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This collection contains 12 episodes from the greatest science fiction shows ever broadcast during the golden age of radio, including a two-part Suspense episode starring Orson Welles, written by Curt Siodmak, author of The Wolf Man, one of Universal Pictures' biggest hits. Other classics include stories by H. G. Wells, Robert Heinlein, Frederick Pohl, and Murray Leinster on Dimension X, Escape, and X Minus One.

"Countdown for blastoff...X minus five, four, three, two, X minus one.... Fire! From the far horizons of the unknown come transcribed tales of new dimensions in time and space. These are stories of the future - adventures in which you'll live in a million could-be years on a thousand may-be worlds." Thus began each episode of X Minus One, a half-hour science fiction radio series that was broadcast from 1955 until 1958.

X Minus One, widely regarded as one of the finest science fiction dramas ever produced for radio, was broadcast on NBC from 1955 until 1958. It began as a revival of NBC's Dimension X, which ran for just a year and a half, from 1950 to 1951.

Among several newspaper-based dramas during radio's golden age, Night Beat was a cut above the others. It was the story of Randy Stone, a hard-nosed Chicago Star newsman, and his quest for the human-interest story behind the headlines. Frank Lovejoy starred as Randy Stone, who came to vivid life thanks to expert scripts by Russell Hughes, Larry Marcus, E. Jack Neuman, and John Michael Hayes. Lovejoy's distinctive voice and approach to the role, combined with top performances by veteran radio actors, gave Night Beat a noir style that listeners loved.

Sam Spade was a hard-boiled detective with cold detachment, a keen eye for detail, and unflinching determination to achieve his own justice. The character of Sam Spade was created by writer Dashiell Hammett in 1930 for his crime story The Maltese Falcon, and for most people, the character is closely associated with actor Humphrey Bogart, who played Sam Spade in the third and most famous film version of the story. In 1946, William Spier, one of radio's top producers, brought Sam Spade to the airwaves.

Reminiscent of Humphrey Bogart's character Rick Blaine from the classic movie Casablanca, Rocky Jordan relocated to Cairo after being ousted from St. Louis by his enemies. Now living in North Africa, Rocky Jordan owns and operates a gin joint, the Café Tambourine, and finds himself involved in an assortment of mystery and intrigue endeavors while unwillingly moonlighting as a crime fighter.

The Lux Radio Theatre was one of the longest running - and most extravagant - shows from radio's golden age. The show featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host for the lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s.

Candy Matson was a response to all the hard-boiled detectives on the radio, like Philip Marlowe, Sam Spade, and Pat Novak, and all those other detectives who were beaten up on a regular basis. Candy, played by Natalie Park, was hard-boiled in her own way. She never compromised her femininity, but she did know how to use a gun and didn't hesitate to use it when it was necessary. She didn't take any guff from the guys - the good guys or the bad guys. With a snappy comeback, she could take anybody's head off.

Our Miss Brooks was a situation comedy show heard on radio and seen on television and in films starring Oscar winner Eve Arden. Her skill with the wicked one-liner and acid aside had begun to lead to typecasting, so, to find a new image, Arden signed on for the lead in radio's Our Miss Brooks. The series centered on Connie Brooks, a smart, sharp-witted, lovable English teacher at fictional Madison High School.

In the March 1934 issue of the legendary pulp magazine Black Mask, Jack "Flashgun" Casey, crime photographer, made his debut. His creator was former newspaper and advertising executive George Harmon Coxe Jr., who wrote more than 60 crime fiction novels in his lifetime. Casey's keen eye for detail served him well on the job, helping him to solve the crimes he was assigned to photograph for the newspapers.

This collection contains 12 of the greatest Western shows ever broadcast during the golden age of radio, including many first episodes from their series. You'll hear William Conrad as Marshal Matt Dillon on Gunsmoke, John Dehner as the man called Paladin on Have Gun - Will Travel, Roy Rogers and Dale Evans on The Roy Rogers Show, Gene Autry on Gene Autry's Melody Ranch, Raymond Burr as Captain Lee Quince on Fort Laramie, and Jack Mather in The Cisco Kid.

The CBS Radio Workshop regularly featured the works of the world's greatest writers, including Ray Bradbury, Archibald MacLeish, William Saroyan, Lord Dunsany, and Ambrose Bierce, among others. The radio series aired from January 27, 1956, through September 22, 1957, and was a revival of the prestigious Columbia Workshop from the 1930s and 1940s. Creator William Froug launched the series with this powerhouse two-part adaptation of Brave New World and booked author Aldous Huxley to narrate his famous novel.

Raymond Chandler's celebrated hard-boiled private eye, Philip Marlowe, made his radio debut in 1945 on the Lux Radio Theatre with Murder, My Sweet, starring Dick Powell. Two years later NBC brought the character to the air in his own weekly series starring Van Heflin, The New Adventures of Philip Marlowe. A summer replacement for The Bob Hope Show, the series was short lived, ending on September 9, 1947.

When real-life husband and wife George Burns and Gracie Allen worked together in vaudeville, George was the comic and his wife Gracie had the straight lines. They switched their roles upon discovering that Gracie’s delivery got a bigger laugh than George’s punch lines. The duo became a big hit on vaudeville and in films so when radio beckoned, they delivered. Their first regular radio work were as supporting players on CBS’s The Guy Lombardo Show in the 1930s. When Lombardo switched to NBC, George and Gracie took over the show. Enjoy sixteen of their greatest radio broadcasts.

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills", it focused on suspenseful thrillers starring the biggest names in Hollywood.

Dashiell Hammett created the character Sam Spade for his crime story The Maltese Falcon. Spade was a hard-boiled detective with cold detachment, a keen eye for detail, and an unflinching determination to exact his own justice. For most people, Spade is most closely associated with actor Humphrey Bogart, who played him in the third and most famous film version of The Maltese Falcon. In 1946 one of radio's top producers, William Spier, brought Sam Spade to the airwaves in a radio show starring newcomer Howard Duff.

This collection showcases Lucille Ball's amazing spectrum of radio work, from comedy to mystery and everything in between. As Lucy Ricardo, Lucille Ball brought a tomboy's enthusiasm and a scatterbrained quality to the long-running television program I Love Lucy. She was the wacky wife making life difficult for her loving but exasperated husband, Ricky Ricardo, played by Ball's real-life husband, Desi Arnaz.

Richard Diamond, Private Detective came to NBC Radio in 1949, starring film actor and crooner Dick Powell. Powell had recently played Philip Marlowe in the popular RKO film Murder, My Sweet and jumped at the chance to play a suave detective on the radio. Diamond was a lighthearted, New York - based private eye who enjoyed ribbing the cops and singing songs to his millionaire girlfriend, Helen Asher.

Mr. District Attorney came to radio in 1939 and focused on a crusading DA named Paul Garrett. Created, written, and directed by former law student Ed Byron, the series was inspired by the early years of New York governor Thomas E. Dewey. It was Dewey's public war against racketeering that led to his election as governor and enabled him to run for the presidency of the United States.

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as a wing riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, where Riley would cheerfully disrupt life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate became a popular catchphrase: "What a revoltin' development this is!"