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In Tamil: Ponniyin Selvan is widely considered by many to be the greatest novel ever written in Tamil literature. It was first published as a series in the Kalki, a Tamil language magazine, during the 1950s and was later integrated into a novel. The craze for the series, which was published weekly, was such that it elevated the magazine circulation to reach a staggering figure of 71,366 copies - no mean achievement in a newly independent India.

In Tamil: Ponniyin Selvan is widely considered by many to be the greatest novel ever written in Tamil literature. It was first published as a series in the Kalki, a Tamil language magazine, during the 1950s and was later integrated into a novel. The craze for the series, which was published weekly, was such that it elevated the magazine circulation to reach a staggering figure of 71,366 copies - no mean achievement in a newly independent India.

ராஜேந்திர சோழனின் கல்வெட்டு குறிப்புகளிலிருந்து பழந்தமிழர் கடல் கடந்து செல்வதும் அந்நாடுகளின் வாணிபத்தில் மட்டுமின்றிப் போர்களிலும் கலந்து கொள்வதும் சர்வ சகஜமாக இருந்ததென்பதை அறிந்தேன்.

Ponniyin Selvan is widely considered by many to be the greatest novel ever written in Tamil literature. It was first published as a series in the Kalki, a Tamil language magazine, during the 1950s and was later integrated into a novel. The craze for the series, which was published weekly, was such that it elevated the magazine circulation to reach a staggering figure of 71,366 copies - no mean achievement in a newly independent India.

அமரர் சாண்டில்யனின் அற்புதமான புதினம் ஒலி வடிவில் 42 மணி நேரம் ஒலிக்கும் இந்த ஒலிப்புத்தகத்தில் 40க்கும் மேற்பட்ட சிறந்த கலைஞர்கள் பாத்திரங்களுக்கு உயிர் கொடுத்துள்ளார்கள்....

அமரர் சாண்டில்யனின் அற்புதமான புதினம் ஒலி வடிவில் 42 மணி நேரம் ஒலிக்கும் இந்த ஒலிப்புத்தகத்தில் 40க்கும் மேற்பட்ட சிறந்த கலைஞர்கள் பாத்திரங்களுக்கு உயிர் கொடுத்துள்ளார்கள்....

மகாபாரத போர் நடக்கையில் பகவான் கிருஷ்ணன் அர்ஜுனனுக்கு செய்த உபதேசமே பகவத் கீதை. இந்த உபதேசம் அர்ஜுனனுக்கு மட்டுமல்ல அனைவருக்கும் எத்தொழில் புரிவோருக்கும் பொருந்தும்.

In Tamil: Kalvanin Kadhali is the story of a dacoit and his beloved, Muththaiyan and Kalyani. At the PoonkuLam village, Kalyani falls for good-hearted Muththaiyan. Circumstances brand Muththaiyan a dacoit, but Kalyani remains steadfast in her love. Evading the police, Muthaiyan leads the life of an exile in the forest. When things come to a head, Muththaiyan and Kalyani decide to run away to some far-off place and settle down to marital bliss.

Ponniyin Selvan is widely considered by many to be the greatest novel ever written in Tamil literature. It was first published as a series in the Kalki, a Tamil language magazine, during the 1950s and was later integrated into a novel. The craze for the series, which was published weekly, was such that it elevated the magazine circulation to reach a staggering figure of 71,366 copies - no mean achievement in a newly independent India.

Ponniyin Selvan is widely considered by many to be the greatest novel ever written in Tamil literature. It was first published as a series in the Kalki, a Tamil language magazine, during the 1950s and was later integrated into a novel. The craze for the series, which was published weekly, was such that it elevated the magazine circulation to reach a staggering figure of 71,366 copies - no mean achievement in a newly independent India.

