Showing results by author "Virginia Woolf" in All Categories

Orlando: A Biography is a groundbreaking English novel by Virginia Woolf that explores English history, gender roles, and sexual politics in a way few books have before or since. Inspired by the life of Woolf's friend and lover Vita Sackville-West—herself an accomplished poet and novelist—the story follows the life of an aristocratic nobleman who changes from man to woman and goes on to live for centuries, meeting all of the most influential and powerful figures in English history.

Si bien el ensayo emplea un narrador ficticio y la prosa para explorar a mujeres (tanto escritoras como personajes de ficción), y el manuscrito preparado para las conferencias se tituló "Mujeres y Ficción", el ensayo está considerado no-ficción. Generalmente se clasifica como un texto feminista, y su argumento gira en torno a un espacio literal y ficticio para escritoras que se encuentran dentro de una tradición literaria dominada por hombres.

In this hauntingly poetic essay, Virginia Woolf captures the fragile beauty of life and death through the simple image of a moth struggling in the light. As she reflects on the inevitability of mortality and the quiet force of nature, Woolf’s sharp, introspective prose invites readers to confront their own fleeting existence. The Death of the Moth is a meditation on life’s transience, a masterclass in Woolf’s ability to turn ordinary moments into profound reflections on human vulnerability.

"A Room of One's Own" began life as a pair of lectures delivered by Virginia Woolf in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge and was published as a stand-alone book in 1929. In this brilliant examination of literature, history and gender discrimination, Woolf posits that the dearth of female writers in literature did not result from a lack of talent; it was the lack of opportunity.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

ഇരുപതാം നൂറ്റാണ്ടിലെ ഇംഗ്ലീഷ് സാഹിത്യത്തെ ഏറ്റവും അധികം സ്വാധീനിച്ച പ്രതിഭയായിരുന്നു വെര്‍ജീനിയ. ബോധധാരാസമ്പ്രദായത്തിലുള്ള രചനയായിരുന്നു അവളുടേത്. സ്വന്തം മനസ്സിന്റെ പ്രതിഫലനങ്ങള്‍ കഥാപാത്രങ്ങളിലേക്ക് സന്നിവേശിപ്പിക്കുകയായിരുന്നു വെര്‍ജീനിയ ചെയ്തിരുന്നത്.

La relación entre Virginia Woolf y la excentricidad era peculiar. "Desde el primer momento se vio que ella era incalculable, excéntrica y propensa a los accidentes", señala su sobrino, el historiador de arte Quentin Bell. Su aspecto, su ropa y, en suma, ella misma podían generar impresiones encontradas. "Tenía una presencia que la volvía notable de inmediato", dice Madge Garland, legendaria editora de Vogue, al recordar la primera vez que la vio, en los años veinte.

Algunas de las piezas más exquisitas de la narrativa breve de Virginia Woolf. Virginia Woolf (1882 –1941) participó del insigne grupo de Bloomsbury y fundó con su marido una editorial en la que publicó, entre otros escritores importantes, a sus amigos T.S. Elliot y Katherine Mansfield. Además del celebérrimo ensayo Una habitación propia o de la novela La señora Dalloway, Woolf es también la autora de una valiosa obra de cuentos de la que recogemos aquí una muestra representativa.

Los Pargiter, una típica familia burguesa, recorren en este audiolibro un periodo de tiempo comprendido entre los últimos estertores de la era victoriana y los primeros años treinta. Y en el seno de su hogar se dramatizan las tensiones históricas, sociales e ideológicas de esa época de transición y niebla, cuando un mundo y una idea de la civilización se desmoronaban para dar paso a un tiempo nuevo y lleno de incertidumbre.

THIS IS HOW it all came about. Six or seven of us were sitting one day after tea. Some were gazing across the street into the windows of a milliner's shop where the light still shone brightly upon scarlet feathers and golden slippers. Others were idly occupied in building little towers of sugar upon the edge of the tea tray.

Lazy and indifferent, shaking space easily from his wings, knowing his way, the heron passes over the church beneath the sky. White and distant, absorbed in itself, endlessly the sky covers and uncovers, moves and remains...

The Ported fingers of glass hang downwards. The light slides down the glass, and drops a pool of green. All day long the ten fingers of the lustre drop green upon the marble.

The Mark on the Wall is the first published story by Virginia Woolf. It was published in 1917 as part of the first collection of short stories written by Virginia Woolf and her husband, Leonard Woolf, called Two Stories. It was later published in New York in 1921 as part of another collection entitled Monday or Tuesday. The Mark on the Wall is written in the first person, as a "tream of consciousness" monologue. The narrator notices a mark on the wall, and muses on the workings of the mind.

The Ported fingers of glass hang downwards. The light slides down the glass, and drops a pool of green. All day long the ten fingers of the lustre drop green upon the marble. The feathers of parakeets their harsh cries sharp blades of palm trees green, too.

Monday or Tuesday is a 1921 short story collection by Virginia Woolf published by The Hogarth Press. 1000 copies were printed with four full-page woodcuts by Vanessa Bell. Leonard Woolf called it one of the worst printed books ever published because of the typographical mistakes in it. Most mistakes were corrected for the US edition published by Harcourt Brace. It contained eight stories: A Haunted House / A Society / Monday or Tuesday / An Unwritten Novel / The String Quartet / Blue and Green / Kew Gardens / The Mark on the Wall.

Det er tiden omkring første verdenskrig. Familien Ramsay holder sommerferie på øen Skye i Hebriderne, og blandt gæsterne er den ugifte kunstner Lily Briscoe. Hendes modbillede er husmoderen mrs. Ramsay, hjemmets engel. I spændingsfeltet mellem disse to kvinder lader Virginia Woolf romanens kalejdoskopiske univers udfolde sig. Gennem indre monologer og et fortættet billedsprog fortæller Viginia Woolf en stærk historie om familieforhold og kvinderoller, om krigens destruktivitet og kunstens skabelsespotentiale.

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia.

Als Orlando nach einer ausschweifenden Feierlichkeit am Hofe des türkischen Sultans aus einem langen und erholsamen Schlaf erwacht, lässt es sich nicht leugnen: Die Tage seiner Männlichkeit sind gezählt, in der Nacht ist er zur Frau geworden. Orlando nimmt es, wie es kommt, und reist fortan ewig jugendlich durch die Weltgeschichte. Dabei trifft er auf die großen Dichter und Denker verschiedener Epochen. Was Virginia Woolf mit "Orlando" vorlegte, ist ein spielerischer Ritt durch die literarischen Genres, ein satirisches, sprachgewaltiges, feministisch angehauchtes Vergnügen.

Within our minds, time flows eternal in parallel streams, carrying a host of memories and conflicting emotions and we are connected by webs of intermittent visibility to the lives of many whom we have never even met. This is what we come to realise as we join Clarissa Dalloway on a fine June day in 1923, as she prepares a party she is giving that night for London's social and political elite. Virginia Woolf's often teasing portrait of British characters at every level of society remains remarkably accurate to this day.

Jacob’s Room was written in 1922 and is Virginia Woolf’s third novel; the first in which she made a radical shift from the established style of prose narrative writing and began experimenting with the modernist "stream of consciousness style" now so firmly associated with her work and that so shook the literary establishment. Jacob’s Room is overwhelmingly centered around feelings of absence and emptiness and is a collection of memories and sensations that chart the life of Jacob Flanders, largely observed through the eyes of others.