Showing results by author "Nikólai Gógol" in All Categories

Chichikov, a mysterious stranger, arrives in a provincial town and visits a succession of landowners to make each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying tax on them, and to use these "souls" as collateral to reinvent himself as a gentleman. In this ebullient masterpiece, Nikolai Gogol created a grotesque gallery of human types.

Many of Gogol's stories feature ineffectual individuals who are overwhelmed by the caprices of fate. In Diary of a Madman, one of his most colorful tales, the narrator, a humble and obscure office worker, veers from mere eccentricity into full blown lunacy, and finds that the delusions fostered by madness are anything but comforting.

Gogol's classic tale of mayhem, mischief, and marriage, inspired by Ukrainian lore, everyday life, and traditional comedy.

We are all driven by needs, desires, ambitions and many other forces. Life runs as normal with the obligatory ups and downs. In this volume such literary leviathans as Nathaniel Hawthorne, Nikolai Gogol, Edgar Allan Poe, Charlotte Perkins Gilman and many others provide tales from pens that seep with wisdom and worry.

Im Russland des Zaren heckt Pawel Tschitschikow einen meisterhaften Plan aus. Um zu Reichtum zu gelangen, macht er sich eine Eigenheit des russischen Steuersystems zunutze. Da der Staat seine Register nur periodisch aktualisiert, müssen Großgrundbesitzer auch für ihre verstorbenen Leibeigenen - ihre toten Seelen - Steuern entrichten.

This lovely and nevertheless rather spooky tale by Nikolai Gogol is rooted in Ukrainian lore. It starts quite ordinary - a young man is in love with a beautiful young girl, but other people and unforeseen circumstances stand in the way of their happiness. Quite unexpectedly, our young hero receives an offer of help from a very unlikely source.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The diary is that most intimate of journals, of records. Within its pages the writer records and gives expression to their thoughts, their feelings, their emotional state on all the things that make up and surround them in this world. With authors of the calibre of Bulgakov, Woolf, Tolstoy, Twain and many others this volume explores characters whose lives seem dominated by these diaries, and the events that unfold are both compelling and literary journeys into the very personal and intimate side of their characters’ lives.

The writer who did most to establish prose as a force in Russian literary culture was Nikolai Gogol. Gogol's example combined with the pronouncements of the literary critics of the period, established prose as the literary medium of the future. Fyodor Dostoevsky is supposed to have said, referring to himself and his fellow Realists, "We have all come out from under Gogol's "Overcoat".

Some call him a Russian Mark Twain. And with his special blend of comedy, social commentary, and fantasy, Nikolai Gogol paved the way for his countrymen Tolstoy and Dostoyevsky. This sampling of Gogol's works includes the increasingly fantastic entries of The Diary of a Madman followed by the wonderfully surrealistic The Nose in which the title character embarks on some unlikely activities when separated from its owner's face. Rounding out the collection are the woefully comic tale of a clerk's acquisition of The Overcoat and Ivan Fyodorovich and his Aunt, in which the title character retires to his country estate, managed by a wily Aunt.

Chichikov, a mysterious stranger, arrives in a provincial town with a bizarre but seductive proposition for local landowners. He proposes to buy the names of their serfs who have died but who are still registered on the census, saving their owners from paying tax on them. But what collateral will Chichikov receive for these "souls"?

A true horror classic of Ukrainian literature, Nikolai Gogol's Terrible Revenge raises the notions of terror, betrayal, and revenge to an entirely new level.

Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in the Russian Empire (The Government Inspector, Dead Souls).

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

The Nose is a satirical short story by Nikolai Gogol written during his time living in St. Petersburg. During this time, Gogol's works were primarily focused on surrealism and the grotesque, with a romantic twist. Written between 1835 and 1836, The Nose tells the story of a St. Petersburg official whose nose leaves his face and develops a life of its own. The Nose was originally published in The Contemporary, a literary journal owned by Alexander Pushkin.

May Night, or the Drowned Maiden, 1831 is the third tale in the collection Evenings on a Farm Near Dikanka by Nikolai Gogol. It was made into the opera May Night by Nikolai Rimsky-Korsakov in 1878–79 and also a Ukrainian setting by Mykola Lysenko. This story comes from the unnamed story-teller (who was previously responsible for "The Fair at Sorochyntsi"). In this tale, a young Cossack named Levko, the son of the mayor, is in love with Hanna. He comes to her house to talk about marriage and mentions that his father is not pleased with the idea, though he doesn't say anything directly and merely ignores him.

With his sense of humor and ability to observe, Nikolai Gogol presents the world with stories of little people: the weak and fragile people who try to hold on to life in the gloomy cities of Russia. The Mantle, which is listed among his masterpieces, describes how Russian bureaucracy turns everyone into a ghost of each other. It tells the tragicomic story of a poor low-ranking official named Akakiy Akakiyevich Bashmachkin, a faint character living on the margins of society who spends all his time diligently copying documents.

In this series we explore the many facets of love through literary talents that span both time and country. There are times when love is not a revelation and a calling from one soul to another but a carefully navigated path, or maybe a badly chosen path that decimates happiness. Which way will our literary leviathans take us? Inevitably it will be more than one.

Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore. In ‘Old Fashioned Land Owners’ Gogol describes a peaceful setting and a peaceful couple who have grown old together. But foreboding makes an entrance and life is now a series of cruel twists that breaks everything.