Showing results by narrator "John Burlinson" in All Categories

Khaled is a genie who has fallen in love with the beautiful Zehowah, the only child of the powerful Sultan of Nejed. Zehowah is courted by suitors from far and wide. When she seems inclined to accept the proposal of a handsome Indian prince, Khaled, with his special powers, recognizes the prince's deceitful nature and whisks him into the desert to kill and bury him. In consequence, Khaled is punished by losing his rank as a genie and is given the body of a human, though without a soul, which he can obtain only if he wins the love of the proud and headstrong princess Zehowah.

Having assumed the form of an American multimillionaire, Satan sets out on a tour through Europe in quest of amusement and adventure. He observes a panopoly of subversive and hypocritical behaviors, the abhorrent cruelty of men and the deceptive innocence of women. Within a short time, Prince of Hell finds himself outwitted, deceived, relieved of his millions, mocked and humiliated, and beaten by man by the use of his own devilish devices.

In the early 1900s, two families in Scurry and Kent counties in West Texas united in a marriage of 14-year-old Gladys Johnson to 21-year-old Ed Sims. Billy Johnson, the father, set up Gladys and Ed on a ranch, and the young couple had two daughters. But Gladys was headstrong and willful, and Ed drank too much, and both sought affection outside their marriage.

When the Revolutionary War began, Congress established a national army and appointed George Washington its commander in chief. Congress then took it upon itself to choose numerous subordinate generals to lead the army’s various departments, divisions, and brigades. How this worked out in the end is well known.

Stephen Leacock (1869 - 1944) is considered by many to be the Canadian counterpart to the better known American humorists Mark Twain and S.J. Perelman. In the early 20th century he was one of the most widely read authors in the English speaking world. Jack Benny and Groucho Marx considered Leacock as one of the funniest writers they had ever read. The following sketches have been adapted from pieces in the miscellanies Moonbeams from the Larger Lunacy and Further Foolishness, in which Leacock satirizes many of the social institutions of his time.

Every politically sentient American knows that Congress has been dominated by special interests, and many people do not remember a time when Congress legislated in the public interest. In the 1960's and 70's, however, lobbyists were aggressive but were countered by progressive senators and representatives, as several books have documented. What has remained untold is the major behind-the-scenes contribution of entrepreneurial Congressional staff, who planted the seeds of public interest bills in their bosses' minds and maneuvered to counteract the influence of lobbyists.

Today we have ghosts that haunted our ancestors, as well as our own modern revenants, and there appears to be no earthly use trying to banish or exorcise them by such a simple strategy as refusing to believe in them. Since man knows that whether or not he has seen a ghost, presently he will become one, and thus he has become fascinated with the subject. Therefore he creates ghosts, not merely in his own image, but according to his dreams of power.

This short story is one of those things that literally took a village to accomplish. From bouncing around ideas to coming up with the characters to listening to me ramble on and on and on about it. In itself, it is a fun little piece that the author fell in love with while trying to flesh out a few of the main characters of his fLUX Runners series.

In compiling this collection of humorous short stories by both well known and more obscure authors, Alexander Jessup applied a broad interpretation of humour; the stories span the period between 1839 and the beginning of the first World War.

Anshel Brusilow started playing violin in 1933 at age five, in a Russian Jewish neighborhood of Philadelphia where practicing your instrument was as ordinary as hanging out the laundry. His playing wasn’t ordinary, though. At 16, he was soloing with the Philadelphia Orchestra. Brusilow turned in his violin bow for the baton and created his own Philadelphia Chamber Symphony. Next he took on the then-troubled Dallas Symphony Orchestra. Brusilow played with or conducted many top-tier classical musicians and has something to say about each one. He also made many recordings.

Carlo Collodi's whimsical recasting of the myth of Pygmalion and Galatea was first published in 1883 and has since become an established classic of children's literature. Geppetto, a poor wood carver, receives a piece of wood from which he carves a marionette. Much to his surprise, the puppet springs to life and embarks on a wild series of adventures.

Ten years after a tragic incident on the lake, an AA meeting in a small, religious town in the deep south of the USA descends into bitterness and chaos when a flood hits. Trapped within the local church, tempers escalate and well-buried secrets begin to emerge. Personalities clash, reputations are dissected and questioned, and everybody's demons are laid bare.

This collection of 10 classic tales is very representative of Wharton's approach to story-telling - in the narrative, the venue becomes a character almost as much as do the people. Situations are presented in an elegantly understated way, and the overall effect is disturbing rather than blatantly horrific.

Edith Nesbit's trilogy about a group of children who encounter a sand fairy and, through his intercession, embark on a wild round of adventures has been a staple of juvenile literature since the first volume was published in 1902. The three books are Five Children and It (1902), The Phoenix and the Carpet (1904), and The Story of the Amulet (1906).

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

In Volume Four, Dumas relates the 1819 murder of German dramatist August von Kotzebue by Karl Ludwig Sand, the campaign to destroy Father Urbain Grandier in 1634, who was successfully convicted of witchcraft and put to a brutal death, and the consequences of the amorous relationship between the prince of Brancaleone and Nisida.

The Gettysburg Campaign and its culminating battle have generated more than their share of analysis and published works. In My Gettysburg, Civil War scholar and 26-year Gettysburg resident Mark Snell goes beyond the campaign itself to explore the culture of the battlefield. In this fascinating collection, Snell provides an intriguing interpretation of some neglected military aspects of the battle.

This play is the sequel to "Earth Spirit", in which the adventurous and manipulative Lulu marries and rids herself of three husbands, only to be arrested for the murder of the third. In "Pandora’s Box", Lulu escapes from prison only to be forced in the life of a courtesan. Reduced to desperate poverty, she meets her end at the hands of murderous customer in London. In Wedekind’s sordid morality tale, all Lulu’s main associates suffer premature and unnatural deaths, except for the degenerate Schigolch, who is one of the most unpleasant characters in the European drama.

Frank Wedekind (1864-1918) was the most controversial dramatist of his age. Most of his work focuses on the ubiquity and inevitably corrupting influence of sexual attraction. His most famous plays are the two that depict the rise, fall, and eventual gruesome death of the vampish Lulu, who, in Wedekind’s presentation, became a ghastly parody of Goethe’s “Eternal Feminine”. The first of the plays is Earth Spirit, in which Lulu marries and survives three husbands, only to face prosecution for the shooting of the third.

The Salome Ensemble probes the entangled lives, works, and passions of a political activist, a novelist, a screenwriter, and a movie actress who collaborated in 1920s New York City. Together they created the shape-shifting, genre-crossing Salome of the Tenements, first a popular novel and then a Hollywood movie. The title character was a combination Cinderella and Salome like the women who conceived her. Ginsberg considers the women individually and collectively.