Showing results by narrator "John Brown" in All Categories

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

'Butch Minds the Baby' & 'Breach of Promise' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'Touching for a Pal' & 'Princess O'Hara' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'A Nice Price' & 'The Idyll of Miss Sarah Brown' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'Romance in the Roaring Forties' & 'The Lemon Drop Kid' from from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'Tobias the Terrible' & 'Little Miss Marker' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Multi-talented Irish tenor Dennis Day played a charmingly naïve young man (not at all unlike his character from The Jack Benny Show) in his very own series. Singing and working the soda fountain in the town of Weaverville, his lyrical voice and comical ways delighted listeners for five seasons (1946 - 1951). Although he bemoaned his humble position in life, his lack of funds, and his inability to impress the parents of his girlfriend, Mildred Anderson (Barbara Eiler), Dennis never gave up trying.

It's a city of a million stories, and Broadway knows them all! High rollers and low lifes, classy dames and shady dealers are in it for the laughs (and the payoff) in this collection of 16 tales from the pen of Damon Runyon. John Brown stars as your narrator in these yarns of the Great White Way, along with Paul Dubov as homicide detective Johnny Brannigan (and a good many other characters). Join radio favorites Jack Webb, Ed Begley, Jeff Chandler, Alan Reed, Sheldon Leonard, and more for unusual bets, uncommonly good luck, and an unearthly meal at Mindy's.

For gamblers, burlesque queens, murderers and innocents, comedy and tragedy were found in equal measure on the streets of Damon Runyon's Manhattan. Runyon, one of the most popular and widely-read figures of the Golden Age of the American Short Story, found his work was cut to measure for success in the most verbal medium of all: radio drama. John Brown stars as the glib Broadway, whose scene-setting brings a distinctive unifying touch to these fourteen digitally remastered episodes of the classic Damon Runyon Theatre radio series.

Gloria Jennings is a strikingly beautiful woman. She went on the run when she was accused of murdering her wealthy husband back east. Luke Jensen tracks her down to a ranch in West Texas, only to discover that she has re-married, and is a widow once again; and once again her rancher husband was a victim of murder! Despite appearances, Luke begins to doubt her guilt...and surprises himself by not bringing her in - and actually helping her face down rival ranchers.

The lottery ticket by Anton Chekhov is a short story. As title suggests it revolves around probability of winning lottery. Ivan and his wife are from middle class background. However, at first skeptical Ivan soon finds hope when he sees probability of his wife, Misha has a chance of winning lottery, The moral of the story is that material possessions and wealth do not bring true happiness, and that greed can lead to bitterness and broken relationships. Instead, the story suggests that people should focus on the love and companionship they have in their lives, rather than obsessing over money and possessions.

AT A SUMMER VILLA (1886) Pavel Ivanitch has been happily married for eight years when he receives an anonymous love-letter fixing a tryst in a secluded spot that evening. Scornful at first at the very thought, then perplexed and then intrigued, he finally decides to see what it is all about, and gets an unexpected surprise, and a good lesson to boot.

The story takes place in the village of Shalmovo, where two peasant sportsmen, Filimon Slyunka and Ignat Ryabov, are sitting in a pothouse turned restaurant. Slyunka is an old man who used to be a house-serf and now lives off his old wife's alms. Ryabov is a silent, sturdy peasant. Slyunka and Ryabov are trying to convince the innkeeper, Semyon Mitritch, to give them a gun that they had left as collateral. Semyon refuses, citing the Lenten season and the lack of game. Despite their pleas and promises to return the gun, Semyon remains firm in his decision.