Showing results by narrator "Gabrielle de Cuir" in All Categories

From modern literature to menopause, from utopian thought to rodeos - in this classic collection of essays, Ursula K. Le Guin roves with her customary audacity over the intersecting arenas of literature, feminism, and social responsibility, exploding any received notions she comes across and revealing visionary possibilities in their stead.

Bailey Flanigan is finally leaving her small-town home of Bloomington, Indiana, for the adventure of a lifetime: she has gotten a part in a Broadway musical in New York City. She's determined to take advantage of this unbelievable opportunity, but is she really ready to leave family and friends for the loneliness of the big city? And what about Cody, her former boyfriend? His disappearance has her worried about their future and praying that their love can survive.

The planet Lusitania is home to three sentient species: a large colony of humans; the Pequeninos; and the Hive Queen, who was brought there by Ender Wiggin. Once again, the enemy (the Starways Congress) has gathered a fleet and is threatening to destroy Lusitania. Ender's oldest friend, Jane, an evolved computer intelligence, is trying to save the three sentient species of Lusitania, but the Starways Congress is destroying the computer world she lives in.

The human race is at War with the "Buggers," an insect-like alien race. As Earth prepares to defend itself from total destruction at the hands of an inscrutable enemy, all focus is on the development of military geniuses who can fight such a war, and win. The long distances of interstellar space have given hope to the defenders of Earth--they have time to train these future commanders up from childhood, forging them into an irresistible force in the high orbital facility called the Battle School.

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Three-headed trolls, horses that carry their masters up mountains of glass, giants and dwarfs, monsters and magicians, fairies and ogres - these are the companions who will thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved.

Siobhan has just been banned from the country's only magical university. As the unwitting accomplice to the theft of a priceless magical artifact, she has suddenly become a wanted criminal. There are fates worse than death, and if caught, she will face them. Unwilling to give up on her dream of becoming the world's most powerful sorcerer, she resolves to do whatever it takes to change her fate. Even if it means magically disguising herself as a boy and indebting herself to a gang of criminals to pay for university tuition.

Stories of magic, superstition, and witchcraft were strictly forbidden in the little town of Salem Village. But a group of young girls ignored those rules, spellbound by the tales told by a woman named Tituba. When questioned about their activities, the terrified girls set off a whirlwind of controversy as they accused townsperson after townsperson of being witches.

Prince Roger is coming home, but home isn't what it was when he left. Traitors have murdered his brother and sister, his nieces and nephews. His mother, the empress, is still alive but in the hands of Roger's own biological father, who controls her through drugs and physical and psychological torture. A new heir to the throne has been conceived, and once the child is born his mother will no longer be necessary to the traitors' plans.

This collection includes the first four books in the Return of the Elves romantic fantasy series: Soulbound, Sundered, Exiled, and Seared.

Orson Scott Card tells a tale long awaited by millions of fans: the story of how Bean turned away from his first friend, Ender, and became the tactical genius who won the Earth for Ender's brother, Peter, who became the Hegemon.

One planet. Three sapient species living peacefully together. And one deadly virus that could wipe out every world in the Starways Congress, killing billions. Is the only answer another great Xenocide?

Arlyn's quest is simple: Find her father and let him know her mother is dead. After all, Arlyn had promised her mother she'd go. The problem? Her father's people are myths and legends, and he doesn't even live on Earth. But despite a long journey through the mysterious mists of the Veil, finding him turns out to be the easy part. Arlyn thought she would return to Earth after meeting her father. Now she must fight to save the family she never knew she wanted.

Originally published in 1778, Evelina is Frances Burney's first and most beloved novel. It was a landmark in the development of the novel of manners and went on to influence such enduringly popular authors as Jane Austen. By turns hilarious and grim, witty and lyrical, the story follows young Evelina as she leaves the seclusion of her country home and enters into late eighteenth-century London society - both its pleasures and its dangers. Life in eighteenth-century England is vividly rendered as Evelina is educated in the ways of the world and, eventually, love.

Based on a story she had written for her brother and published when she was 19 years old, The Black Moth is set during the Georgian era in the 1750s and follows Lord Jack Carstares, the eldest son of the Earl of Wyncham. Six years ago, Jack took the blame when his younger brother Richard cheated at cards. Jack consequently faced social exile and fled England for the European continent. He has now secretly returned, robbing carriages as a highwayman.

Many years of working with the dying showed the authors that certain lessons come up over and over again. Some of these lessons are enormously difficult to master but even the attempts to understand them can be deeply rewarding. Here, in 14 accessible chapters, from the "Lesson of Love" to the "Lesson of Happiness", the authors reveal the truth about our fears, our hopes, our relationships, and above all, about the grandness of who we really are.

To study magic at the university, Siobhan sacrificed her name. She sacrificed her body and her past. Magically disguised as a boy named Sebastien, she is learning wondrous secrets of the thaumaturgic sciences. As Sebastien, she mingles with the young nobles who will one day rule their country. But danger is closer than ever, and she cannot escape her past.

A man wakes up in a hospital bed, with no idea who he is or how he came to be there. The only information the doctor shares with his patient is his name: Innokenty Petrovich Platonov. As memories slowly resurface, Innokenty begins to build a vivid picture of his former life as a young man in Russia in the early 20th century, living through the turbulence of the Russian Revolution and its aftermath. But soon, only one question remains: How can he remember the start of the 20th century, when the pills by his bedside were made in 1999?

Vienna 1938: Austria’s leading couturier, Christina Lehmann, sits at the pinnacle of Viennese society. Her lover, the renowned painter Max Hauser, is at the height of his career. But Max harbors a secret, and it is only a matter of time before the Gestapo finds out. The situation takes a dramatic turn on Kristallnacht, when the pogrom against the Austrian Jews escalates and one of Christina’s Jewish seamstresses is brutally murdered.

Xenocide is the third installment of the Ender series. On Lusitania, Ender found a world where humans and pequeninos and the Hive Queen could all live together; where three very different intelligent species could find common ground at last. Or so he thought. But Lusitania also harbors the descolada, a virus which kills all humans it infects, but which the pequeninos require in order to transform into adults.

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.