Showing results by author "D.H. Lawrence" in All Categories

This is a selection of D. H. Lawrence’s short stories, mostly about women. Although much wider known for his novels and in particular for his forthright attitude to sex and its description in literature, it is for his short stories that Lawrence has most commonly gained critical acclaim. He was a beautiful creator of this most difficult of forms, giving us glimpses into the lives he describes in his stories, which often tell us more than full-length novels written by lesser hands.

Sons and Lovers is widely considered by critics and readers alike as D.H. Lawrence’s masterpiece and a classic interpretation of the Oedipal complex. Surely one of the greatest autobiographical novels ever written, it tells the story of Paul Morel, a sensitive artist with a far stronger attachment to his mother than his working-class, alcoholic father. Searching for love and human connection, Paul is torn between two very different women, but neither of them measures up to his mother.

"Samson and Delilah" is set against a Cornish backdrop. Lawrence and his wife tried to settle in Cornwall during the First World War, but were hounded by the authorities and forced to leave. Lawrence pointedly describes the local people as "mindless" in this story. It is almost a Homeric story of a husband returning home after a long absence, having to fight to regain his wife. But in this story, it is the wife who is the obstacle. But she succumbs to the man's physical presence, as Lawrence demanded all women should if they were to attain happiness.

Sullo sfondo della Grande Guerra, che scardina le famiglie allontanandone i componenti e che divide le coscienze alla luce del nuovo disordine mondiale, il caso fa incontrare nuovamente, dopo molti anni, una nobile signora inglese ed un conte tedesco, ferito e prigioniero del Paese divenuto nemico. Incontro dopo incontro, quel rapporto, dapprima superficiale, si approfondisce sempre di più; un rapporto strano, fatto di attrazione e repulsione insieme, che il lettore vede scorrere nella sua ambivalenza fino allo scioglimento finale, determinato dal ritorno dalla guerra del marito di lei.

A fabulous collection of some of the most intriguing British short stories ever written. Includes "The Pipe" by Anonymous, "The Puzzle" by Anonymous, "The Man with the Cough by Mrs Molesworth, "The Pavillion on the Links" by Robert Louis Stevenson, "The Horror of the Heights" by Sir. Arthur Conan Doyle, and "The Rocking Horse Winner" by D. H. Lawrence.

In this series we explore the many facets of love through literary talents that span both time and country. Love in its fiery form may last but a moment―or forever. The need and want are obvious to both. Its all-consuming, if feels like it will always endure and never end. But passion and desire can burn bright and then burn themselves out. Our very devoted authors have much to share.

The British Classics Collection – Volume 2 steps into the grand world of 18th, 19th, and 20th-century British literature to create a compelling anthology featuring iconic works that span time and genres. From the whimsy of Alice in Wonderland to the mystery of The Woman in White, the philosophical insights of The Waste Land and the unforgettable detective stories of Sherlock Holme, this volume offers a rich variety of British literary masterpieces.

The Woman Who Rode Away is a dark, troubling story set in the wilderness of South America. What makes this story compelling is that the woman is at the end of her personal tether and the Indians are at the end of their cultural one. They seek one another out for terrible but perhaps predictable uses. Each of them looks to the other for "salvation" in a way that expresses the desperation and futility of their situation.

A haunting collection of strange and macabre short stories, ideal for listening to around the fire on a cold winter evening.... 'The Last Leaf' by O. Henry, 'On the Northern Ice' by Elia W. Peattie, 'The Fire' by Charles John Cutcliffe Hyne, 'The Tiger' by Hugh Walpole, 'Cool Air' by H. P. Lovecraft, 'The Missing Model' by Lettice Galbraith, 'The Cold Embrace' by Mary E. Braddon, 'The Snow' by Hugh Walpole, 'Over an Absinthe Bottle' by W. C. Morrow, 'The Coffin Merchant' by Richard Middleton.

Over the far horizon the blanket of night begins to slowly dissolve. The sun is once more on its daily journey across the heavens. The light begins to sharpen and increase in intensity, revealing the landscape. Morning has begun, and dazed heads and sleepy faces come to terms with the new day. Our poets capture the mood, the emotions and all manner of other details in their descriptions of this time. But then with the calibre of wordsmiths such as Tennyson, Wordsworth, Milton, Southey, Donne and many more besides, we are almost spoilt.

Lady Chatterley's Lover is D. H. Lawrence's last novel. First published privately in 1928, Lady Chatterley's Lover was banned from wider publication in the UK until 1960 and was the subject of censorship and book banning in the United States and elsewhere. Its erotic subject material, colorful language, and discussion of interclass relations were deemed obscene.

In this series we explore the many facets of love through literary talents that span both time and country. When two people meet, when eyes glance and lock. And we often say something ‘clicks’; ‘it feels like I’ve known you forever’. Romance begins to brew and to blossom. In this volume our masterful writers take on the task of describing and revealing the beginnings of a romance, and some may even lead to love.

La obra prohibida por revelar hipocresias. Cuando Lawrence publico en 1928 su ultima novela, desato la furia de quienes se sentian aludidos por ella y que se apresuraron a declarar la obra como inmoral y a prohibirla. La verdad es que Lawrence en esta novela simbolizo en Lord Chatterley a todo el imperio britanico, paralizado e impotente, mientras que su esposa, ante la incapacidad del marido encontraba en un hombre de la clase media una alternativa.

This carefully curated anthology brings together the most iconic romantic tales of all time—each filled with complex characters, sweeping emotions, and timeless narratives that will captivate your heart. From the fiery romance of Wuthering Heights to the quiet yearning of A Room with a View, these stories are a perfect blend of forbidden love, tragic endings, and tender moments of connection.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

Are you ready for a spooky story? Grab your torch and join us for a collection of 6 spooky stories that will have your little one believing in ghosts, bats and spooky houses. These stories have been handpicked to entertain your little ones without giving them any nightmares.

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

"In Love" handles a serious subject in a light, almost comic way. A couple are engaged but have no sexual feelings for each other. The tensions, as they try to do what is expected of them, explode until a compromise is reached. But will the marriage last?

Lawrence uses the story of a storm and the deaths it causes to revive the feelings for (if not an actual belief in) the old gods, in this case Mercury whose shrine is ignored by the tourists but who takes his revenge.

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.