders with kings and presidents, was influential in the revival of Black theatre during the Harlem Renaissance, and became a passionate humanitarian and advocate for child welfare.

Venice, 2020. As a pandemic rages across the globe, Zito Madu finds himself in a nearly deserted city, its walls and basilicas humming with strange magic. As he wanders a haunted landscape, we see him twist further into his own past: his family's difficult immigration from Nigeria to Detroit, his troubled relationship with his father, the sporadic joys of daily life and solitude, his experiences with migration, poverty, foreignness, racism, and his own rage and regret.

The System is XP and level-up based. The unique part is the System-based abilities that can be learned through the collection of magic cores, little orbs that have magical abilities, and weapon arts—a person has certain weapons that match them. There are quests, individual achievements, stats to gain, and recognition by the System for providing the greatest service/efforts during mass party quests, and more.

For Zuberi, Uzochi, and Lencho, Nubia is a mystery. Before they were born, a massive storm destroyed their ancestral homeland, forcing their families to flee across the ocean to New York City. Nubia, a utopic island nation off the coast of West Africa, was no more, and their parents’ sorrow was too deep for them to share much of their history beyond the folklore. But New York, ravaged by climate change and class division, is far from a safe haven for refugees, and Nubians live as outcasts.

After refusing to participate in a police department cover-up involving the death of a young black man, Chicago detective Ashe Cayne is pushed out of the force. But he won’t sit quietly on the sidelines: he’s compelled to fight for justice as a private investigator. When a young woman, Tinsley Gerrigan, goes missing, her wealthy parents from the North Shore hire Cayne to find her. As Cayne looks into her life and past, he uncovers secrets Tinsley’s been hiding from her family. Cayne fears he may never find Tinsley alive.

Zaire. Late 90's. Mobutu's thirty-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out . . . Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the "Madonna of the Cafunfo Mines."

Reparations for slavery have become a reinvigorated topic for public debate over the last decade. Most theorizing about reparations treats it as a social justice project—either rooted in reconciliatory justice focused on making amends in the present; or, they focus on the past, emphasizing restitution for historical wrongs. Olúfemi O. Táiwò argues that neither approach is optimal, and advances a different case for reparations—one rooted in a hopeful future that tackles the issue of climate change head on, with distributive justice at its core.

Born to a wealthy family in West Africa around 1770, Omar Ibn Said was abducted and sold into slavery in the United States, where he came to the attention of a prominent North Carolina family after filling "the walls of his room with piteous petitions to be released, all written in the Arabic language," as one local newspaper reported. Ibn Said soon became a local celebrity, and in 1831 he was asked to write his life story, producing the only known surviving American slave narrative written in Arabic.

He was born the mixed-race son of a negligent, drug-dealing pimp father and a struggling single mother. He was raised in the slums of Dayton, Ohio, suffered incredible abuse and racism, and had multiple stints in the juvenile justice system. He barely graduated high school and has no college degree. No one expected him to succeed. But succeed he did. Gripping, heartbreaking, enlightening, and ultimately uplifting, I Got There proves that no obstacle is too difficult to conquer - and that the game can be won by anyone, from anywhere.

Empire of Rubber tells a sweeping story of capitalism, racial exploitation, and environmental devastation, as the Firestone Tire and Rubber Company transformed Liberia into America's rubber empire. Scouring remote archives, historian and filmmaker Gregg Mitman reveals a history of racial segregation and medical experimentation that reflected Jim Crow America—on African soil. As Firestone reaped fortunes, wealth and power concentrated in the hands of a few elites, fostering widespread inequalities that fed unrest, rebellions and, eventually, civil war.

With lively writing and illuminating examples, David Caplan argues that two characteristics mark the vast, contentious literature. On the one hand, several of America's major poets and critics claim that America needs a poetry equal to the country's distinctiveness. They advocate for novelty and for a break with what is perceived to be outmoded and foreign.

The idea that religion has undergone a radical change since the Christian Reformation—from totalitarian and socially repressive to private and relatively benign—is a familiar part of the story of secularization. It is often invoked to explain and justify the liberal politics and world view of modernity. And it leads to the view that "politicized religions" threaten both reason and liberty. Asad's essays explore and question all these assumptions.

In 1852, Frederick Douglass, former slave and, by then, a leading figure in the abolitionist movement was asked by the Rochester Ladies' Anti-Slavery Association to address the group for their July 4th celebration at Corinthian Hall in Rochester, New York. The speech caused an immediate sensation and swiftly became a seminal rallying cry of the abolitionist movement in America. The audience in Rochester included none other than President Millard Fillmore.

Not much daunts Rakta Velbrun. He has immigrated from Rusk to the Certillian Empire, traveled the realm battling unspeakable creatures with his adventuring guild, and faced off against the Warlock King himself. But when his wife, Lydia, passes away in childbirth, leaving him the sole caretaker of their three infant children, he finds himself in unfamiliar territory.

With the publication of his two early works, Black Theology & Black Power (1969) and A Black Theology of Liberation (1970), James Cone emerged as one of the most creative and provocative theological voices in North America. His books offered a searing indictment of white theology and society and introduced a radical presentation of the Christian message of our time. Combining the visions of Malcolm X and Martin Luther King Jr., Cone radically reappraised Christianity from the perspective of the oppressed black community in North America.

Best-selling author Rick Riordan presents the finale of Kwame Mbalia's trilogy, in which Tristan Strong faces off with his archenemy, King Cotton, once and for all.