Showing results by author "William Gibson" in All Categories

They set a Slamhound on Turner's trail in New Delhi, slotted it to his pheromones and the colour of his hair. When the Maas Biolabs and Hosaka zaibatsus fight it out for world domination, computer cowboys like Turner and Count Zero are just foot soldiers in the great game: useful but ultimately expendable. When Turner wakes up in Mexico - in a new body with a beautiful woman beside him - his corporate masters let him recuperate for a while, then reactivate his memory for a mission even more dangerous than the one that nearly killed him.

Father of cyberpunk William Gibson’s original script for Alien III, written in 1987 as a sequel to Aliens, never made it to our screens, although it went on to achieve cult status among fans as the third instalment that might have been after being leaked online. This terrifying, cinematic multicast dramatisation - directed by the multi-award-winning Dirk Maggs - is the chance to experience William Gibson’s untold story and its terrifying, claustrophobic and dark encounters between humans and aliens, as a completely immersive audio experience.

Cayce Pollard owes her living to her pathological sensitivity to logos. In London to consult for the world's coolest ad agency, she finds herself catapulted, via her addiction to a mysterious body of fragmentary film footage, uploaded to the web by a shadowy auteur, into a global quest for this unknown 'garage Kubrick'. Cayce becomes involved with an eccentric hacker, a vengeful ad executive, a defrocked mathematician, a Tokyo Otaku-coven known as Eye of the Dragon and, eventually, the elusive 'Kubrick' himself.

In the near future in a broken down rural America, Flynne Fisher scrapes a living as a gamer for rich players. One night, working a game set in a futuristic but puzzlingly empty London, she sees a death that's unnervingly vivid. Soon after she gets word that it isn't a game after all—the future she saw is all too real, she's the only witness to a murder and someone from that unreal tomorrow now wants her dead. The story of a young woman caught between two worlds, The Peripheral interweaves two futures to tell a story which gets right to heart of the way we live now.

The sky above the port was the colour of television, tuned to a dead channel. William Gibson revolutionised science fiction in his 1984 debut Neuromancer. The writer who gave us the matrix and coined the term 'cyberspace' produced a first novel that won the Hugo, Nebula and Philip K. Dick Awards, and lit the fuse on the cyberpunk movement.

In 1660 England emerged from the devastations of the Civil Wars and restored the king, Charles II, to the throne. Over the next 190 years Britain would establish itself as the leading nation in the world - the centre of burgeoning Empire, at the forefront of the Enlightenment and the Industrial Revolution. However, radical change also brought with it anxiety and violence. America is lost in the War of Independence and calls for revolution at home are never far from the surface of everyday life.

The year is 2016. Not our 2016. Theirs. Earth is dying, the result of a worldwide nuclear holocaust caused by America’s dictatorial President-for-Life Lewis Henderson, a man who will use any means necessary to maintain power and survive. Enter: The Splitter. A machine capable of splitting off an exact replica of Henderson’s world. A world where the cataclysmic events causing its destruction have yet to occur. That world is ours.

In William Gibson's first novel since 2014's New York Times best-selling The Peripheral, a gifted "app-whisperer", hired to beta test a mysterious new product, finds her life endangered by her relationship with her surprisingly street-smart and combat-savvy "digital assistant".

Hubertus Bigend, the Machiavellian head of global ad-agency Blue Ant, wants ex-musician Hollis Henry to uncover the maker of a secret, obscurely fashionable denim called 'The Gabriel Hounds'. Hollis knows nothing about fashion - which, curiously, is why Bigend hired her. Soon, though, it's clear that Bigend's interest in underground labels might have sinister applications. Powerful parties, who'll do anything to get into this territory, are showing their hand.

1855: the Industrial Revolution is in full swing, powered by steam-driven cybernetic engines. Charles Babbage perfects his analytical engine and the computer age arrives a century ahead of its time. Three extraordinary characters race toward a rendezvous with the future: Sybil Gerard - fallen woman, politician’s tart, daughter of a Luddite agitator; Edward Leviathan Mallory - explorer and palaeontologist; Laurence Oliphant - diplomat, mystic and spy. Their adventure begins with the discovery of a box of punched engine cards of unknown origin and purpose.

In New York, a young Cuban called Tito is passing iPods to a mysterious old man. Such activities do not go unnoticed, however, in these early days of the War on Terror, and across the city, an ex-military man named Brown is tracking Tito's movements. Meanwhile in LA, journalist Hollis Henry is on the trail of Bobby Chombo, who appears to know too much about military systems for his own good. With Bobby missing and the trail cold, Hollis digs deeper and is drawn into the final moves of a chilling game played out by men with old scores to settle.