Ponniyin Selvan is widely considered by many to be the greatest novel ever written in Tamil literature. It was first published as a series in the Kalki, a Tamil language magazine, during the 1950s and was later integrated into a novel. The craze for the series, which was published weekly, was such that it elevated the magazine circulation to reach a staggering figure of 71,366 copies - no mean achievement in a newly independent India.

Thuppariyum Sambu is a detective short-story series in Tamil, written by Devan in the early 20th century. The novel's protagonist is Sambu, a not-very-intelligent bank clerk in middle age, who solves difficult crime puzzles out of serendipity but is quick to explain as well as take credit. Sambu's character is sometimes considered to be a comical version of Sherlock Holmes.

In the seventh century the Cholas are vassals of the Pallavas. Parthiban conveys his dream of the Chola dynasty regaining its glory - which he believes is lost since they are no longer the independent rulers - to his young son Vikraman. Parthiban refuses to pay tribute to the Pallavas, triggering a battle in which Parthiban is killed. Before he dies, on the battlefield, an enigmatic monk promises Parthiban that he will make sure that Vikraman fulfills Parthiban's dream.

In the seventh century the Cholas are vassals of the Pallavas. Parthiban conveys his dream of the Chola dynasty regaining its glory - which he believes is lost since they are no longer the independent rulers - to his young son Vikraman. Parthiban refuses to pay tribute to the Pallavas, triggering a battle in which Parthiban is killed. Before he dies, on the battlefield, an enigmatic monk promises Parthiban that he will make sure that Vikraman fulfills Parthiban's dream.

Thuppariyum Sambu is a detective short-story series in Tamil, written by Devan in the early 20th century. The novel's protagonist is Sambu, a not-very-intelligent bank clerk in middle age, who solves difficult crime puzzles out of serendipity but is quick to explain as well as take credit. Sambu's character is sometimes considered to be a comical version of Sherlock Holmes.

In the seventh century the Cholas are vassals of the Pallavas. Parthiban conveys his dream of the Chola dynasty regaining its glory - which he believes is lost since they are no longer the independent rulers - to his young son Vikraman. Parthiban refuses to pay tribute to the Pallavas, triggering a battle in which Parthiban is killed. Before he dies, on the battlefield, an enigmatic monk promises Parthiban that he will make sure that Vikraman fulfills Parthiban's dream.

‘நான்’ என்று சொல்வது போலத் தமிழில் இதுவரை யாரும் சரித்திரக் கதை எழுதவில்லை என்பதால், அது மாதிரி ஒன்று நாமே எழுதினால் என்ன என்ற அசட்டுத் தைரியத்துடன் எண்ணத் தொடங்கினேன்.

"இந்த உலகம் பொய், வாழ்வு பொய்" என்று நம் பெரியோர்கள் சொன்னது அமுத வாக்கு என்பதில் சந்தேகமில்லை. உலகத்தைப் பொய்யென்று கொண்டால்தான் ஏதோ ஒரு மாதிரிச் சகித்துக் கொண்டு ஜீவ யாத்திரையை நடத்திக் கொண்டு போக முடியும். இந்த உலகம் நிஜமாக மட்டுமிருந்தால் இவ்வளவு தவறுகளுக்கும் துயரங்களுக்குமிடையில் உயிர் வாழ்வது சாத்தியமா?

‘நான்’ என்று சொல்வது போலத் தமிழில் இதுவரை யாரும் சரித்திரக் கதை எழுதவில்லை என்பதால், அது மாதிரி ஒன்று நாமே எழுதினால் என்ன என்ற அசட்டுத் தைரியத்துடன் எண்ணத் தொடங்கினேன்.

பத்திரிகையாளர்களும், எழுத்தாளர்களும் தான் இன்றையப் பௌராணிகர்கள், சூதரும் மற்றப் பௌராணிகர்களும் எப்படிப் பிரசாரம் செய்தார்களோ அவ்விதமே செய்யவேண்டியது இன்றையப் பத்திரிகையாளர்கள், எழுத்தாளர்களின் கடமை.