Showing titles in History & Criticism

Without Nebraska, Bruce Springsteen might not be who he is today. The natural follow-up to Springsteen’s hugely successful album The River should have been the hit-packed Born in the U.S.A. But instead, in 1982, he came out with an album consisting of a series of dark songs he had recorded by himself, for himself. But more than forty years later, Nebraska is arguably Springsteen’s most important record—the lasting clue to understanding not just his career as an artist and the vision behind it, but also the man himself.

West Midlands 1980s, home to heavy metal. Black Sabbath and Judas Priest are household names, but over the smoking chimneys and factory yards, something new and equally ugly forms.... "Grebo" was a media-constructed music genre that even today sends a shudder down the spines of discerning music fans and critics. A homegrown proto-grunge, grebo was a British phenomenon that drew on an eclectic range of influences, from punk, '60s garage, and psychedelia, through to '70s heavy rock and thrash metal. It foreshadowed rave culture and was steeped in class politics.

Leaving school and starting his career at Decca Records in 1958 at the age of sixteen, Tony King would soon find himself becoming close friends with Elton John, rekindling John Lennon and Yoko Ono's relationship, mediating a quarrelsome Mick Jagger and Keith Richards and spending time with Freddie Mercury in his final days - a far cry from his childhood days in Eastbourne. Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as a stalwart in London and New York's gay scenes.

Journalist Aniefiok Ekpoudom travels the country to paint a compelling portrait of the dawn, boom and subsequent blossoming of UK rap and grime. Taking us from the heart of south London to the West Midlands and South Wales, he explores how a history of migration and an enduring spirit of resistance have shaped the current realities of these linked communities and the music they produce. These sounds have become vessels for the marginalised, carrying Black and working-class stories into the light.

Nearly 20 years in the making, Can't Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. That the Beatles were an unprecedented phenomenon is a given. Here Jonathan Gould seeks to explain why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise.

On June 4, 1984, Columbia Records issued what would become one of the best-selling and most impactful rock albums of all time. An instant classic, Bruce Springsteen’s Born in the U.S.A. would prove itself to be a landmark not only for the man who made it, but rock music in general, and even the larger American culture over the next 40 years.

For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. A mighty procession of writers, artists and thinkers felt his impact. Anarchists, occultists, feminists and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany and the composer came to be defined by his ferocious anti-Semitism. Neither apologia nor condemnation, Wagnerism is a work of intellectual passion.

Paper Cuts is the inside story of the slow death of the British music press. But it's also a love letter to it, the tale of how music magazines saved one man's life. Ted Kessler left home and school around his 17th birthday, determined 'to be someone who listened to music professionally'. That dream appeared forlorn when he was later arrested for theft behind the counter of the record shop he managed during acid house's long hot summer of love.

Simply stated, Kurt Cobain changed the cultural conversation in his all-too-brief life, and even after his shattering death. With interviews and commentary from all corners of the pop culture universe, from the people who knew Cobain to those who continue to help his legend grow, Here We Are Now explores what a singular life meant, and how that meaning can be measured, when and if it can be.

In this first of a groundbreaking multivolume set, THE MCCARTNEY LEGACY, VOL 1: 1969-73 captures the life of Paul McCartney in the years immediately following the dissolution of the Beatles, a period in which McCartney recreated himself as both a man and a musician. Informed by hundreds of interviews, extensive ground up research, and thousands of never-before-seen documents THE MCCARTNEY LEGACY, VOL 1 is an in depth, revealing exploration of McCartney’s creative and personal lives beyond the Beatles.

This classic book is the whole unruly story of dance music in one volume. It recreates the dance floors that made history, conjuring their atmosphere with loving detail and bringing you the voices of the DJs and clubbers at their heart—from grime, garage, house, hip hop and disco, to techno, soul, reggae, rock 'n' roll and EDM. Whether musical outlaw, obsessive crate-digger or overpaid superstar, the DJ has been at the spinning centre of nightlife for a century, making parties wilder, pushing clubbers harder and driving music into completely new shapes and styles.

From the author's first glimpse of a magical recording studio in the mid-1960s up through a busy career that continues to the present day, this rollicking story can only be told by those that were there. As the young tape operator on sessions for the Rolling Stones, Jimi Hendrix, and Joe Cocker at the famed Olympic Sound Studios in London, Phill learned the ropes from experienced engineers and producers such as Glyn Johns and Eddie Kramer.

Many people will recognise the famous zebra crossing. Some visitors may have graffitied their name on its hallowed outer walls. Others might even have managed to penetrate the iron gates. But what draws in these thousands of fans here, year after year? What is it that really happens behind the doors of the most celebrated recording studio in the world? It may have begun life as an affluent suburban house, but it soon became a creative hub renowned around the world as a place where great music, ground-breaking sounds and unforgettable tunes were forged.

One hundred and sixty-five million years ago saw the birth of rhythm. Sixty-six million years ago was the first melody. Forty thousand years ago Homo sapiens created the first musical instrument. Today music fills our lives. How we have created, performed and listened to this music throughout history has defined what our species is and how we understand who we are. Yet music is an overlooked part of our origin story.

Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a 4,000-year history of music as a global source of power, change, and upheaval.

From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron "Pigpen" McKernan exploded out of the early 60s roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. Dennis McNally, the band's historian and publicist for more than 20 years, takes listeners back through the Dead's history.

Decades tend to crest halfway through, and 1995 was the year of the Nineties: peak Britpop, peak YBA (Tracey Emin's tent), peak New Lad (when Nick Hornby published High Fidelity, when James Brown's Loaded detonated the publishing industry, and when pubs were finally allowed to stay open on a Sunday). It was the year of The Bends, the year Danny Boyle started filming Trainspotting, the year Richey Edwards went missing, the year Alex Garland wrote The Beach, the year Blair changed Clause IV after a controversial vote at the Labour Conference.

When Miranda Sawyer interviewed Liam Gallagher in 1994, his gag wishing Damon Albarn would die of AIDS became front-page news all over the world. This fascinating pop history, exploring the moment British music suddenly meant everything, explains why. Picking out twenty key songs, delving into the surprising stories behind them and their unlikely creators, UNCOMMON PEOPLE takes us back to when Jarvis Cocker became a national hero, films like Trainspotting were international hits, rave became what everybody did - and it felt like the revolution was happening.

The year 2000. As Britain celebrates the new millennium, something fluorescent and futuristic is stirring in the crumbling council estates of inner city London. Making beats on stolen software, spitting lyrics on tower block rooftops and beaming out signals from pirate radio aerials, a group of teenagers raised on UK garage, American hip-hop and Jamaican reggae stumble upon a dazzling new genre. Against all odds, these young MCs will grow up to become some of the UK’s most famous musicians, scoring number one records and dominating British pop culture for years to come.

In America, in London, in Amsterdam, in Paris, revolutionary ideas fomenting since the late 1950s reached boiling point, culminating in a year in which the transient pop moment burst forth. Exploring the canonical figures, from The Beatles and Boty to Warhol and Reagan, 1966 delves deep into the social and cultural heart of the decade through masterfully compiled archival primary sources.