Wasteland cover art

Wasteland

The Great War and the Origins of Modern Horror

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Wasteland

By: W. Scott Poole
Narrated by: Andrew Eiden
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About this listen

Historian and Bram Stoker Award nominee W. Scott Poole traces the confluence of history, technology, and art that gave us modern horror films and literature.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war.

From Nosferatu to Frankenstein's monster and the Wolf Man, from Fritz Lang, F. W. Murnau and Albin Grau to Tod Browning and James Whale, the touchstones of horror can all trace their roots to the bloodshed of the First World War. Historian W. Scott Poole chronicles these major figures and the many movements they influenced. Wasteland reveals how bloody battlefields, the fear of the corpse, and a growing darkness made their way into the deepest corners of our psyche.

On the 100th anniversary of the signing of the armistice that brought World War I to a close, W. Scott Poole takes us behind the front lines of battle to a no-man's-land where the legacy of "the War to End All Wars" lives on.

©2018 W. Scott Poole (P)2018 Blackstone Audio, Inc.
Entertainment & Performing Arts Film & TV History & Criticism Media Studies Military Social Sciences Scary Horror Nonfiction

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Most relevant  
Unflinching and incredibly thorough account, just when you think he has missed something it appears in more detail than you could have hoped for. spice up your reading by taking a drink every time corpse, doll and puppet is mentioned.

Corpses, Death Dolls and Puppets

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While undoubtedly a unique and interesting work, the author's heavy handed, and often unnecessary, political opinions combined with his unashamed bias against HP Lovecraft, whom he neglects certain of his changing beliefs, takes his work out of context and blatantly get aspects wrong (The Case of Charles Dexter Ward is proof he did write a novel), makes for a read that becomes particularly grating as the book continues. His prejudice against Lovecraft and general limitations in understanding/presenting early 20th century horror literature makes one wonder firstly how reliable he is during the rest of the book and secondly whether he is willfully leaving out certain details which would make for a more complete overview or just didn't care. An additional annoyance too is author's politics intruding too much to be considered an attempt at balanced history. While truly unbiased writing is impossible, at least an attempt would have been appreciated.

As for the the narration, he is overall a strong narrator, though he makes significant pronunciation errors are often enraging. Standouts would include "Machen", "Paschendale" and "Verdun" that makes one grit their teeth with each utterance.

A fascinating work with significant downsides

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Despite not being quite what I expected (it was much more like an ultra long or series of academic essays, rather than a ‘book’ per-se), this was a thoroughly enjoyable listen. Well referenced, informative, entertaining and full of little snippets of strange facts/anecdotes. Highly recommended for film, horror or early-to-mid twentieth century war-history fans obviously. That said it would also appeal greatly to those interested in the birth of cinema, film politics or book fiends of all sorts. Go for it - you won’t regret it, it thoroughly changed my view on many historical events, books, films, art and iconic figures. Some for the better and others... not so much.

Very well put together!

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I have served and seen the bodies piled up (most people try put that out of their mind) but this analysis goes too far in its connection between the horrors of trench warfare inspiring the origins of the horror movie genre. It becomes objectionable, stretching the link and I gave up half way through. War is terrible but horror movies are popular (and profitable) entertainment.

Overwrought

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