Showing titles in Instruction & Technique

No Bull Music Theory for Guitarists is the groundbreaking guitar theory book for guitar players. Now, guitarists of all levels can understand most of the music theory they'll ever need, without the confusion. Easy-to-understand language, explanations, and practical examples mean you can understand in hours music theory concepts that can confuse guitar players for years. No music reading or theory knowledge required!

Mary Gauthier was 12 years old when she was given her Aunt Jenny’s old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day. Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn’t until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to.

In How to Listen to Jazz, award-winning music scholar Ted Gioia presents a lively introduction to one of America's premier art forms. He tells us what to listen for in a performance and includes a guide to today's leading jazz musicians. From Louis Armstrong's innovative sounds to the jazz-rock fusion of Miles Davis, Gioia covers the music's history and reveals the building blocks of improvisation. A true love letter to jazz by a foremost expert.

Whether you're a total beginner or a seasoned pro, Singing 101: Vocal Basics and Fundamental Singing Skills for All Styles and Abilities gives you the essential tools to build a strong, healthy voice. Learn how to sing with accurate pitch, lasting stamina, beautiful tone, and optimal technique, based on centuries of proven vocal wisdom and updated with the latest scientific insights on voice production.

Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The ability to speak clearly and confidently can make or break a presentation, an important meeting, or even a first date. Now, with the advent of Skype, YouTube, podcasting, Vine, and any number of reality talent competitions, your vocal presence has never been more necessary for success or more central to achieving your dreams.

The focus of this book is music practice, but these techniques and mindsets can be applied to any skill you want to improve. The Practice of Practice covers essential practice strategies and mindsets you won't find in any other book. You'll learn what research tells us about practice, but more importantly, you'll learn how great musicians in many genres of music think about practice, and you'll learn the strategies and techniques they use to improve.

Oliver Sacks’ compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people - those struck by affliction, by unusual talent and even, in one case, by lightning - to show not only that music occupies more areas of our brain than language does but also that it can torment, calm, organise and heal.

Music production can be an elusive art form for many, and the challenges that face someone who is new to this can easily create overwhelm and lead to complete paralysis. The goal of this book is to cover music production from many different angles in a way that will change your thinking on the subject and build your confidence.

If you thought music theory was dull, think again! With the right guidance, it can be woven into every practice – and you'll see astounding results straight away. Playing by ear will get you a long way – it certainly worked for Jimi Hendrix. But the world will only ever know one Hendrix… and for every inspirational story you’ve heard about a famous guitarist who knows nothing of music theory, there’s a whole host of other stories about musicians who do – they’re just not the ones who make the headlines.

"'Boy, do I have a lot to learn!'" Anyone who's ever picked up a musical instrument of any kind - from the first caveman banging rocks to that little kid at the guitar shop - has thought that. I know I did. I'd been trying for years to break in to the music scene, to show everyone my chops, to make my mark. And I was good. But I wasn't great. I knew that there was something wrong. Then the teacher showed up...."

The Inner Game of music is that which takes place in the mind, played against such elusive opponents as nervousness, self doubt, and fear of failure. Using the same principles of "natural learning" W. Timothy Gallwey developed so successfully for tennis, golf, and skiing and applying them to his own field, noted musician Barry Green shows how to acknowledge and overcome these internal obstacles in order to bring a new quality to the experience and learning of music.

There are few artistic acts more mysterious than writing a song. But what if a shift in perspective - and some practical guidance - could overcome that mystery? Anyone wanting to experience more creativity and mindfulness will be inspired to do just that after listening to How to Write One Song. Why one song? The difference between one song and many songs isn't a charming semantic trick - it's an important distinction that can simplify a notoriously confusing art form.

Discover the songwriting technique used in 97% of all hit songs. Music is a tough industry to break into. With production gear being affordable for the first time in history, it seems like everyone is making music these days. Getting noticed in the continuous stream of information that is the Internet seems almost impossible. But: There is a technique designed specifically to captivate and hook an audience and with The Addiction Formula, you can learn it in a couple of hours.

Just about every human being knows how to listen to music, but what does it take to make music? Is musicality something we are born with? Or a skill that anyone can develop at any time? If you don't start piano at the age of six, is there any hope? Is skill learning best left to children or can anyone reinvent him-or herself at any time?

Using musical examples from Bach to the Beatles, Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. Music is an obsession at the heart of human nature, even more fundamental to our species than language. In This Is Your Brain on Music Levitin offers nothing less than a new way to understand it and its role in human life.

Whether you’re a bathroom singer who’s happy to sing to bath fittings or someone who’d like to woo millions with your voice, you can sound your best if you know the right tricks. And no, singing is not just about having the right voice texture; it’s also about knowing what and how to sing. Armed with some practical strategies and the fire to find your own voice, you can unearth your unique voice and create magic with it.

When it comes to learning jazz, many musicians feel overwhelmed. They are told they need to know a ton of music theory, have impeccable technique, mastery of their instrument, and lots of natural talent to succeed as a jazz improviser. The message of Jazz Improvisation Made Simple is that learning jazz doesn’t have to be so overwhelming and complicated. To get started, you need to know a lot less than you think. Even by learning just one jazz standard, you can unlock a treasure trove of incredible secrets for musical excellence.

Making music and playing drums does not start at the tip of your drumstick, not even with the motion before you strike a drum. It really starts with the desire, actually with the compulsion, to make music and to play. Play as You Are is an open invitation to explore a different approach to playing music and a sharing of the author's experiences.

Where does learning begin and how is it sustained and stored in the brain? For musicians, these questions are at the very core of their creative lives. Cognitive and neuroscience have flung wide the doors of our understanding, but bridging the gap between research data and music-making requires a unique immersion in both worlds. Lynn Helding presents a symphony of discoveries that illuminate how musicians can optimize their mental well-being and cognitive abilities.

Wretch 32 is one of the most influential musicians at work in Britain today. He is also a lyricist of unparalleled ability and an advocate of music as a tool to educate as well as to entertain. In an age of unprecedented social and political change, Wretch’s music stands as a medium of protest and of progress, helping to explain and shape a new era. Rapthology is an anthology of the songs that have shaped Wretch, and our society, over the last 30 years, from gospel music to dance hall anthems to the most innovative emerging young voices.