Incredible Science Fiction collates a collection of some of the very best science fiction stories published in the ‘50s in one volume. All these stories (with the exception of "The Goldfish") are now in the public domain and were original published in Worlds of IF Science Fiction magazine. This is a lovingly curated collection of some of the very best stories published in the ’50s. This collection includes the Hugo Award-nominated “Rat in the Skull” by Rog Phillips. It also includes an original story by the curator and editor of this collection: Andrew Gibson.

Audible donne vie au script d'Alien III, écrit par William Gibson. Ce projet de film avait été abandonné, puis (re)découvert, à l'occasion du 40e anniversaire de la naissance de la franchise Alien. A découvrir désormais en audio ! En 1987, William Gibson, père du cyberpunk, termine l'écriture d'un scénario original pour Alien III.

Case est un ancien pirate de la matrice, cet univers qu'il définit comme "une hallucination consensuelle". Après la destruction de son système nerveux par un de ses employeurs, il survit désormais grâce à l'alcool et aux drogues, et trempe dans plusieurs trafics d'organes et de matériel informatique. Alors qu'il s'apprête à franchir le point de non-retour dans cette spirale d'autodestruction, il se voit offrir une nouvelle naissance : la possibilité de retourner dans la matrice pour l'exultation désincarnée qu'elle procure.

William Gibson was writing fiction when he predicted the internet. And as his stories bled into reality, he became one of the first to report on the real-world consequences of cyberspace's growth and development. Now, with the dust settling on the first internet revolution, comes Gibson's first collection of nonfiction - essays from the technological and cultural frontiers of this new world.

La obra pionera del Cyberpunk, que catapultaría a William Gibson al éxito, llega a la colección Bibliotecas de Autor. Case era el mejor vaquero del ciberespacio: se ganaba la vida robando información y traspasando defensas electrónicas. Pero cometió el error de traicionar a la gente equivocada y como castigo dañaron su sistema nervioso con una toxina que extinguió su talento micrón a micrón.

"In Neu-Delhi setzten sie auf Turner einen Killerhund an, der auf seine Pheromone und seine Haarfarbe programmiert war." Computer Cowboys und Firmensöldner liefern sich im Namen von Megakonzernen unerbittliche Kämpfe, die sie oft genug mit ihrem Leben bezahlen. Doch als der Entwicklungsleiter von Maas Biolabs mitsamt seinen revolutionären Biochips zu Hosaka überlaufen will, ruft das Kräfte auf den Plan, die nicht nur menschlich sind... In der Matrix des Cyberspace tobt ein gnadenloser Kampf um die Macht, geführt von riesigen Konzernen, für die Computer Cowboys ihren Verstand aufs Spiel setzen.

"Der Himmel über dem Hafen hatte die Farbe eines Fernsehers, der auf einen toten Kanal geschaltet war." Mit der Neuromancer-Trilogie hat William Gibson die Science Fiction revolutioniert. Sein Debütroman "Neuromancer" gewann den Hugo-, den Nebula- und den Philip-K.-Dick-Award, die drei wichtigsten Preise des Genres. Zudem hat er nicht nur die Begriffe Matrix und Cyberspace geprägt, er hat ein ganzes Genre begründet: Cyberpunk. Das Netz ist allgegenwärtig, der Cyberspace zu einer zweiten Realität geworden, bestimmt von KIs und hart umkämpft von riesigen Firmenkomplexen, Hackern und Kriminellen.

Incredible Science Fiction: Amazing Tales from the 50's and Beyond, Volume Two collates a collection of some of the very best science-fiction stories published in the '50s together. All these stories (with the exception of The Anatomy of Fear) are now in the public domain and were original published in various science-fiction magazines that were very popular in the 1950s. This is a lovingly curated collection of some of the very best stories published during this time. This collection includes a further story from the Hugo Award-nominated Rog Phillips.

Die Megakonzerne streiten in der Matrix weiterhin um die neueste Technologie, doch im Hintergrund wird ein ganz anderes Spiel gespielt. Die KIs haben sich unbemerkt längst verselbstständigt und machen sie sich nun auf die Suche, nach der nächsten Stufe ihrer Existenz. Mona ist ein junges Mädchen mit einer dunklen Vergangenheit und einer unsicheren Zukunft.