Showing results by narrator "Maggie Ollerenshaw" in All Categories

Sixty is the new 40, we're constantly told. Or is it that 70 is the new 50? Either way, there's nothing middle of the road about middle age. From coping with bodies that are 'heading south' to rampant ageism in the workplace, this time in our lives, in the words of Bette Davis, is 'no place for sissies'.

Stumbling upon his dowdy cousin Elinor on the Continent, Theo Ravenhurst hardly believes his luck. His dangerous lifestyle appears to have finally caught up with him, and her family connections could be put to excellent use... Theo is convinced Elinor's drab exterior disguises a fiery, passionate nature. He gives her the adventure she's been yearning for - and along the way discovers she has talents beyond his wildest imagination...

Hana is 17 when her husband goes to war. When enemy soldiers attack her house she flees to the Yoshiwara, Tokyo's pleasure quarter, where she becomes a courtesan. Yozo returns to Japan to discover that the world he left behind has been destroyed. Travelling north to join his rebel comrades, he is captured but escapes making his way south-to the Yoshiwara. There the battered fugitive meets the beautiful courtesan.

A newly-widowed woman has done a runner. She just jumped in her car, abandoned her house in London and kept on driving until she reached the Norfolk coast. Now she’s rented a tiny cottage and holed herself away there. She’s not quite sure, but thinks she may be having a bit of a breakdown. All she knows is that she can’t sleep and may be drinking a little more than she ought to. But as her story unfolds we discover that her marriage was far from perfect.

In these days of pandemic, war and political turbulence, hope can seem to be in short supply. But hope is one of the theological virtues, and it is far more profound than mere optimism. Teresa White in this Lent Book draws on inspiration from writers as diverse as Julian of Norwich and Karl Rahner, Elizabeth Barrett-Browning and Henri Nouwen, but throughout the audiobook there is strong scriptural underpinning that the author uses to great effect.

Five immaculate short stories dealing with the tentative-to-frantic strategies of isolated beings distanced from unresponsive societies.

There are stark differences between rich and poor in the Manchester of Elizabeth Gaskell’s novel, Mary Barton. Factory owners such as Mr Carson, do not understand the anger of their poverty stricken workers, and care little for their welfare. For the mill-workers, employment means food on the table and being one step away from starvation, but trying to gain any political power means risking a loss of livelihood.

No one wants to think about getting older. It’s true. At any age, when things are moving along normally day to day and everyone seems fit and well, there seems no reason to think about future problems that your friends and relatives might (and probably will) come across as they age. In fact, it might even seem a little morbid to think such thoughts, or possibly even tempting fate? Yet there will come a time when you must raise these issues, and ideally, this should be before any problems arise.

Rose has always been close to her father. Her mother died soon after she was born, so it’s been just the two of them for as long as she can remember. But a chance encounter days before she's due to get married leaves Rose questioning everything she has ever known. The man she trusts most in the world has been keeping a secret from her. And the truth will leave her with an impossible choice.

Grace thought being a surrogate for her sister would be a selfless act. But secretly she longed for the baby inside her to be her own, conceived in passion with the only man she has ever loved... Josh couldn't bear to watch the baby grow in Grace's belly, unable to share the magic. But when tragedy struck Josh rushed to be there for Grace and baby Posie. They were his life, his family...

Part social satire, part police procedural, Bill James returns with the stunning prequel to Tip Top - In the drug-ridden Whitsun and Temperate housing estates a connection, once made, is only ever one thing: trouble. Trouble for the journalist whose investigation into the estates leads to his murder; trouble for policewoman Esther Davidson, whose job it is to arrest the killer; and trouble for TV producer Larry Edgehill, who becomes more involved with a Romeo and Juliet-esque cross-estate romance than he ever would have wanted.

Mary Barton has a choice to make: either protect a member of her family or sit back and watch a terrible miscarriage of justice. Will she make the right decision in time?