Showing results by author "Lawrence Block" in All Categories

In Thirty, the novel pretended to be a diary. That worked fine, and the resultant narrative proved at once challenging and effortless to sustain. I enjoyed writing it, Berkley enjoyed publishing it - and they wanted something else. What they got in Threesome was a novel pretending to be a novel. The premise, as you’ll see, is that the book has been written by its three main characters, Harry and Rhoda and Priss, in the form of a lightly fictionalized chronicle of their own life as a menage a trois.

Here's the book that started it all: A Girl Called Honey - and if listening to the saga of Honor Mercy Bane brings you a small fraction of the fun we had writing it, you'll be back right away to scoop up So Willing and Sin Hellcat.

It was all too frighteningly familiar. For the second time in his life, Alex Penn wakes up in an alcoholic daze in a cheap hotel room off Times Square and finds himself lying next to the savagely mutilated body of a young woman. After the first death, he was convicted of murder and imprisoned, then released on a technicality. But this time he has to find out what happened during the blackout and why, before the police do.

In A Woman Must Love, Barbara, a young widow, has vowed to be true to her husband’s memory (even though he’d wished otherwise). She’s courted, and she has a couple of adventures.

And at one point we decided it might be fun to do a novel together. Not by thinking it out and talking through it and, you know, collaborating in a serious artistic manner. Our method was simpler. One of us would write a chapter, and then the other would write a chapter to come after it, and back and forth, like that, until we had a book. It worked, and by God it was fun. The first of our efforts was A Girl Called Honey, and it started when I wrote a chapter and sent it to Don. And so on, and we stopped when we had a book and sent it to Henry Morrison.

After spending her girlhood writing gentle and thoughtful novels of the lesbian experience (Shadows, Warm and Willing, Enough of Sorrow), Jill Emerson reinvented herself in the early 1970s, just when contemporary literature was experiencing an enormous flowering of sexuality.

While he is probably best known as a novelist and short-story writer, Lawrence Block has produced a rich trove of nonfiction over the course of a 60-year career. Over the years, Block has written extensively for magazines and periodicals. Generally Speaking collects his philatelic columns from Linn's Stamp News, while his extensive observations of crime fiction, along with personal glimpses of some of its foremost practitioners, have won wide acclaim in book form as The Crime of Our Lives. Hunting Buffalo with Bent Nails is what he's got left over.

There were five of them, each prepared to kill, each with his own reasons for accepting what might well be a suicide mission. The pay? $20,000 a piece. The mission? Find a way into Cuba and kill Castro. This breathtaking thriller, originally published the year before the Cuban Missile Crisis (under a pen name by Lawrence Block), is the rarest of Block's books - and still a work of chilling relevance all these years later, with Castro and Cuba once again commanding headlines.

Cold War superspy Evan Tanner lost the ability to sleep on a battlefield in Korea. So where the heck has he been since the '70s? Frozen. Cryogenically. A Tanner-sicle. Which he never thought would happen when he walked into a basement in Union City, New Jersey, more than a quarter century ago. Now he's unthawed and ready to rumble, and his somewhat addled, former super-secret boss, "the Chief", is glad his favorite operative's active again.

For 15 years, Janet has been married to her devoted and boring husband, Trevor. But their marriage was not as simple as it seemed. Now Janet is on the road, hurtling towards another man, and another life. Has she found freedom, and the strength to escape Trevor’s dominating fetishes? Or is there something far more sinister waiting for her at the crematorium?

Matthew Scudder knows that justice is an elusive commodity in the big city, where a harmless man can be shot dead in a public place criminals fly free through holes in a tattered legal system. But now a vigilante is roaming among the millions, executing those he fees deserve to die. He calls himself "The Will of the People"—an ingenious serial killer who announces his specific murderous intentions to the media before carrying through on his threats.

Best-selling author Lawrence Block transports you to New York City to walk the shadowy back streets with PI Matt Scudder, ex-cop and recovering alcoholic. In Everybody Dies, Matt is finally leading a comfortable, almost respectable life - until he helps an unlikely friend uncover a nameless enemy. The Big Apple seems to be mellowing now that the crime rate is down and gentrification is sweeping the old neighborhoods. But when a hoodlum buddy from the past asks Matt to investigate the murders of two employees, the spruced-up sidewalks seem as mean as ever.

Matthew Scudder and his wife Elaine visit their good friend, Mick Ballou, at his bar, Grogan’s, where Mick muses on about the final scene of the Sopranos.

Even before Lawrence Block could rest on his laurels from "In Sunlight or In Shadow", a question arose. What would he do for an encore Suppose each author was invited to select a painting from the whole panoply of visual art - from the cave drawings at Lascaux to a contemporary abstract canvas on which the paint has barely dried. And what a dazzling response!

A missing person case brings private eye Roy Markham to the remote winter-bound college town of Cliff's End, New Hampshire. But what began as a routine investigation quickly becomes dark and dangerous. Six pornographic photos and a tidy little blackmail scheme result in a brutal and baffling murder, and no one is safe - especially Markham himself.

Ed London is the type of private investigator that you call to clean up the mess when your mistress turns up dead. But after he dumps a body in Central Park, it appears this case is still alive and kicking. Seems that the dead girl was in possession of something special that some very shady characters want back. Now Ed, along with his pretty actress friend Maddy, will have to crack the case before he ends up dead himself. But there's more than a murder here; there's missing jewels, Israeli intelligence, Nazi spies, and a host of double-dealing, backstabbing thieves.

“She was just a little freshman / Victim of Admission’s whim / Then she met an upperclassman—we won’t name him— / And she had a child by him. / Now he’s off in New York City / Rescued by the co-op plan. / While she walks the streets of Yellow Springs, Ohio, / Looking for another man.” Ah, they don’t write ‘em like that anymore, and it’s not hard to see why. And the sad story recounted in the song is not entirely unlike that of Linda Shepard, titular (so to speak) heroine of Campus Tramp.

Lawrence Block, writing as John Warren Wells, introduces you to men and women who are trying every possible kind of sexual combination to make marriage work in bold new ways. Threesomes. Open adultery. Swapping. Group marriage. And a hundred variants of every possible sexual experiment within the marital relationship, surpassing the most erotic fiction.

Turning 29 years old, Janet Giddings Kurland starts a journal and records her comfortably routine suburban lifestyle. But when she rolls the dice with her friend's husband, she starts down a path that will lead her to the hip streets of Greenwich Village. Amidst the sexually free, Janet blossoms and her housewife's journal turns into a sex diary filled with unexpected encounters, dangerous partners, and drug-fueled sexual escapades.

When Joyce Kendall arrives in New York, fresh out of Clifton College in Iowa, she has a job and an apartment waiting for her. The job's as a first reader for Armageddon Publications. The apartment's at 21 Gay Street, and the small Federal-period house is already home to a lesbian couple, Jean Fitzgerald and Terri Leigh, and an out-of-work newspaperman, Pete Galton. The relationships of these four people under one roof add up to a fast-paced story that is not only satisfying fiction but a rare window on Bohemian life in the late 1950s.