Showing results by narrator "Peter Silverleaf" in All Categories

"Jungle Tales of Tarzan" is a collection of twelve loosely connected short stories by American writer Edgar Rice Burroughs, comprising the sixth book in order of publication in his series of twenty-four books about the title character Tarzan. Chronologically the events recounted in it occur within Chapter 11 of the first Tarzan novel, Tarzan of the Apes, between Tarzan's avenging of his ape foster mother's death and his becoming leader of his ape tribe. The stories ran monthly in Blue Book magazine, September 1916 through August 1917 before book publication in 1919.

An adventure tale that has capture the ages! The first book in the legendary Tarzan series tells the story of John Clayton, born in the coastal jungles of Africa to a marooned couple from England, adopted as an infant by apes after they die, then raised in ignorance of his human heritage. Through sheer force of will Tarzan becomes king of the jungle and slowly learns of his origin. This is the exciting novel that began it all.

"The Beasts of Tarzan" is a novel by American writer Edgar Rice Burroughs, the third in his series of twenty-four books about the title character Tarzan. Originally serialized in All-Story Cavalier magazine in 1914, the novel was first published in book form by A. C. McClurg in 1916.

Reggie Oliver is a stage actor and playwright. His biography of Stella Gibbons was praised as "a triumph" by Hilary Spurling in the Daily Telegraph, his play Winner Takes All, was described as "the funniest evening in London", by Michael Billington in The Guardian, and his adaptation of Hennequin and Delacour's Once Bitten opened at the Orange Tree Theatre in London in December 2010. A PIECE OF ELSEWHERE: Staying with Auntie Winnie was going to be a treat. That was what I was told, but no valid reason for why it should be had been supplied.

Reggie Oliver is a stage actor and playwright. His biography of Stella Gibbons was praised as "a triumph" by Hilary Spurling in the Daily Telegraph, his play Winner Takes All, was described as "the funniest evening in London", by Michael Billington in The Guardian, and his adaptation of Hennequin and Delacour's Once Bitten opened at the Orange Tree Theatre in London in December 2010. MINOS OR RHADAMANTHUS: The sun was sinking behind the cricket pavilion, extending its long shadows over the grass of what had once been called 'The Great Field'.

Rosalie Parker runs the independent UK publishing house Tartarus Press with R. B. Russell. Her previous collections include The Old Knowledge (Swan River Press 2010) and Damage (PS Publishing 2016). "In the Garden" was selected for Best New Horror 21 (2010), and "Random Flight" for Best British Horror 2015. Rosalie lives in Coverdale, North Yorkshire, the magnificent landscape of which inspires and sometimes provides the settings for her writing. DEAR JOHN: There are times when something affects you deeply and alters the way you look at the world.

Rosalie Parker runs the independent UK publishing house Tartarus Press with R. B. Russell. Her previous collections include The Old Knowledge (Swan River Press 2010) and Damage (PS Publishing 2016). "In the Garden" was selected for Best New Horror 21 (2010), and "Random Flight" for Best British Horror 2015. Rosalie lives in Coverdale, North Yorkshire, the magnificent landscape of which inspires and sometimes provides the settings for her writing. DEAD LETTERS: When Lavinia's attention was fully engaged by the tele-vision, as often as not the pen would lower onto the paper and the words appear.

Reggie Oliver is a stage actor and playwright. His biography of Stella Gibbons was praised as "a triumph" by Hilary Spurling in the Daily Telegraph, his play Winner Takes All, was described as "the funniest evening in London", by Michael Billington in The Guardian, and his adaptation of Hennequin and Delacour's Once Bitten opened at the Orange Tree Theatre in London in December 2010. COUNTESS OTHO: I loathe fans. I realise I shouldn't be saying this. The correct thing for actors to say is that fans are the lifeblood of the theatre: we love and respect them. No, we don't.

VOLUME 1: FANTINE: Although this detail has no connection whatever with the real substance of what we are about to relate, it will not be superfluous, if merely for the sake of exactness in all points, to mention here the various rumors and remarks which had been in circulation about him from the very moment when he arrived in the diocese. True or false, that which is said of men often occupies as important a place in their lives, and above all in their destinies, as that which they do.

VOLUME 2: COSETTE: Last year (1861), on a beautiful May morning, a traveller, the person who is telling this story, was coming from Nivelles, and directing his course towards La Hulpe. He was on foot. He was pursuing a broad paved road, which undulated between two rows of trees, over the hills which succeed each other, raise the road and let it fall again, and produce something in the nature of enormous waves.

Reggie Oliver is a stage actor and playwright. His biography of Stella Gibbons was praised as "a triumph" by Hilary Spurling in the Daily Telegraph, his play Winner Takes All, was described as "the funniest evening in London", by Michael Billington in The Guardian, and his adaptation of Hennequin and Delacour's Once Bitten opened at the Orange Tree Theatre in London in December 2010. MEETING WITH MIKE: It looked as if one of Mad King Ludwig's fantasy castles had developed middle age spread.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 5: GRANDSON AND GRANDFATHER: Some time after the events which we have just recorded, Sieur Boulatruelle experienced a lively emotion.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 4: JAVERT DERAILED: Javert passed slowly down the Rue de l'Homme Armé.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 6: THE SLEEPLESS NIGHT: The night of the 16th to the 17th of February, 1833, was a blessed night. Above its shadows heaven stood open. It was the wedding night of Marius and Cosette.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 9: SUPREME SHADOW, SUPREME DAWN: It is a terrible thing to be happy.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. VOLUME 3: MARIUS: Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin.

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose. BOOK 8: FADING AWAY OF THE TWILIGHT: On the following day, at nightfall, Jean Valjean knocked at the carriage gate of the Gillenormand house. It was Basque who received him.

BOOK 7: THE LAST DRAUGHT FROM THE CUP: The days that follow weddings are solitary. People respect the meditations of the happy pair. And also, their tardy slumbers, to some degree. The tumult of visits and congratulations only begins later on. On the morning of the 17th of February, it was a little past midday when Basque, with napkin and feather-duster under his arm, busy in setting his antechamber to rights, heard a light tap at the door.

Initially dismissed as "a dead failure" and "a bad book," and declined by Melville's British publisher, "Pierre" has since struck critics as modern in its psychological probings and literary technique fit, as Carl Van Vechten said in 1922, to be ranked with "The Golden Bowl", "Women in Love", and "Ulysses". None of Melville's other "secondary" works has so regularly been acknowledged by its most thorough critics as a work of genuine grandeur, however flawed.

What effect do the places where we live or work have on us? Historian Roberta Rio, who researches the history of buildings, apartments and properties for her clients, regularly comes across astonishing and recurrent patterns. In this book she reveals what the Etruscans, the Romans and Cathedral architects all knew about the effects of places, what we ourselves should know and how we can find it out. Rio offers us a refreshingly down-to-earth summary of the findings of her research, and makes it practicable for our own personal use.