Showing titles in African

Avant, Gabriel faisait les quatre cents coups avec ses copains dans leur coin de paradis. Et puis l'harmonie familiale s'est disloquée en même temps que son "petit pays", le Burundi, ce bout d'Afrique centrale brutalement malmené par l'Histoire. Plus tard, Gabriel fait revivre un monde à jamais perdu. Les battements de cœur et les souffles coupés, les pensées profondes et les rires déployés, le parfum de citronnelle, les termites les jours d'orage, les jacarandas en fleur.

"Je suis la véritable trace, le plus solide des indices attestant de tout ce que nous avons vécu en dix ans en Algérie. Je cache l’histoire d’une guerre entière, inscrite sur ma peau depuis que je suis enfant." Aube est une jeune Algérienne qui doit se souvenir de la guerre d’indépendance, qu’elle n’a pas vécue, et oublier la guerre civile des années 1990, qu’elle a elle-même traversée. Sa tragédie est marquée sur son corps : une cicatrice au cou et des cordes vocales détruites. Muette, elle rêve de retrouver sa voix.

Omar Sharif leads an all-Egyptian cast in this three-part drama, recorded entirely in Egypt's capital. Adapted from Naguib Mahfouz's novels, this is a gripping family saga, with a monstrous father, a loving mother, and four children. It is set in seductive Cairo from 1917 to 1953, against a backdrop of political upheaval.

With her first full-length poetry collection, Warsan Shire introduces us to a girl who, in the absence of a nurturing guide, makes her own stumbling way toward womanhood. Drawing from her own life and the lives of loved ones, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls.

Quand l'ambition et la tradition tuent l'amour... Boussoura et Seini forment un couple moderne qui vit à Yaoundé. Il est médecin, elle est professeure de littérature. Une famille épanouie jusqu'au jour où tout bascule quand Seini est rattrapé par son passé. Fils de roi, il est appelé à prendre la succession. Malgré les réserves de son épouse, l'attrait du pouvoir est le plus fort. Devenu lamido, commandeur des croyants et garant des traditions et de la religion, il se transforme en roi tout-puissant.

Trois femmes, trois histoires, trois destins liés. Ce roman polyphonique retrace le destin de la jeune Ramla, arrachée à son amour pour être mariée à l'époux de Safira, tandis que Hindou, sa sœur, est contrainte d'épouser son cousin. Patience ! C'est le seul et unique conseil qui leur est donné par leur entourage, puisqu'il est impensable d'aller contre la volonté d'Allah. Comme le dit le proverbe peul : "Au bout de la patience, il y a le ciel." Mais le ciel peut devenir un enfer. Comment ces trois femmes impatientes parviendront-elles à se libérer ?

In The New Carthaginians, time – and with it the world – is out of joint. A hijacked plane lands at Entebbe International Airport in 1976, triggering the crisis that will lead to Idi Amin’s Uganda becoming a pariah state and, within a few years, to the young Nick Makoha’s flight from the country. A mysterious writer daubs poetic slogans on the walls of late-’70s New York City, signing them SAMO©. Concerned throughout with flight and falling, the sample and the loop, The New Carthaginians is a poetry collection of staggering originality.

Whilst it’s impossible to capture the essence of Nigeria in one story, its writers have given listeners the opportunity to experience the many different parts that make up Africa’s most populous nation. In Of This Our Country, acclaimed and award-winning Nigerian writers go a step further and describe their Nigeria, sharing personal essays about a country that holds so much more than any one perspective could. Through the words of these writers, a living portrait of Nigeria is woven, one that is as beautiful as it is complex.

L’inventaire des rêves, c’est avant tout la naissance de quatre grandes héroïnes, quatre femmes puissantes venues d’Afrique de l’Ouest dont les destins et les rêves se croisent. Chiamaka est une rebelle qui a déçu sa famille huppée du Nigeria, car au mariage avec enfants elle préfère vivre de sa plume, sans attaches.

The Willie Lynch Letter and the Making of a Slave is a study of slave making. It describes the rationale and the results of Anglo Saxon's ideas and methods of insuring the master/slave relationship. The infamous Willie Lynch letter gives both African and Caucasian students and teachers some insight, concerning the brutal and inhumane psychology behind the African slave trade.

Inventory of a Life Mislaid follows Marina Warner’s beautiful, penniless young mother Ilia as she leaves southern Italy in 1945 to travel alone to London. Her husband, an English colonel, is still away in the war in the East as she begins to learn how to be Mrs Esmond Warner, an Englishwoman.

Arrested in 1962 as South Africa's apartheid regime intensified its brutal campaign against political opponents, 44-year-old lawyer and African National Congress activist Nelson Mandela had no idea that he would spend the next 27 years in jail. During his 10,052 days of incarceration, Mandela wrote hundreds of letters to unyielding prison authorities, fellow activists, government officials, and, most memorably, his courageous wife, Winnie, and his five children. Now, 255 of these letters, a majority of which were previously unpublished, provide the most intimate portrait of Mandela since Long Walk to Freedom.

A new century, and a time of celebration, for family, marriages and children, and a necessity to expand the business. It is also a time for sadness, suffering and loss; Mother Africa does not change her rules for anyone. When all is against the Langbourne brothers, a higher loyalty must prevail.

When her husband dies, aging Miss Helen begins to fill her home in the remote South African bush with strange sculptures made from beer cans and old headlights. A local clergyman and a young woman visitor try to decide whether Miss Helen's peculiar art is an outpouring of creativity or an outbreak of madness.

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

The Journey Back is the blistering sequel to The Journey. Kalu is a doctor, who escaped an extremist revolution in Nigeria. He tried to get his family across the Sahara to look for passage to the safety of Europe but they were duped by ruthless people traffickers and his wife and two daughters were lost at sea. Fast forward twenty-years and his daughter, Kissie is in Ukraine when Russian tanks cross the border and his family are in terrible danger again.

There is something about the boy. When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian god: Demi is the Half-God of Rainfall. His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.

Amana hopes his dark secrets will never catch up with him. But when nearby villagers discover a mauled body near him, the residents assume the traveling monk is to blame. Amana suspects the grisly handiwork of a bloodthirsty, mythological creature. Determined to clear his name and catch the culprit, Amana follows the trail of bloody clues. When shadows from his own past tie in with the demonic attack, he's torn between his vow of pacifism and his duty to protect the defenseless.

This is a minute-by-minute depiction of a typical night at a legendary monthly house party known as 'The Wickedest'. Here, we meet a vivid cast of characters, young and old, all surfing a revelry steeped in camaraderie, community, desire and a spirit of jubilant defiance. A modern epic, The Wickedest explores the institution of shoobs or house parties and their vital role within working-class communities. The poems range from classical English sonnets to experimental forms and are immersively interwoven with text messages and ephemera.

Whether or not we realize it, affirmations are already part of our daily dialogue with others and with ourselves. Whatever we speak, proclaim, or declare is coming from a place of belief and acceptance, that what we have said already is, or will be so. Unfortunately, not all of our affirmations are positive, and over time we get stuck into habits of affirming in our lives the very things we do NOT desire.