Showing results by narrator "Ghizela Rowe" in All Categories

Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family. He was educated at Eton and at Balliol College, Oxford, but did not complete a degree. In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year Poems and Ballads brought him instant notoriety. He was now identified with 'indecent' themes and the precept of art for art's sake.

London’s East End has over the centuries been a magnet for immigration, innovation, culture, crime and a vast spectrum of other things. It is often seen as both part of and yet very distinct from the vast metropolis of London. Today it has been transformed from the often grimy, derelict and overcrowded area, that many of these stories describe, into a landscape of gentrification, sleek and shiny buildings and a booming economy. But here such noted talents as Arthur Morrison, Henry W. Nevinson, William Pett Ridge and Thomas Burke show the East End as it really was.

Robert Louis Stevenson. In the Scottish canon to be placed alongside Burns is high praise indeed but it’s a rightful place for one of Scotland’s finest novelists and here, poets. Born in 1850 he managed to cram much into his 44 years travelling widely to France, The States, Samoa and the South Seas.

This collection of short stories contains several gothic tales of the macabre and chilling, by writers as diverse as Robert Louis Stevenson, Mary Shelley, H. P. Lovecraft and A. M. Burrage. These tales are designed to unsettle you, just a little, as you sit back and take in their words as they lead you on a walk to places you’d perhaps rather not visit on your own. Our stories are: "The Body Snatcher", by Robert Louis Stevenson; "The Mortal Immortal", by Mary Shelley; "The Thing on the Doorstep", by HP Lovecraft; and "Waxworks", by AM Burrage.

Dante Gabriel Rossetti was born on May 12th, 1828 in London, England. Together with William Holman Hunt and John Everett Millais, they developed and founded the Pre-Raphaelite Brotherhood. It’s mission: to reform English art and return to the detail, intense colours and complex compositions of Quattrocento Italian and Flemish art. The brotherhood's magazine, The Germ, was first published in 1850, with Rossetti contributing a poem, 'The Blessed Damozel', and a story about a fictional Italian artist inspired by a vision of a woman.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī is commonly known to us as Hafiz, the Persian poet who was born in Shiraz, Iran, in either 1315 or 1317. The facts of much of his early life are unknown to us but it is said that, at an early age, he memorised many passages of the Quran and was therefore given the title of Hafiz, which means 'the memoriser or the safe keeper'. Hafiz mainly wrote lyric poetry or ghazals - an ideal form for expressing the ecstasy of the divine and the intoxicating mystical union with God.

Whilst this given name and the poets included can seem at first glance broad and unmanageable, the name both historically and artistically is a near perfect fit. Those poets that pledged support to Charles I, a connoisseur and patron of fine arts, were in the main courtiers or closely aligned. Among their number were Robert Herrick, Richard Lovelace, Thomas Carew and Sir John Suckling. These poets shied away from verse on religion or philosophy but mused instead on love, joy and simpler things, very much living for the ‘now’.

Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings. Forget the idea of classic poetry being somehow dull and boring and best kept to children's textbooks. It still has life, vibrancy, and relevance to our lives today. Where to start? How to do that? Poetry can be difficult. We've put together some very eclectic Poetry Hours, with a broad range of poets and themes, to entice you and seduce you with all manner of temptations.

Many giants of literature originate from the shores of the emerald isles: Shakespeare, Dickens, Chaucer, the Brontes, and Austen, to which most people would willingly add the name Thomas Hardy. Far from the Madding Crowd, Tess of the D’Urbervilles, and The Mayor of Casterbridge are but three of his literary masterpieces. But let us go further and add to his canon his poems....

Rudyard Kipling. With our almost religious zeal to categorise and pigeon hole everything it should come as little surprise that one of the poems we learnt at school should so regularly be voted the best ever poem. Whether ‘If..’ deserves that credit or not is irrelevant to this empire wandering artist who was not only a fine story teller but a great poet of the Empires, its people and views.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England, the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

It is often said that two things are unavoidable: death and taxes.Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s eternal journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell.

In this volume of classic poetry our wordsmiths are our companions on journeys near and far. They describe and create worlds that we can explore with them, word by word and line by line. In the company of Keats, Wordsworth, Bronte, Whitman, Kipling and a wealth of others these journeys in verse will be like no other.

Ah, Nonsense! The English, it is often said, have a peculiar brand of humour. Along with copious cups of tea and a stiff upper lip it keeps life together in moments of difficulty and strife. One of our most-loved humourists is Edward Lear, famed throughout the world for his nonsense verse and limericks. Listen to this collection and find out why.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise; that opens our ears and eyes to very personal feelings.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced.

Kabir, meaning "Great" and one of the 99 names of God in Arabic, was a mystic and poet, born around 1440 in Varanasi to poor Muslim parents. Another account claims he was the child of a Brahmin widow. He himself said he was "at once the child of Allah and Ram". Kabir grew up learning his father’s craft of weaving and overcame many obstacles to become a disciple of Saint, or Swami, Ramananda, the leading pioneer of the Bhakti movement, which promoted salvation for all.

James Elroy Flecker was born on 5th November 1884, in Lewisham, London. Flecker does not seem to have enjoyed academic study and achieved only a Third-Class Honours in Greats in 1906. This did not set him up for a job in either government service or the academic world. After some frustrating forays at school teaching he attempted to join the Levant Consular Service and entered Cambridge to study for two years. After a poor first year he pushed forward in the second and achieved First-Class honours. His reward was a posting to Constantinople at the British consulate.

It is often said that two things are unavoidable: death and taxes. Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell. Its nightmare visions are so terrifying, conjured up by Dante, Milton, Blake, Baudelaire and many others.