Showing results by narrator "Sarah Durham" in All Categories

London, 1944. Clara Button is no ordinary librarian. While the world remains at war, in East London, Clara has created the country's only underground library, built over the railway tracks in the disused Bethnal Green tube station. Down here, a whole community thrives: with hundreds of bunk beds, a café and a theatre offering shelter from the bombs that fall above. Along with her glamorous best friend and assistant librarian, Ruby Munroe, Clara ensures the library is the beating heart of life underground.

Moments before she dies, Nicola's grandmother Betty whispers to her that there are babies at the bottom of the garden. Nicola's mother claims she was talking nonsense. However, when Nicola's daughter finds a bone while playing in Betty's garden, it's clear that something sinister has taken place.

When Grace’s husband passed away, there was no guidebook for the 27-year-old widow. Crippled with heartbreak, she was also clueless. Was she allowed to wear denim? Should she be shrouded in a black veil? What about T-shirts printed with Tom’s face? Three years later, things look a little different for Grace. She’s adopted two precious girls, and she’s learned some life lessons.

Friends for over 30 years, Kerry and Pat’s worlds came crashing down when their teenage sons were both diagnosed with life-threatening illnesses within weeks of each other.

Frances Howard has beauty and a powerful family - and is the most unhappy creature in the world. Anne Turner has wit and talent - but no stage on which to display them. Little stands between her and the abyss of destitution. When these two very different women meet in the strangest of circumstances, a powerful friendship is sparked.

My husband is a doctor. He’s smart and charming, and everybody trusts him. Except me. On the surface, it looks like I have it all–the perfect marriage, the perfect husband, the perfect life. But it’s far from the truth. Doctor Drew Devlin is not the respectable figure he makes out to be. The reason we moved to this beautiful, old property with a gorgeous view of the sea was because we needed to put our past behind us. It should’ve been a fresh start for us both.

From the outside, Emma has the dream life–a loving husband, a beautiful house, two gorgeous children. But something is keeping Emma awake. Scratching at her sanity at 1am. She’s tried so hard to bury the past, to protect her family. But witching hour loves a secret–and Emma’s is the stuff of nightmares . . .

The invitation is anonymous. It doesn’t say whose funeral I must attend, only that I can’t afford to miss it. I’m sure it’s a mistake, but when I arrive, I know immediately it isn’t. The name on the gravestone stops me in my tracks: Alice Anderson. That’s my name. Or at least it was. I want to run from this crowd of slick designer clothes and sunglasses hiding prying eyes. But I can’t show my fear. I have no choice other than to stay and find out who sent the invitation. Someone here knows the secret I’d kill to keep.

I’m Lucy. Out-of-work actress, part-time princess impersonator, Dorito enthusiast. Oh, and I’ve lost my memory. I got knocked off a bicycle on my way to a children’s party, dressed as Elsa, and accidentally flashed my thong. Now, in my head, it’s 2009 and I’m 17 years old. Not nearly 30 and starting to wrinkle. By this stage of my life, I thought I’d be married, with kids and a mortgage. Instead, I’ve got a phone full of dick pics. As I make my way through my contacts list - and try to jog my memory - I can’t help asking: Am I allergic to love? Commitment? Men?

When I got pregnant, Will and I didn’t have a clue what we were signing up for. It turns out that there’s loads we weren’t warned about. But even if I feel like I’m waiting for my motherhood powers to come in the post, at least I’ve got Will. Our old life - festivals, sambuca shots, an actual sex life - might be a distant memory, but we can get through anything together, can’t we? At least that’s what I thought until, one day, Will walked out on us.... If I’m on my own (apart from Siri, obviously) can I do this whole parenting thing?

My husband, James, and I love living on Smith Street, with its neat houses and friendly family barbecues. Our daughter, Scarlett, can play outside with the other local kids–it’s somewhere nothing bad could ever happen. Or so I thought....

Alison is a marriage mender. Her job is to help couples who fear they have reached the end of the road. So when her husband's ex, Lydia, arrives on the doorstep demanding to see her son, Alison thinks she can handle it. But what Alison doesn't realise is that Lydia is the one person who has the ability to destroy their happy family. And sometimes the cracks run too deep to ever be repaired.

Her daughter died. Did she take mine? A year ago, my best friend Rachel’s daughter died. Ever since then I have held my own beautiful little girl tighter. I watch Luna shriek with laughter as she tips her toys all over the floor and I look anxiously at Rachel, sipping her tea. But Rachel reassures me that being near Luna helps fill the gaping hole of her grief, just a little. So when Luna is snatched from her bed in the middle of the night, it is Rachel who holds me tightly. She looks at the blue and white police tape crisscrossing my little girl’s bedroom and promises me they will find Luna.

Becca Palmer has just lost her job as assistant to Simon Jones MP - the highly-regarded Policing Minister, tipped as a future Prime Minister. But Becca claims that Simon was more than her boss, that she is in love with him.When a heartbroken Becca leaves the Home Office, she heads to Westminster Bridge, intending to take her own life. Which is where hostage negotiator Alex Lewis meets her for the first time. It is his job to try to talk her back from the edge.

It’s the ultimate test of endurance: two-hundred-and-fifty miles in the brutal heat of the Sahara, with only the supplies you can carry on your back. Adri is ready. Returning to ultra-running in the wake of a scandal, she needs to prove to herself – and her young son – that she’s a winner. When a fellow runner is badly injured, Adri knows something isn’t right. Yet in a race this extreme, even a dead body can be explained away. But there’s a killer stalking the hot sand. And the problem with running faster than everyone else, is that you’re miles ahead of anyone who can save you...

Your daughter isn't answering your calls. She's not replying to your messages. You rush to her house. She's slumped in the basement, dying and alone. You desperately call for help. She whispers a single word. Someone is keeping secrets. And it must be someone you know.

The students of Royal Hastings University's new Multimedia Art course have been trouble from day one. The year-long course is blighted by accusations of theft, students setting fire to one another's artwork, a rumoured extra-marital affair and a disastrous road trip. ut finally they are given their last assignment: to build an interactive art installation for a local manufacturer. With six students who have nothing in common except their clashing personal agendas, what could possibly go wrong? The answer is: murder.

I reach out, arms aching to hold my newborn baby, and catch just a glimpse of soft, dark brown hair before someone pushes me back onto the bed. "It’s alive," says the woman who delivered my child before she places something over my face. My last thought is of my baby’s first cry before my world goes dark.

Fifty-two-year-old Michelle Banks is struggling to keep all the plates spinning. She’s a perimenopausal district nurse, caring for elderly parents. Her husband is wasting their money on children’s TV memorabilia, her teenage daughter is riddled with anxiety and her 16-year-old son is behaving secretively. Alexa is the only one who knows how much Michelle is juggling. Listening in via four smart speakers, she also knows that it’s about to get even worse. So, when Michelle pleads for help, Alexa decides to go rogue.

This is not a taste, nor an anti-taste, manual. This is an interrogation of the importance we place on seemingly objective ideas of taste in a culture that is saturated by imagery, and the dangerous impact this has on our identities, communities and politics. This book is dedicated to understanding the industries of taste. From the food we eat to the way we spend our free time, Olah exposes the shallow waters of 'good' and 'bad' taste and the rigid hierarchies that uphold this age-old dichotomy.