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Volume one of the definitive collection of Seamus Heaney reading his own work, recorded in 2009 by RTE. Volume one contains four collections published between 1966 and 1975: Death of a Naturalist, Door into the Dark, Wintering Out and North.

Seamus Heaney’s new translation of Beowulf is a work that is both true to the original poem and an expression of something fundamental to Heaney’s own creative gift.One of the great classics of English literature, it tells the story of a hero who wins glory and learns wisdom and is then called upon to face a final test against the monstrous. There are obvious parallels to be found in the history of the twentieth century, and Heaney’s Beowulf cannot fail to be read partly in the light of his Northern Irish upbringing. But it also transcends such considerations, revealing psychological and spiritual truths that are both permanent and liberating.

Volume three of the definitive collection of Seamus Heaney reading his own work, recorded in in 2009 by RTE. Volume three contains four collections published between 1996 and 2010: The Spirit Level, Electric Light, District and Circle and Human Chain. To the RTE recordings Faber has added live readings by the poet of 11 poems from his 12th and final collection, Human Chain (2010).

Volume two of the definitive collection of Seamus Heaney reading his own work, recorded in 2009 by RTE. Volume two contains four collections published between 1979 and 1991: Field Work, Station Island, The Haw Lantern and Seeing Things.

Seamus Heaney had the idea to form a personal selection from across the entire arc of his poetry, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this in his lifetime, and no edition exists which has such a broad range, drawing from first collection to last.

The landmark selection of poems from the greatest poet of our age, read on audio by Seamus Heaney himself. 'His is "close-up" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.(John Banville )More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of. (John Carey)

The sixth book of Virgil's Aeneid, in which Aeneas travels into the underworld to meet the spirit of his father, is a story that captivated Seamus Heaney from his schooldays. But the work took on a special significance for him after the death of his own father, becoming a touchstone to which he would return as an adult. His noble and moving translation of book VI bears the fruit of a lifetime's concentration upon it: he began translating passages in the 1980s and was finalising the work right up to the summer of his death.

This critically acclaimed translation was awarded the Los Angeles Times Book Prize for Poetry and the Harold Morton Landon Translation Award given by the Academy of American Poets. Well versed, rapid, and various in style, the Inferno is narrated by Pinsky and three other leading poets: Seamus Heaney, Frank Bidart, and Louise Glück.

The half millennium between the creation of the English nation in around 550 and the Norman Conquest in 1066 was a formative one. This groundbreaking series rediscovers the Anglo-Saxons through vivid portraits of 30 incredible men and women, as told by their contemporary admirers.