Ever wondered what it takes to succeed in the high-stakes world of international opera competitions? This candid conversation with two rising stars - Sophie Naubert and Ihor Mostovoi - offers a fascinating glimpse behind the curtain of the prestigious Concours Musical International de Montréal.

The two singers provide invaluable insights into competition strategy, from repertoire selection to mental preparation. Sophie emphasizes choosing pieces that showcase her theatrical strengths while avoiding older repertoire that might reveal outdated vocal habits. Ihor describes crafting thematic art song programs built around concepts like "water and fire" or "horror and splendor," balancing technical agility with emotional depth.

Both artists speak candidly about competition's true purpose: beyond winning prizes, these events create crucial industry exposure and performance experience under pressure.

Whether you're an aspiring singer, a devoted opera fan, or simply curious about the artistic journey, listen to understand the strategic thinking, personal sacrifices and pure passion driving these remarkable young artists.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.

Growing up in Toronto with a musical theater obsession sparked by seeing Phantom of the Opera at age five, Charlotte Siegel never imagined herself an opera singer. "I was definitely not that 10-year-old thinking I wanted to be an opera singer," she confesses, "but I always knew I wanted to sing."

Now performing Musetta in Manitoba Opera's La bohème, Siegel finds portraying this extroverted character particularly enlightening as someone naturally introverted. "She's so unlike me... I don't like to be the center of attention, which is funny coming from an opera singer," she laughs. Yet she relishes the challenge, noting how Puccini provides everything needed in the score to bring Musetta's complexities to life.

Siegel's commitment extends beyond performance. Recognizing how subsidized music lessons through Regent Park School of Music shaped her path in life, she co-founded the Marigold Music Program during the pandemic. This initiative provides underrepresented youth with music education access, mentorship and concert opportunities — addressing barriers before university applications. "I know in my bones that I would not be sitting here talking to you if I didn't have access to these kinds of programming when I was younger," she admits.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.

Cheryl Hickman is reimagining what an opera company can be in Newfoundland. As founder and artistic director of Opera on the Avalon in St. John's, she's built an organization that defies conventional wisdom about opera programming, audience development and digital engagement.

Starting with a budget of just $25,000 in 2009 after a successful international singing career, Hickman has grown Opera on the Avalon into a $1.2 million company ranked 12th largest among Canadian opera companies - the only company east of Quebec in the top 30. What makes this achievement remarkable is how it happened: largely by abandoning traditional repertoire.

"When we did Bohème, it really did not sell," Hickman reveals. "The first almost sold-out show we had was Dead Man Walking, because audiences knew it from popular culture." This discovery led to a radical shift toward commissioning and producing exclusively new works that resonate with local audiences. As Hickman puts it, "I'm never going to compete financially with the COC. But I also don't think anyone needs my version of Magic Flute."

During COVID, the company pivoted to outdoor filming across Newfoundland's spectacular landscapes, creating "The Rock Performs" series. This initiative blossomed into OOTA-TV, a free digital platform featuring commissioned mini-operas from renowned composers like Jennifer Higdon and Mark Adamo, collaborative projects with Indigenous artists, and documentaries that have reached worldwide.

Hickman challenges the notion that cultural excellence only happens in major urban centers: "For too long in our country we have decided what good art is and who could do good art... I'm not doing the same art they're doing in Toronto. Mine is different."

Recently appointed as the incoming Chair of the Canada Council for the Arts, Hickman will bring her perspective on regional arts development to national policy. Explore Opera on the Avalon's groundbreaking work at operaontheavalon.com, and discover why this Newfoundland company has something special for all opera lovers.

All episodes of The Opera Glasses podcast are hosted by the editor of Opera Canada, currently Michael Jones after Elizabeth Bowman hosted seasons 1 and 2. Follow Opera Canada on Instagram, Twitter, Facebook and Visit OperaCanada.ca for all of your Canadian Opera news and reviews.