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Thomas Troward (1847-1916) was the founder of a syncretic metaphysical system, which he called Mental Science. He claimed that his philosophy was supported by the Bible, which he quoted copiously in his various books. In this pamphlet, published while the First World War was raging, Troward sought to demonstrate that the prophetic utterances in the Bible indicated that his readers were living in the End Times. However, Troward claimed that this apocalyptic period was not the end of the world, but the end of an age.

First published in the Bulletin in the nineties, Paterson's verse has enjoyed enduring success throughout Australian literary history. Paterson had an intimate knowledge of life in the outback: he knew bushmen and he knew horses. His boundary riders and shearers, his buckjumpers and station hands, are real characters—the first realistic portraits of Australians in the bush at work and play to appear in verse. Many of the characters he created have so imprinted themselves on the public imagination that they have become part of Australian folklore.

Little is known of the life of Zen master Huang-Po (Obaku in Japanese). He was born in Fuzhou, China, and died about 850 AD. His main teacher was Pai Chang (Hyakujo) (720 - 814). The main source for Huang-Po's teaching is the Treatise of the Essentials of the Transmission of the Mind, compiled by his student, Pei Xiu. Huang-Po's teaching is focused on the concept of Mind, the essence of intrinsic Buddahood. According to the master, the search for enlightenment was a useless distraction, as seeking for something inevitably separates the seeker from what is being sought.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

Epithalamion is an ode included in an anthology, Amoretti, first published in 1595. Spenser's purpose was to celebrate his courtship of Elizabeth Boyle whose marriage with him is glorified in the Epithalamion.

This enigmatic poem is attributed to Seng-t'san, the third Chinese patriarch of Zen, who died in 606 CE. The tone of the work is revealed in the opening stanza in which the patriarch recommends dynamic introspection as the ideal attitude in solving the apparent problems of life. He urges the seeker neither to become trapped in the "outer entanglements of life" nor to isolate himself in solitude, but to remain calm in the procession of personal vicissitudes, seeing the essential oneness of all things.

This collection of Japanese poetry was compiled and translated into English from an anthology known as The Collection of Myriad Leaves, and from a number of other anthologies made by imperial decree between the tenth and fifteenth centuries. This period has come to be considered the golden age of Japanese literature. These examples of Japanese poetry exhibit the most exquisite polish, allied with an avoidance of every shocking or perturbing theme; they combine the enduring luster of a precious metal with the tenuity of gold-leaf.

In the early twentieth century, it was often said that “Australia rides on the sheep’s back”—a reflection of the nation’s dependence on the wool trade. Accordingly, a vast itinerant army of labourers was required to shear the sheep and prepare fleeces for market. In this essay, Rolf Boldrewood provides a vivid picture of the shearing season on a large property.