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The British Classics Collection: Volume One is a century-spanning collection of 24 classic works of fiction and poetry by British authors, read by a cast of incredible narrators including Stephen Fry, Joanne Froggatt, Jason Isaacs, Adjoa Andoh, and many more. Included here are stories by some of the greatest writers of all time, including Charles Dickens; Emily Brontë; Jane Austen; Thomas Hardy; George Eliot; D.H. Lawrence; George Orwell; and Mary Shelley, amongst a host of others.

Four books...one groundbreaking author. This collection includes Mrs Dalloway (1925), To the Lighthouse (1927), A Room of One’s Own (1929), and The Waves (1931).

Five stories from influential women writers of the 19th century and the first decades of the 20th century. New Zealand-born Katherine Mansfield settled in England where she wrote a series of short stories that are widely recognized as among the finest of the 20th century for their economy, clarity, sensitivity and effect. "The Garden Party" is one of her most famous, while "Daughters of the Late Colonel" shows a wonderful sense of wit.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Based on two lectures Woolf delivered at the University of Cambridge, A Room of One’s Own compellingly argues for women’s intellectual freedom and the importance of financial independence. It is still considered one of the most powerful pieces of feminist writing to this day. Published in 1929, A Room of One’s Own asserts a simple message: in order for women to reach their full creative potential, they must have their own money and space with which to do it with.

In the dark and uncertain days of 1941 and 1942, when Rommel's tanks were sweeping towards Suez, a handful of daring raiders were making history for the Allies. They operated deep behind the German lines, often driving hundreds of miles through the deserts of North Africa. They hid by day and struck by night, destroying aircraft, blowing up ammunition dumps, derailing trains, and killing many times their own number.

In her letters to family and friends we come to know the life of Sybil Van Antwerp: stubborn, cantankerous, opinionated, always steadfast in her belief in the power of the written word. But as the clock begins to tick for Sybil, the need for a few post-scripts to the life she’s led becomes apparent. Fixing her difficult relationship with her children. Taking a final chance at romance. Atoning for an old legal case which has come back to haunt her. And finally, reckoning with a devastating loss that she has spent the last thirty years holding close to her chest.

Mrs. Dalloway, perhaps Virginia Woolf’s greatest novel, vividly follows English socialite Clarissa Dalloway as she prepares for a party in post-World War I London. Four-time Oscar nominee Annette Bening ( American Beauty, The Kids Are All Right) brings Woolf’s stream-of-consciousness style of storytelling to life, exploring the hidden springs of thought and action in one day of a woman’s life in a brilliant performance.

A treasure chest of timeless short stories by some of the world's greatest authors.

A single day becomes the entirety of a life in Virginia Woolf’s enduring exploration of a woman’s soul and purpose. As society hostess Clarissa Dalloway prepares for a party, she also reflects hour by hour on her past, her secret burdens, her safe marriage, and other compromises that have brought her to this moment in time. But elsewhere in London, a stranger, a damaged World War I veteran, makes irreversible choices of his own - choices that will intrude on Mrs. Dalloway’s reverie before the night is over.

Virginia Grohl, mother of Dave Grohl, had not seen any of it coming. Not the arenas of screaming fans, not Nirvana or the Foo Fighters, not the induction into the Rock and Roll Hall of Fame, and certainly not her son, Dave, performing with Sir Paul McCartney at the White House. Theirs had always been a life full of music - the Grohl family sang together on long car trips, harmonising to Motown and David Bowie - yet Virginia never expected her son to become a musician.

Known as one of Virginia Woolf's greatest works, Mrs. Dalloway is a bright, picturesque look at the simple life of an upper-class woman in London. Clarissa Dalloway is busy planning a party when her old suitor, Peter Walsh, shows up at her hour. On the outside, Mrs. Dalloway is seen to be society's perfect image of a housewife-dutiful, loyal, and sensible. But as soon as her past lover makes his appearance, Mrs. Dalloway can't help but remember their passionate affairs. She is faced with her choices, all of which strike a fear of growing old within her. These characters and their stories, rich...

Too young to be whisked away by a Stannah Stairlift or to enjoy the luxury of a walk-in-bath, Marie Sharp is horrified when a friend suggests she join a bookclub as she turns 60. Bookclub people feel they must poke their brain with a pointed stick to keep it working - they're as bad as oldies who cycle across Mongolia in their 80s or paraglide in their 90s. As far as Marie is concerned, they're tragic failures who haven't come to terms with ageing.

The collected BBC dramatisations of the fiction of Virginia Woolf, with star casts including Kristin Scott-Thomas, Vanessa Redgrave, Juliet Stevenson, Laura Fraser, Robert Glenister and Fenella Woolgar....

The unabridged, downloadable audiobook edition of Virginia Nicholson's Millions Like Us: Women's Lives in the Second World War. A special multi-voice recording featuring five actresses that bring to life the hundreds of personal testimonies, diary entries and books that make up this superb study. Read by Patience Tomlinson, Annie Aldington, Rachel Bavidge, Julie Maisey and Georgina Sutton.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing writing on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

A creature of routine and decorum, Mrs March lives an exquisitely controlled existence on the Upper East Side. Every morning begins the same way, with a visit to her favourite patisserie to buy a loaf of olive bread, but her latest trip proves to be her last when she suffers an indignity from which she may never recover: an assumption by the shopkeeper that the protagonist in George March’s new book - a pathetic sex worker, more a figure of derision than desire - is based on Mrs March.