Showing results by narrator "Bill Nighy" in All Categories

A BBC Radio 4 full-cast adaptation of Simon Brett's comic murder mystery, starring Bill Nighy as the irrepressible Charles Paris. Charles Paris (unsuccessful actor, bad husband, dipsomaniac) is currently appearing as a fork lift operator in a corporate video. It's not prime-time television or a major film, but it seems like easy money - until the fork lift is used to commit a murder. When Charles himself comes under suspicion, he decides to find out for himself who the murderer is.

Rincewind, inept wizard and reluctant hero, has found himself magically stranded on the Discworld's last continent. It's hot. It's dry. There was this thing once called The Wet, which no one believes in any more. Practically everything that's not poisonous is venomous. But it's the best bloody place in the world, all right? And in a few days, it will die. The only thing standing between the last continent and wind-blown doom is Rincewind, and he can't even spell wizard. Still...no worries, eh?

Life is good for Charles Paris. He's moved back in with his estranged wife, and has landed a plum stage role as Sir Toby Belch in Twelfth Night. But it can't last. First his attempts to woo Frances fall flat, then the play's director is taken ill with gastric trouble. His replacement, Romanian wunderkind Alex Radelescu, is determined to take the play in a radical new direction—with or without Charles.

Locked down with his semi-detached wife, Frances, Charles has thrown himself into a new career as a handyman, becoming quite the DIY expert. He's developed muscles, stopped smoking and even cut back on the booze. Then his agent, Maurice, offers him the chance to get back on stage - and in a West End play, no less. The star, Justin Grover, asked for him specifically, but Charles has reservations. Grover was cocky enough when they were both young hopefuls; now, he's the star of a massive TV fantasy series, and the play - a verbatim piece set in a monastery - is dire.

The Opera House in Ankh-Morpork is home to music, theatrics and a harmless masked Ghost who lurks behind the scenes. But now a set of mysterious backstage murders may just stop the show. Agnes Nitt has left her rural home of Lancre in the hopes of launching a successful singing career in the big city. The only problem is, she doesn't quite look the part. And there are two witches who would much rather she return home to join their coven.

A BBC Radio 4 full-cast dramatisation of Simon Brett's entertaining crime novel, starring Bill Nighy. Charles Paris has been resting for quite a while, so he's relieved when he is cast as Ghost of Hamlet's Father and First Gravedigger in a touring production of Hamlet. But rehearsals are a little tense - the lead roles of Hamlet and Ophelia are played by a reality TV contestant and TV talent show winner respectively, and their opinions on celebrity and the theatre differ somewhat from those of the more experienced members of the cast.

A job in pantomime seems the perfect way to spend the Christmas season for Charles, but the cast of Cinderella are a motley crew from reality TV and Charles finds himself having to explain the traditions of panto to their baffled American star whose career is on a downward trajectory. When the star is shot dead, and Charles finds the body, he finds himself under suspicion.

Change is in the air for Moist von Lipwig, swindler, con-man and (naturally) head of the Royal Bank and Post Office. A steaming, clanging new invention - a steam locomotive named Iron Girder, to be precise - is drawing astonished crowds. Suddenly it's a matter of national importance that the trains run on time. Moist does not enjoy hard work. His input at the bank and post office consists mainly of words, which are not that heavy. Or greasy. And it certainly doesn't involve rickety bridges, runaway cheeses or a fat controller with knuckledusters.

At the centre of the galaxy, a vast, unknown civilization is preparing for an event of epic proportions: the launch of the greatest, most gorgeous, most technologically advanced spaceship ever built – the Starship Titanic. An Earthling would see the ship as something really, really big, but rather less provincial onlookers would recognize it as the design of Leovinus, the galaxy’s most renowned architect. Before the launch Leovinus is having one last little look round and begins to find that things just aren’t right.

August in Edinburgh, and thousands of performers of all stripes have flocked to the Fringe Festival. Among them is Charles Paris filling in at the last minute after a student actress breaks a leg and has to drop out. Showcasing an earnest one-man show in a sea of stand-up comics is a bit of a gamble, but at least he's acting, and with a Charles Paris production, what could possibly go wrong?

