Showing titles in African

The CliffsNotes study guide on Chinua Achebe's Things Fall Apart supplements the original literary work, giving you background information about the author, an introduction to the work, critical commentaries, and expanded glossaries, all for you to use as an educational tool that will allow you to better understand the work.

Translating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's remarkable debut explore this passage: between two worlds, ancestral and contemporary, between the living and the dead, between the gulf of who he is and how he is perceived. Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.

Eine Road-Novel über die Phantome der Vergangenheit, über Scham und über Wut und darüber, was es bedeutet, bei sich zu sein. Adikous Herkunft ist verschwommen, die Spuren ihrer Familiengeschichte sind verwischt, sie weiß nicht einmal, wie man ihren Namen richtig ausspricht. Dann, in einem drückend heißen Sommer, hält sie es in Paris nicht mehr aus. Adikou fliegt nach Lomé, Togo, dem Herkunftsort ihres Vaters, den sie nicht kennt.

Kayo Chingonyi's remarkable second collection follows the course of a 'blood condition' as it finds its way to deeply personal grounds. From the banks of the Zambezi river to London and Leeds, these poems speak to how distance and time, nations and history can collapse within a body. With astonishing lyricism and musicality, this is a story of multiple inheritances—of grief and survival, renewal and the painful process of letting go—and a hymn to the people and places that run in our blood.

Named after the first man at the creation of the world in Malagasy mythology, Ietsy Razak was raised to perpetuate the glory of his namesake and expected to be as illuminated as his Great Ancestor. But in the chaos of modernity, his young life is marked only by restlessness, maddening insomnia, and an adolescent apathy.

W.E.B. Du Bois, who drew from his own experiences as an African-American living in American society, explores the concept of "double-consciousness"—a term he uses to describe living as an African-American and having a "sense of always looking at one's self through the eyes of others." With Du Bois' examination of Black life in post-Civil War America, his explanation of the meaning of emancipation and its effect, and his views on the roles of the black leaders of his time, The Souls of Black Folk is one of the important early works in the field of sociology.

Amana hopes his dark secrets will never catch up with him. But when nearby villagers discover a mauled body near him, the residents assume the traveling monk is to blame. Amana suspects the grisly handiwork of a bloodthirsty, mythological creature. Determined to clear his name and catch the culprit, Amana follows the trail of bloody clues. When shadows from his own past tie in with the demonic attack, he's torn between his vow of pacifism and his duty to protect the defenseless.

A well-meaning American diplomat in South Africa tries to pacify his ferociously combative wife and anti-apartheid activist son by being reassigned to The Hague. But peace is hard to come by and, at an elegant New Year's Eve party, a harrowing betrayal is revealed. Judith Ivey recreates her acclaimed performance from the Lincoln Center production in this masterful drama from the author of The Substance of Fire.

Whether or not we realize it, affirmations are already part of our daily dialogue with others and with ourselves. Whatever we speak, proclaim, or declare is coming from a place of belief and acceptance, that what we have said already is, or will be so. Unfortunately, not all of our affirmations are positive, and over time we get stuck into habits of affirming in our lives the very things we do NOT desire.

Shining a light on the remarkable, untold stories of reconciliation in Rwanda since the genocide in 1994, Kill the Devil is a love story between a survivor and a perpetrator of genocide in a lesson for our times and for all time.

Professor Hakim Adi draws on a variety of published works in Black Voices on Britain, all of which describe powerful experiences: James Gronniosaw and his family endure poverty, illness and unemployment; Mary Prince is driven out by her cruel owners and turns to London charities for help; Frederick Douglass, on a lecture tour around Britain, reveals how the Christian clergy built churches with slave-owners’ money and William Wells Brown gives his impressions of England as he travels around a country which welcomes him more readily than America.

It's the spring of '76. For Elsa, her affair with Stanwell may well prove lethal, as she's white and he's black, and they dared to fall in love in apartheid South Africa. The terrified lovers are the prey in a deadly manhunt from the golden city of Johannesburg to the exotic but dangerous wilds of the African Bushveld.

Learning to kick a football in a suburban schoolyard. Finding your feet as a young black dancer. Discovering your grandfather’s poetry. Meeting Nelson Mandela at your local church. Facing racism from those who should protect you. Dreading a visit to the hairdresser. House-hopping across the suburbs. Being too black. Not being black enough. Singing to find your soul, and then losing yourself. Welcome to African Australia. Compiled by award-winning author Maxine Beneba Clarke, with curatorial assistance from writers Ahmed Yussuf and Magan Maga.

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

The first genocide of the 20th century, though not well known, was committed by Germans between 1904-1907 in the country we know today as Namibia, where they exterminated thousands of Herero and Nama people and subjected the surviving indigenous men, women, and children to forced labor. The perception of Africans as subhuman - lacking any kind of civilization, history, or meaningful religion - and the resulting justification for the violence against them is what author Elizabeth R. Baer refers to as the "genocidal gaze", an attitude that was later perpetuated by the Nazis.

The legends and fairy stories in this book belong to the Yoruba country of Southem Nigeria. They relate the adventures of men and animals, and try to explain the mysteries of nature - why women have long hair, how the leopard got his spots, and so forth. Most of them include very old songs, but these cannot here be given in full.

"Where does all the grief go when it's not tugging at your wrist?" Enyegue's debut collection is an ode to girlhood, to Blackness, to generational trauma, sexual assault, and mental health. This collection does not aim to heal anyone who listens to it, but instead help them confront their own healing. Rather than sugar-coated bullets that enter you lightly, these poems are designed to hurt.

Behind Enemy Lines is a collection of stories about ordinary people and anti-heroes dragged into a search for meaning in their lives - whether it is a simple search for identity and love or a bigger struggle for Africa's political freedom. The canvas of their actions, motivations, and circumstances is a Zimbabwe of the past, present, and future. Humorous, acerbic, funny, and tragic, the stories cover the whole gamut of emotions.

Avec pour toile de fond les bouleversements politiques du Nigeria des années 1980, le portrait inoubliable d'une femme qui fait le choix de la liberté... envers et contre tout. Yejide et Akin vivent une merveilleuse histoire d'amour. De leur coup de foudre à l'université d'Ifé, jusqu'à leur mariage, tout s'est enchaîné.

Collective Amnesia: The Audio Experience is the marriage of sound, poetry, music, and theatre making, a storytelling experience for the ears, transporting the listener from their reality into the worlds of the poems.