Showing results by narrator "Orson Welles" in All Categories

The voice of Orson Welles - smooth and sure, but edged with danger – speaks to you from London. He’s here to tell you about a repository of death, a warehouse of homicide “in the grim stone structure on the Thames which houses Scotland Yard.” Welles will draw your attention to small artifacts from murders most foul, each of which provide a vital clue to a killer’s identity. An international cast - including Joan Lord, Harp McGuire, and Joe McCormick – breathe life into these twelve tales of death.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Treasure Island, here starring Orson Welles, is the classic tale of pirates, treasure maps, danger, and buried treasure chests! Join young Jim Hawkins on his adventures on the high sea as he searches for the gold of the evil Captain Flint. Pieces of eight!! Pieces of eight!! This is one of the Classic Radio Theatre productions you will want to listen to over and over again!

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

Director, Actor, Genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went Indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice; perfect for radio. Here, in the Black Museum he sets the scene as true life crime is retold. Mr Welles we’re ready....

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays, as well as radio versions of the era's popular films.

This collection contains twelve of the greatest mystery shows ever broadcast during the golden age of radio! You'll hear Richard Widmark starring in Inner Sanctum Mysteries, Orson Welles in The Black Museum, Peter Lorre in Mystery in the Air, William Conrad in The Whistler, Ernest Chappell in Quiet, Please, Everett Clarke in Lights Out, Harry Bartell in Escape, and Fredric Marchin a tale well calculated to keep you in Suspense, plus many more.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays, as well as radio versions of the era's popular films.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid, and Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready....

Captain Bligh leaves London for Tahiti in charge of his crew on the Bounty. At sea he shows himself to be a brutal tyrant and cruel whilst enforcing discipline which includes flogging the men, cutting rations and over zealously working them too hard. On the return voyage, first mate Fletcher Christian, wonderfully played here by Orson Welles, leads the crew to mutiny and sets Bligh and his supporters adrift on a boat. What they did not count on is the Captain's return in this gripping tense drama.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

This radio drama starring Orson Welles originally aired on December 7, 1941, the day of the Japanese attack on Pearl Harbor.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann.

Three brothers of a well-to-do English family join the French Foreign Legion. This is an abridged staged performance of Beau Geste, starring Sir Laurence Olivier and Orson Welles.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

A short conversation between the famous author and the famous actor and director, who adapted The War of the Worlds for radio. The program was originally broadcast on KTSA, San Antonio, Texas.

This episode of Bob Hope's classic NBC radio show, broadcast from the US Navy facility on California's Terminal Island, originally aired on September 28, 1943.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….