Set during the Golden Age of Detective Fiction, we meet Max Carrados, the celebrated blind detective who can read a newspaper headline with the touch of his fingers and shoot a villain by aiming at the sound of his beating heart...and Norman Conquest, the fast talking, hard hitting adventurer with a nose for trouble and a hell-rake disregard for danger, who keeps up good cheer while he biffs the baddies...and not forgetting Ben, the chivalrous and perky non-descript little man, whose thumbs itch just before ‘something ‘orrible ‘appens’.

Charles Paris is thrilled - he’s landed a nice juicy part playing Sergeant Collins in the TV detective series, ‘The Stanislaus Braid Mysteries’, and his estranged wife Frances seems to be on the brink of taking him back. But filming turns out to be a tortuous process, with pompous star Russell Bentley demanding numerous retakes and irascible author Winifred Railton constantly interrupting. To cap it all, nubile actress Lisa Stokes is crushed to death on set - and Charles finds her body.

Bill Nighy stars as Charles Paris with Martine McCutcheon as Jodie Ricks in this BBC Radio 4 comedy detective drama. Charles finds himself uncharacteristically employed in a film, having landed the part of Szabec, a middle management vampire in 'The Wreathing'. His co-star is swimwear model turned actress Jodie Ricks and before long, Jodie is using Charles as a confidant.

'Look after the dead,' said the priests, 'and the dead will look after you.' Wise words in all probability, but a tall order when, like Teppic, you have just become the pharaoh of a small and penniless country rather earlier than expected, and your treasury is unlikely to stretch to the building of a monumental pyramid to honour your dead father. He'd had the best education money could buy of course, but unfortunately the syllabus at the Assassin's Guild in Ankh-Morpork did not cover running a kingdom and basic financial acumen....

Bill Nighy, Barbara Shelley and Peter Sallis are among the cast in six classic BBC Radio dramatisations of stories by one of Britain's most popular science fiction authors. 'The Day of the Triffids', first broadcast in 1968, is set in a world in which most people have been left blind after a meteor shower, and lethal carnivorous triffids are roaming the land. 'The Kraken Wakes', dramatised for radio in 1998, is a gripping story of monsters from the deep, alien invasion and ecological disaster.

Both a portrait of a love triangle - between Tietjens, his beautiful and reckless wife, Sylvia, and the suffragette Valentine - and a depiction of life on the Western Front, Parade's End is one of the greatest fictional works of the 20th century. Ranging from the drawing rooms of England to the trenches of France, and moving between past and present, it is a haunting exploration of identity, loss and memory.

Tiffany Aching is ready to begin her apprenticeship in magic, but life isn't exactly what she thought it would be. She expects spells and magic - not chores and ill-tempered goats! Surely there must be more to witchcraft than this? And Tiffany will find that she needs her magic more than ever, to fight off the insidious, disembodied creature that is pursuing her. This time, neither Mistress Weatherwax (the greatest witch in the world) nor the fierce, six-inch-high Wee Free Men can protect her. In the end, it will take all of Tiffany's inner strength to save herself.

As the witch of the Chalk, Tiffany Aching performs the distinctly unglamorous work of caring for the needy. But someone - or something - is inciting fear, generating dark thoughts and angry murmurs against witches. Tiffany must find the source of unrest and defeat the evil at its root. Aided by the tiny-but-tough Wee Free Men, Tiffany faces a dire challenge, for if she falls, the whole Chalk falls with her.

Religion is a competitive business in the Discworld. Everyone has their own opinion and their own gods, of every shape and size - all fighting for faith, followers, and a place at the top.

Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. He’s been out of work so long now he feels he may never get a job and he’s driving Frances, his semi-ex-wife, mad. So when he’s offered a small role in a play, she nearly pushes him out of the door. But it seems that ‘The Message is Murder’ is such a terrible production that someone wants to kill off the cast.