Join us for an enchanting encounter with Arianna Maubach, the mezzo-soprano sensation who captured hearts and won accolades at the Canadian Opera Company's Center Stage Competition. Arianna takes us on a fascinating journey from her beginnings in a non-musical family to her discovery of a love for singing with the Toronto Children's Chorus. Despite having family in law and entrepreneurship, her passion was nurtured through rigorous training, leading her to the prestigious Royal Conservatory of Music and a Bachelor’s degree at the Eastman School of Music. Arianna reflects on her mentors who were pivotal in shaping her early musical education and career.

As we chat with Arianna, she paints a vivid picture of her preparations for the COC competition performance, sharing insights from her collaboration with music luminaries like Wendy Nielsen and Liz Upchurch. The episode peeks into Arianna’s meticulous aria selection process and her spellbinding experience performing under Maestro Debus, with the goal of savoring each moment on stage. With an ongoing residency at the Academy of Vocal Arts in Philadelphia, Arianna’s aspirations are soaring towards future engagements. Listen as she shares her excitement about upcoming performances, her exploration of new roles, and her burning desire to refine her craft while expanding her repertoire.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.

Join us for a heartfelt episode of the Opera Glasses podcast as Elizabeth Bowman hosts her final show and introduces the new Editorial Director of Opera Canada, Michael Jones. With an impressive career spanning from Choirs Ontario to the Saskatchewan Arts Board, Michael shares how his first live opera experience with Britten's “Death in Venice” ignited a lifelong passion. We discuss his vision for Opera Canada, his excitement for upcoming productions, and how his background uniquely positions him to lead this esteemed publication.

In a tribute to Opera Canada's rich history, we explore the vital role of the magazine's archival efforts in preserving the nation’s operatic legacy. Michael reveals plans to incorporate historical material into future editions, making opera more accessible and engaging for both enthusiasts and researchers. This episode is a blend of nostalgia, gratitude, and forward-looking optimism—truly a must-listen for any opera aficionado.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.

Banff Centre for Arts and Creativity is presenting a reimagined take on Poul Ruders's The Handmaid's Tale, a work-in-progress based on Margaret Atwood’s sobering novel. Composer Dan Scholsberg was commissioned to arrange the work for chamber ensemble using different technologies to evoke Gilead. The hope is for this arrangement to be used by more arts companies across the globe.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.

Prepare to be captivated as the extraordinary Irish-Canadian mezzo-soprano Wallis Giunta graces our podcast. She makes her Carnegie Hall debut tonight singing Christian Muthspiel’s brand-new arrangement of Kurt Weill 's The Seven Deadly Sins.

Wallis, a mother and a luminary on the international opera stage, dives deep into how she successfully balances her career and motherhood. Transitioning from the personal to the professional, we turn our spotlight to the shifting tides within the opera industry.

Don't miss this resonant episode which echoes with advice, anecdotes, and the pure joy of opera.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.

Greek-Canadian soprano Soula Parassidis joins us on The Opera Glasses podcast to talk about her organization, Living Opera, her Canadian debut in Montreal, and the international opera scene.

Soula, the driving force behind Living Opera, talks about how it all began—spoiler alert: the catalyst was her husband and Living Opera partner, Norman Reinhardt's journey overcoming performance anxiety. Living Opera offered a forum to share and invite performers to connect, feel heard, and learn from these experiences. The organization has grown into so much more since.

Soula's upcoming Canadian debut in Montreal on April 16 is a heartfelt convergence of her artistic journey and a testament to her resilience—overcoming cancer (years ago) and giving back through this performance—a fundraising event to raise funds for endometrial cancer. This episode paints a portrait of an artist not defined by her struggles, but empowered by them, using her voice to uplift others and channel art's healing power.

Join us for an episode that offers a glimpse behind the curtain and into the heart of an opera singer who believes in the transformative and accessible beauty of this timeless art form.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.

Embark on a riveting journey with The Opera Glasses Podcast as we host the magnificent Canadian baritone Elliot Madore, who opens up about the nuances of embodying roles in both contemporary and time-honoured operas. Elliot unveils the behind-the-scenes magic of collaborating with composer Matthew Aucoin for his role in Eurydice (Boston Lyric Opera) and contrasts this with his most recent performances with Edmonton Opera in the title role of their Don Giovanni.

He reflects on his long career to-date: the challenges of sustaining a career in opera, and what has given him the focus, and continued drive to deliver consistently fantastic performances.

This conversation delves into Elliot's growing Identity project which explores his own identity in collaboration with creatives including Canadian director Joel Ivany, composer Dinuk Wijeratne and acclaimed poet Shauntay Grant. This project signals the evolving dialogue within the opera community, inviting listeners to contemplate the transformative power of the Performing Arts.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.

Canadian soprano Simone Osborne graces the Opera Glasses podcast - currently starring in Calgary Opera’s The Elixir of Love, Feb 3 - 9, 2024. We talk about how she expertly balances career and family life. Simone offers a rare glimpse into her craft and the supportive network that helps her excel both on stage and at home. After Calgary, she will be on the Canadian Opera Company stage as Norina in Don Pasquale, Apr 26 - May 18, 2024.

Simone and I share our experiences and extend a hand to the next generation of opera artists, imparting wisdom on the art of embracing the unexpected and trusting one's own voice in a post-pandemic era that demands both resilience and authenticity.

To wrap up this episode, we engage in a discussion about the power of genuine connection, both on the stage and off.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.

In this episode, I, Elizabeth Bowman, am joined by the insightful Michael Zarathus-Cook, Managing Editor of the Toronto Symphony Orchestra and Chief Editor of Cannopy Magazine. We're peeling back the curtain on the Emerging Arts Writer Program at the Banff Centre (part of Joel Ivany's Chamber Music and Opera program), revealing the nuts and bolts of nurturing new, vibrant voices in arts journalism. Michael, leaving his basketball enthusiasm courtside, brings his wealth of experience to our conversation, focusing on the need for writers who can create captivating arts coverage that resonates with audiences far and wide.

Linking arms with the creative community is like finding a map to hidden treasure. This episode isn't just about discussion; it's about action, about placing writers in the thick of the creative process, where inspiration flows. We explore how a national registry for arts writers might just be the golden ticket. As our chat winds down, we envision a future where writers and Canadian publications join forces, thanks to programs like Banff Centre's upcoming Emerging Arts Writers component, ensuring a tapestry of structured, intelligent, and emotive arts journalism. Michael and I are excited to share our combined vision, bolstering the connections and opportunities for arts writers across the board.

To apply to the program visit this link. The deadline is January 31, 2024.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.