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This Science Fiction Collection brings together 20 iconic works from some of the genre's most influential authors. Featuring Ray Bradbury's atmospheric The Monster Maker and Rocket Summer, Isaac Asimov's thought-provoking Youth, E.M. Forster's dystopian The Machine Stops, and H.G. Wells' timeless masterpiece The Time Machine, the anthology explores a wide range of speculative themes. From futuristic worlds and artificial intelligence to time travel and human survival, this collection delves into the challenges and possibilities of the future.

The Ultimate Science Fiction Mega Collection contains 16 of the greatest science fiction works ever written.

Abbott used the fictional two-dimensional world of Flatland to offer pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions, for which the novella is still popular amongst mathematics, physics, and computer science students. Several films have been made from the story, including a feature film in 2007 called Flatland. Other efforts have been short or experimental films, including one narrated by Dudley Moore and a short film with Martin Sheen titled Flatland: The Movie.

A work that still poses provocative questions about perception and reality, Flatland is a brilliant parody of Victorian society where all existence is limited to length and breadth - its inhabitants unable even to imagine a third dimension. The amiable narrator, A. Square, provides an overview of this fantastic world - its physics and metaphysics, its history, customs and religious beliefs. But when a strange visitor mysteriously appears and transports the incredulous Flatlander to the Land of Three Dimensions, his worldview is forever shattered.

The story is about a two-dimensional world referred to as Flatland. All existence is limited to length and breadth in Flatland, its inhabitants unable even to imagine a third dimension. The amiable narrator, A Square, provides an overview of this fantastic world---its physics and metaphysics, its history, customs, and religious beliefs. But when a strange visitor mysteriously appears and transports the incredulous Flatlander to Spaceland, a land of three dimensions, his worldview is forever shattered.

This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed audiences for more than 100 years. The work of English clergyman, educator, and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women - thin, straight lines - are the lowliest of shapes, and where men may have any number of sides, depending on their social status.

Flatland, first published in 1884, is classic work of satire. The full title, Flatland: A Romance of Many Dimensions, reveals the story's most compelling characteristic, its discussion of multiple dimensions. It is this fascinating examination which has contributed to Flatland's enduring popularity.

A masterpiece of classic science fiction. Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions. Physicists and science popularizers Carl Sagan and Stephen Hawking have both commented on and postulated about the effects of Flatland.

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions.

Flatland is populated by Squares, Triangles, Circles, and Lines, all of which are strictly divided by class and gender. However, our narrator, A Square, living a practical life in this two-dimensional universe, dreams of other worlds. Perhaps A Sphere, a figure from a three-dimensional realm, can help drive home the point. But, as A Square soon discovers, educating Flatland about the shapes of things to come proves to be a dangerous infraction.

Flatland, like our own world, is on the verge of the millenium. On the last day of the year 1999, a Square—hitherto undistinguished from the other shapes of his two-dimensional world—receives the Gospel of Three Dimensions, revealed to that world's flat inhabitants only once every a thousand years. Transformed by a truth he is unable to conceal, he is promptly condemned as a heretic.

In Flatland, originally published in 1884, a humble square describes his two-dimensional world to benefit the inhabitants of Spaceland, the three-dimensional realm he discovers when he is visited by a being from beyond his plane. With dry wit and wild imagination, author Edwin Abbott Abbott builds a meticulous fantasy world rooted in an astute apprehension of psychology, politics, and social structures, as well as basic geometry. The story of Flatland, at once ridiculous and profound, delivers an incisive satire of social discourse that remains remarkably relevant today.

Math. Geometry. Physics. Violence? Is this the same book I read in school? Yep. One of the joys of rediscovering old books is that they still have the ability to surprise, even shock. "If my poor Flatland friend retained the vigour of mind which he enjoyed when he began to compose these Memoirs, I should not now need to represent him in this preface, in which he desires, fully, to return his thanks to his readers and critics in Spaceland ... But he is not the Square he once was. Years of imprisonment, and the still heavier burden of general incredulity and mockery, have combined with the ...

Enter the fascinating world of Flatland, a timeless classic that blends mathematics, philosophy, and societal commentary into an imaginative tale of dimensions. In this groundbreaking novella, Edwin A. Abbott introduces listeners to a two-dimensional universe inhabited by geometric shapes. Narrated by a humble square, the story explores life in a flat plane where hierarchy is determined by shape and angles, offering sharp insights into the rigid class systems of Abbott’s time—and our own.

Part geometry lesson, part social satire, this classic work of science fiction brilliantly succeeds in enlarging all readers' imaginations beyond the limits of our 'respective dimensional prejudices. In a world where class is determined by how many sides you possess, and women are straight lines, the prospects for enlightenment are boundless, and Abbott's hypotheses about a fourth and higher dimensions seem startlingly relevant today.

Written by Edwin A. Abbott, under the pseudonym "a square", Flatland offers pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions. Noted science writer Isaac Asimov has described Flatland as "The best introduction one can find into the manner of perceiving dimensions. " As such, Flatland is very popular amongst mathematics, physics, and computer-science students.

Flatland: A Romance of Many Dimensions is a satirical novel by the English author Edwin Abbott Abbott, first published in 1884. The book used the fictional two-dimensional world of Flatland to comment on Victorian culture, but the novella's enduring contribution is its examination of dimensions.

Flatlandia fu scritto nel 1888 da Edwin Abbott Abbott. Il racconto, fantastico, racconta la vita di un abitante di un ipotetico universo bidimensionale che entra in contatto con l'abitante di un universo tridimensionale. È un racconto che affronta da un punto di vista della matematica e della geometria il tema della multidimensionalità dell'universo.

Flatland: A Romance of Many Dimensions is an 1884 science fiction novel. As a satire, Flatland offered pointed observations on the social hierarchy of Victorian culture. However, the book's more enduring contribution is its examination of dimensions. In a foreword to one of the many publications of the book, noted science fiction author Isaac Asimov described Flatland as “The best introduction one can find into the manner of perceiving dimensions.”

With this satirical novella, English schoolmaster Edwin A. Abbott provides both a mathematical fantasy and pointed observations on the social hierarchy of Victorian culture. The narrator, “a Square,” resides in the fictional two-dimensional world of Flatland. When he is visited by a sphere, he is suddenly faced with proof of the existence of three dimensions and is forced to see the limitations of his world.