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The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; George Orwell; and Mary Shelley, amongst a host of others.

Four books...one groundbreaking author. This collection includes Mrs Dalloway (1925), To the Lighthouse (1927), A Room of One’s Own (1929), and The Waves (1931).

Five stories from influential women writers of the 19th century and the first decades of the 20th century. New Zealand-born Katherine Mansfield settled in England where she wrote a series of short stories that are widely recognized as among the finest of the 20th century for their economy, clarity, sensitivity and effect. "The Garden Party" is one of her most famous, while "Daughters of the Late Colonel" shows a wonderful sense of wit.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

Challenging the view that autism is something that needs to be ‘cured', Virginia Bovell testifies to the extraordinary care Danny has received for over 30 years and the everyday kindness and decency of the people – ‘the band of angels' – that surround him. She asks us to consider what makes a thriving individual versus an inadequate one; what it means to be ill versus what it means to not to conform; what roles society values and rewards; and how humans might flourish outside of failing political and economic systems.

Single mom Jeanie Long was trying to save her butt at work by reporting her manager to the company owner. Instead she finds herself greeted warmly by gorgeous company CEO Camden James...and introduced to his father as his fiancée. Now she's been hired - complete with a hefty pay raise - to be the fake fiancée of the infamous "Penthouse Prince". Camden doesn't believe in love. He believes in mutually beneficial business arrangements.

A treasure chest of timeless short stories by some of the world's greatest authors.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

A father's wounded heart. A mother's patient love. An eager boy, an impetuous girl, and, above all, the healing power of nature. These are the classic ingredients that fill Virginia Sorensen's Newbery Award-winning novel with a tender power and lift it to classic status.

In the early years of its existence, the Times Literary Supplement published some of the finest writers in English: T. S. Eliot, Henry James and E. M. Forster among them. But one of the paper’s defining voices was Virginia Woolf, who produced a string of superb essays between the two World Wars. The weirdness of Elizabethan plays, the pleasure of revisiting favourite novels, the supreme examples of Charlotte Brontë, George Eliot and Henry James, Thomas Hardy and Joseph Conrad.

El señor y la señora Pounds han contratado a Winifred Notty para que cumpla el rol de la perfecta institutriz victoriana: dará clases a sus pupilos (francés y costura a Drusilla y álgebra e historia al pequeño Andrew) y les contará cuentos antes de dormir. Pero Ensor House y sus habitantes ocultan más perversiones y secretos que la perturbada señorita Notty, capaz de convertir un té con elegantes invitados y bebés en el salón en un acontecimiento macabro.

Night and Day, is a story about a group of young people trying to discover what it means to fall in love. It asks all the big questions: What does it mean to fall in love? Does marriage grant happiness? What is happiness? Night and Day is a conventional novel; however, it maps out for us the world of Virginia Woolf in its wondrous prose: for her it was the beginning, leading on to a prolonged engagement with her search for the means to express the 'inner life'.

For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. The novel's use of stream of consciousness, reminiscence and shifting perspectives gives it an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

On a June morning in 1923, Clarissa Dalloway is preparing for a party and remembering her past. Elsewhere in London, Septimus Smith is suffering from shell-shock and on the brink of madness. Their days interweave and their lives converge as the party reaches its glittering climax. Here, Virginia Woolf perfected the interior monologue and the novel's lyricism and accessibility have made it one of her most popular works.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing writing on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

The unabridged, downloadable audiobook edition of Virginia Nicholson's Millions Like Us: Women's Lives in the Second World War. A special multi-voice recording featuring five actresses that bring to life the hundreds of personal testimonies, diary entries and books that make up this superb study. Read by Patience Tomlinson, Annie Aldington, Rachel Bavidge, Julie Maisey and Georgina Sutton.

Between the Acts is often an overlooked work in her oeuvre because she did express her intention to revise it before publication, though in the event this never happened. So it comes as a surprise to find that, while it probably would have benefited from revision, it is something of an unpolished gem, at times sparkling and actually very engaging. The writing is subtle, varied in tone and purpose; at times serious and complex and at others lighthearted and even downright funny. And unpredictable.