Showing results by narrator "David Parker" in All Categories

Spurned by the discovery of his wife’s infidelities, Mark Dalton hangs up his hat as a private detective and heads out on the open road as an owner/operator. But his talents for solving crimes come to quick use as he encounters hitchhikers with shady pasts, goods smuggled across the border, and a murder at a movie shoot where almost everyone is a suspect. All part of his adventures in Highway Robbery and Other Tales of the Open Road.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Ernest Bramah was born on 20th March 1868. He was an intensely private man and very little about his life was ever released. He obtained success in his own right with the creation of the storyteller Kai Lung with humourous tales set in China, usually laced with fantasy elements. There seems to have been a certain vogue for stories with an oriental element at this time, which Bramah was happy to take advantage of. In 1914 Bramah created the blind detective Max Carrados. Despite the obvious obstacle to his deductive powers, he was a literary and commercial success.

Oscar Fingal O'Flahertie Wills Wilde was born on the 16th October 1854, in Dublin, Ireland. The son of Dublin intellectuals Oscar proved himself an outstanding classicist at Trinity College and then at Oxford. His only novel, ‘The Picture of Dorian Gray’, was published in 1890 and he then moved on to writing for the stage with ‘Salome’ in 1891. His society comedies were enormous hits and turned him into one of the most successful writers of late Victorian London. This collection of light-hearted and witty stories was written by Oscar Wilde in 1891.

The email dropped into my mailbox about 9:30 on Tuesday night. I opened it, surprised to see that the email had been sent to a mailbox and email address I hadn’t used for ages.

We all love animals, even if sometimes its only from afar on TV or at a zoo. But many of us have felt a closer friendship and companionship with our friends in the animal world. We talk and react to them as if they really do understand us. Perhaps they do. In this volume Hardy, Thackeray, Carroll, DH Lawrence, Emily Dickinson, and many others share their words with our ears.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

Everything’s unravelling. Soon he’ll come for us...and he won’t stop. The Lorelei has gone, and Barnabas and Quentin are missing, presumed dead. As Willie attempts to protect Maggie from the sheriff’s investigations, Angelique begins to uncover the truth about Barnabas and Quentin’s fate. But a powerful force is waiting in the wings, and its arrival in Collinsport will soon change the lives of everyone forever.

These stories reveal the truth about vampires as told by a rather special vampire. Not the romantic or even the really nastily horrific stories that the non-vampires amongst us have dreamed up. Tracing a life lived over centuries, from ancient Rome right through to the more modern Texas, these stories are linked by the narrator, with interludes of explanation. Subtly dark, and with enough horror behind to send a shudder down the spine in places, but with gentle humour and a facility for twisting the historic truth just so much that the fictitious explanation makes sense in context.

Peter Fleming, brother of James Bond author Ian Fleming, was one of the greatest adventurers and travel writers of the 20th century and author of several classic and best-selling books. This is the first paperback edition. It presents an exciting adventure that could never be made today - it will appeal to all interested in the region.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Occasionally an author appears who, in a short career, emblazons a legacy so bright and so distinct, as well as popular, that it is difficult to believe it is the output of only one man. Robert Louis Balfour Stevenson was such a talent. Over the course of his prolific career, Stevenson had not only given his audience many classic novels but beautiful poetry such as ‘A Child’s Garden of Verses’ and many short stories as with his dark classic of Christmas Day ‘Markheim’ (1884).

William Pett Ridge was born at Chartham, near Canterbury, Kent, on 22 April 1859. His family’s resources were certainly limited. His father was a Railway Porter, and the young Pett Ridge, after schooling in Marden, Kent became a Clerk in a railway clearing-house. The hours were long and arduous, but self-improvement was Pett Ridge’s goal. After working from nine until seven o’clock he would attend evening classes at Birkbeck Literary and Scientific Institute to follow his passion: the ambition to write.

Whilst Europe endured the Dark Ages in the 6th & 7th Centuries, devotees of Shiva and Vishnu in Southern India were creating the Bhakti Movement. Some of these exponents, as in our volume, were bestowed with the title of saint but some had the additional title of sant, swami or goswami. Broadly speaking, Bhakti poetry, as in Hinduism itself, is divided into ‘Nirguna’, the idea that the divine is formless as exampled by Kabir and ‘Saguna’, which interprets the divine as having physical form as captured by Mirabai.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

“If music be the food of love, play on" was one of Shakespeare’s finest lines. If music is food then poetry is the wine. In this volume of classic love poetry the flavoured capture of words and rhythms makes us think more carefully of words and their value to us. They also surprise us with their structure and meaning, layering in thoughts and emotions that we might otherwise shy away from. Poems are wonderful ways to express what we feel for a very special someone.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Mayer André Marcel Schwob was born in Chaville, Hauts-de-Seine, France on 23rd August 1867 into a cultivated Jewish family. As a child he devoured the works of Poe and Stevenson in French and then again in English. His attachment to the bizarre and dark was already forming. Schwob was regarded as a symbolist writer and a ‘precursor of Surrealism’. He wrote over a hundred short stories, journalistic articles, essays, biographies, literary reviews and analysis, translations and plays.

Vicente Blasco Ibáñez was born in Valencia, Spain on 29th January 1867. At university, he studied law and graduated in 1888 but never felt the urgency to practice - he was more interested in politics, journalism, literature and women. Ironically his fame in the English-speaking world has come not as a novelist but as the stories behind some of Hollywood’s greatest silent movies.