Showing results by narrator "Jessica Whittaker" in All Categories

Thirty years ago, in the English countryside, a commune was set up. Led by Uncle Saviour, it was supposed to be a place of love, peace and harmony. But what started out as paradise turned into hell. Now, two young children have vanished from their home in the middle of the night. Their parents are frantic; the police are at a loss. DI Ottoline is leading the search - her only clue a mask found in the woods. Could the key lie in events that took place decades ago, when a dream of a new way of life became something far more sinister?

When Sarah was 17 years old, she hid in a wardrobe while her mother was murdered in the bedroom. As the weeks and months passed, Sarah gradually moved on from the horror of that night and managed to settle into her changed family life. After the police confirm that her mother was one of three similar victims, the case goes cold. Until Sarah receives a letter: 'I didn't know you were there, or I would never have done that. Sincerely, Yours.' And, so begins a terrifying game of cat and mouse as the killer collects more victims and continues to elude police.

The year is 1950, and a great tragedy has struck the town of Crowford. Three local men have been killed in a storm, after their fishing boat the Mercy Belle sank. A mysterious fourth man, however, was rescued. Nobody knows who he is, or what he was doing on the Mercy Belle...and the man has lost his memory.

From Vanessa Bell's Studland Beach, one of the first modernist paintings in Britain, to Paul Nash's work bearing the scars of his experience in the trenches and Martin Parr's photographs of seaside resorts in the 1980s that tackle ideas of class and deprivation, Looking to Sea embraces ideas from modernism and the sublime, the impact of the world wars and colonialism, to issues crucial to our world today like the environment and nationhood. Looking to Sea is an astonishingly perceptive portrait of the twentieth century.

After a decade of waiting for the call that would change everything, Lucy's dreams are shattered when her agent drops her. But returning to the life she's spent ten years running from isn't an option. Determined to keep her acting career alive, Lucy and her best friend Jack launch an Impersonation Agency, stepping into the lives of strangers and playing everything from supportive partners at family gatherings to charming plus-ones at corporate events.

When Izzie Dean’s beloved nan, Molly Blackshaw, passes away, Izzie returns to the Blackpool bungalow where she grew up, to say good-bye once and for all. When Izzie’s homecoming reunites her with her first love, Justin Swift, every emotion that Izzie has repressed since the day he broke her heart comes rushing to the surface. But then an unexpected discovery changes everything.

Dr Tess Carter is no starry-eyed Jane Austen heroine. After all, if your dad left without a backward glance and you found your last boyfriend in bed with another guy, you wouldn’t believe in romance either. And the voices in Tess’ head - you know, the ones that tell you you’re not good enough, not pretty enough, not clever enough - well, these voices are very loud. Very loud indeed. Especially when the proud and disagreeable son of one of her patients starts challenging her every decision.

Jane doesn’t know her new neighbours very well. She thought they were nice. She thought they were happy. She was wrong. First there’s the explosive rows. Then she catches one of them digging a grave-shaped trench in the garden.

After losing her job and boyfriend, Jan Hamlin is in desperate need of a fresh start. So she jumps at the chance to rent a secluded cottage on the edge of Coleshaw Woods. Very quickly though, things take a dark turn. At night, Jan hears strange noises, and faint taps at the window. Something, or someone, is out there.