Showing results by narrator "Orson Welles" in All Categories

Artifacts of crime's darkest moments and souvenirs of sinister significance can be found on display in The Black Museum. Presented here are 16 stranger-than-fiction tales of depravity and detection from 1952, hosted and narrated by the incomparable Orson Welles.

Crime, mystery, and just a touch of the supernatural - they're all on display in Radio's Outstanding Theatre of Thrills! Join your host, The Man in Black, for 20 gripping installments of Suspense (including the first ever broadcast of "Sorry, Wrong Number"). Legends like Cary Grant, Agnes Moorehead, Peter Lorre, Vincent Price, Orson Welles, and Gene Kelly star in stories by thriller greats like Agatha Christie, Lucille Fletcher, John Dickson Carr, and Cornell Woolrich. Enjoy these tales well calculated to keep you in…Suspense!

This collection contains six classic Christmas radio productions from the '30s, '40s, and '50s.

The original uncut Radio Broadcast. On the evening of October 30th, 1938, Earth went to war with Mars. Martians invaded New Jersey! Here, the famous panic broadcast that shook the world, starring Orson Welles.

Close your eyes and see the future. Radio often explored the issues of the day by imagining the days to come - and never did it better than in the stories you'll hear in this collection! From 2000 Plus to Dimension X, this is Great Radio Science Fiction!

If you are a lover of Old-Time Radio and a fan of Orson Welles, you won't want to miss this treasure chest of legendary Orson Welles' radio broadcasts! With his flair for the sensational and innovative, Welles captured audiences' attention with his 1930s CBS weekly drama series The Mercury Theatre on the Air, later renamed The Campbell Playhouse, which featured hour-long dramatizations of classic books.

Orson Welles stars in this dramatisation of Dickens' A Christmas Carol.

Orson Welles stars in this full-cast performance of Dumas' classic novel about a young man, falsely imprisoned by his jealous 'friends' in the early 19th century. He escapes and uses a hidden treasure to exact his revenge.

He's a con man, a manipulator, and a master of every form of deception. He'll look you right in the eye and rob you blind...but you won't care, because he's one of the most fascinating men you'll ever meet! He's Harry Lime - and before he met a memorable end in The Third Man, he cut a broad swath across most of the inhabited globe!

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

Made as a prequel to the hit film The Third Man, this radio show was created to follow the adventures of the popular character Harry Lime, played here and in the movie by Orson Welles. The 1949 film The Third Man won an Academy Award and was an international success, called "magic" by Roger Ebert and "one of the finest films ever made" by The New York Times.

This 1937 radio dramatization was written, produced, and performed by none other than the incomparable Orson Welles of War of the Worlds fame. The story of the book is faithfully retold (with questionable subjects carefully camouflaged) and is suitable for students aged 10 and older. This live recording, masterfully performed by an incredible professional cast, includes sound effects, music, and an unforgettable story.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

The Black Museum was a weekly radio crime drama produced for the BBC in 1951 and based on real-life cases from the files of Scotland Yard. Orson Welles, who was living in London at the time, was both host and narrator for these dramatized stories based on Scotland Yard's Black Museum, which housed its collection of murder weapons and various ordinary objects once associated with historical crime cases.

Orson Welles, host and narrator of Black Museum, welcomed listeners to Scotland Yard's "warehouse of homicide", containing everyday objects that either brought a killer to justice or were used to do a killer's dirty work. In each episode, Welles strolls through the "repository of death", selects one object, and tells its story.

Fully restored and remastered, Heritage Media presents the greatest of vintage artists in classic dramas from the literature of Russia. Here is the legendary Orson Welles starring in ‘The Queen of Spades’, adapted from the original tale by Alexander Pushkin and Michael Redgrave starring in 'The Overcoat' adapted from the original tale by Nikolai Gogol.Theatre Royal is a unique series of classic radio dramas produced in the 1950s by the late Harry Alan Towers.

The lure of the American West is in the spirit of adventure, in the majestic expanse of unconquered wilderness and in rugged individuals on a quest for identity and sometimes for survival. Owen Wister's unsmiling Virginian... Dorothy M. Johnson's, "A Man Called Horse": These are a few of the colorful, even legendary characters who populate The American West in Fiction, a collection of stories edited by Jon Tuska.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....