Showing results by narrator "Anna Bentinck" in All Categories

Wiltshire, 1922. Fifteen-year old Pudding Cartwright has begun the career she always wanted, as 'girl groom' to the Hadleigh family's horses at Manor Farm. Irene Hadleigh is struggling to adjust to her new life in sleepy Slaughterford, having married Alistair to escape a scandal in London. At a loss to occupy herself, Irene sets about restyling Manor Farm, and during the work the chance finding of a strange object hidden away in the house for years will change everything.

Tessa Hainsworth used to have it all – except time, peace of mind and leisure to enjoy the fruits of her labours. One momentous spring, she and her husband decide to start again in Cornwall – and the story of Tessa’s first turbulent year in adapting to her new life was told in her first book. Seagulls in the Attic now find Tessa a fully-fledged member of the community, but that doesn’t mean life becomes any easier.

Baked, mashed, boiled or fried, Mr Doubler knows his potatoes. But the same can’t be said for people. Since he lost his wife, he’s been on his own at Mirth Farm - and that suits Doubler just fine. Crowds are for other people; the only company he needs are his potato plants and his housekeeper, Mrs Millwood, who visits every day. So when Mrs Millwood is taken ill, it ruins everything - and Mr Doubler begins to worry that he might have lost his way. But could the kindness of strangers be enough to bring him down from the hill?

For Kay, living on her husband Bror's country estate, the Nazi invasion is a time of uncertainty. Bror is desperate to preserve the legacy of his home, even if it means co-existing with the enemy; Kay cannot do the same. She is lured by British Intelligence into a world of resistance. Tasked with protecting an SOE agent, Kay learns the art of subterfuge. Caught on opposing sides, will Kay and Bror find their way back to one another?

Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists....

The name of your first-born. The face of your lover. Your age. Your address... What would happen if your memory of these began to fade? When Claire starts to write her Memory Book, she already knows that this scrapbook of mementoes will soon be all her daughters and husband have of her. But how can she hold onto the past when her future is slipping through her fingers...?

She was a daughter, a wife, a mother. She was my friend. But what secrets did Eloise take to her grave? After her best friend Eloise dies from breast cancer, Cathy is devastated. But then Cathy begins to have disturbing dreams that imply Eloise's death was not all it seems. With a history of depression, Cathy is only just recovering from a nervous breakdown and her husband Chris, a psychiatrist, is acutely aware of his wife's mental frailty.

After the untimely death of their parents, Cytheria and Owen Graye must go out into the world and fend for themselves. Cytheria's journey leads her to the dark and mysterious household of Miss Aldclyffe, a capricious and eccentric woman, who steers Cytheria into a love affair with her charismatic steward, Aeneous Manston. All is not what it seems, and Cytheria finds herself entangled in a violent web of lust, murder, deception, and blackmail.

The hilarious and heartfelt new novel from the best-selling author of Out of Practice! The Practice at Larkford has suddenly been thrust under the spotlight - and its nomination as an NHS Model Surgery is causing the team major headaches. Dr Holly Graham should be basking in the glow of her new romance with fellow doctor Taffy - but she is worried that the team is prioritising plaudits over patients, and her favourite resident, the irreverent and entertaining Elsie, is facing a difficult diagnosis.

When archaeologist Louise Cantor’s son Henrik is found dead in his flat, she refuses to believe it was suicide. Clues that only a mother could detect lead her to believe something more sinister took place. Henrik had kept many things back from her and she is shocked to learn he had contracted HIV. The only lead is a letter and photograph from Henrik’s girlfriend in Mozambique. Louise’s quest to unravel the mystery surrounding her son’s death takes her to Africa.

For centuries past, and all across the world, there are words for a certain kind of woman. Words that raise our hackles, fire up our blood. Words that tell a story. In this blazing cauldron of a book, the boldest writers of our day take up these words and take up their pen, celebrating fifty years of Virago.

We don't want to tell you too much about this book. It is a truly special story and we don't want to spoil it. Nevertheless, you need to know something, so we will just say this: It is extremely funny, but the African beach scene is horrific. The story starts there, but the book doesn't. And it's what happens afterwards that is most important. Once you have read it, you'll want to tell everyone about it. When you do, please don't tell them what happens either. The magic is in how it unfolds.

This is not quite a memoir. Rather, it is the view from old age. And a view of old age itself, this place at which we arrive with a certain surprise - ambushed, or so it can seem. One of the few advantages of age is that you can report on it with a certain authority; you are a native now, and know what goes on here. Taking in old age, the context of one's life and times, memory, reading and writing, and the identifying cargo of possessions - two ammonites, a cat, a pair of American ducks, and a leaping fish sherd, amongst others - this is an elegant, moving, and deeply enjoyable memoir by one of our most loved writers.

In January 1987, Helen Honeysett goes on an evening run from her riverside cottage and disappears. Twenty-nine years later, Helen's body has never been found. Her husband has hired a detective to find out what happened all those years ago, but when the five households on that desolate stretch of towpath refuse to give up their secrets, Stella and Jack find themselves hunting a killer whose trail has long gone cold.

One abandoned, one unfinished, these short works show Austen equally at home with romance (a widowed clergyman with four daughters must needs be in search of a husband or two in The Watsons) and with social change (a new, commercial seaside resort in Sanditon). Typically touching, funny, charming and sharp.

Here is a tale straight from the fireside. We are compelled to follow the humble and mysterious figure of the linen weaver Silas Marner, on his journey from solitude and exile to the warmth and joy of family life. His path is a strange one; when he loses his hoard of hard-earned coins all seems to be lost, but in place of the golden guineas come the golden curls of a child - and from desolate misery comes triumphant joy.

Belle Hatton has embarked upon an exciting new life far from home: a glamorous job as a nightclub singer in 1930s Burma, with a host of sophisticated new friends and admirers. But Belle is haunted by a mystery from her past - an old newspaper clipping found in her parents' belongings after their death, saying that the Hattons were leaving Rangoon after the disappearance of their baby daughter, Elvira.

Sasha North has gone missing. Everyone says she's run away, but I know better. We've been best friends since we were teenagers, since Sasha swept into the neighbourhood and brought colour to my life. Until a brutal attack changed both our lives forever.

When Tess Angel receives a solicitor's letter inviting her to claim her inheritance - the Villa Sirena, perched on a clifftop in Sicily - she is stunned. Her only link to the island is through her mother, Flavia, who left Sicily during World War II and cut all contact with her family. Initially resistant to Tess going back to her roots, Flavia realises the secrets from her past are about to be revealed and decides to try to explain her actions.

In the middle of the night, a woman wraps herself in a blanket and starts writing. In answer to a question you asked a long time ago, she writes, and so begins a letter that both women have preferred to forget. She writes night after night - a letter of friendship, by turns a belated outlet of rage and forgiveness, the letter dissects what is left of a friendship caught between the forces of hatred and love.