Showing titles in Canadian

The Precipice is the sweeping story of Lucy Cameron, a young woman who seems destined to live and die in small-town Ontario. Into this place of monotony and petty incidents, of spiteful gossip and rigid moralism, appears Stephen Lassiter. Stephen is a Princeton-educated engineer from a wealthy New York family and Lucy's antithesis. Despite the chasm of their differences, they fall in love, marry, and begin life together in New York during the distressing years of the Second World War. It is a life that will nearly break Lucy in heart and spirit.

Harbour Grids is a long poem in four parts that investigates ideas of community and belonging. Beginning as a meditation on the surface of New York Harbor, the poem radiates outward through issues of labor, location, history, belonging, and subjectivity. How do we experience our complex relations to the world we live in?

Spanning forty years and ten previously published collections, Wherever We Mean to Be is the first substantial selection of Robyn Sarah’s poems since 1992. Chosen by the author, the 97 poems in this new volume highlight the versatility of a poet who moves easily between free verse, traditional forms, and prose poems. Familiar favorites are here, along with lesser-known poems that collectively round out a retrospective of the themes and concerns that have characterized this poet's work from the start.

Canadian Shorts II is a specially selected collection of short stories by established and emerging Canadian authors. Showcasing Canada's diverse writing talent, there is a story for every listener, from literary fiction to scifi fantasy to prairie gothic to romance-thriller.

Alexander's Bridge was Willa Cather's first novel and one of her best. Bartley Alexander was the world's leading bridge builder, something that was considered an awesome skill in the early 20th century. Alexander has the strength and regret that weave throughout Cather's male characters much as they do through those of her contemporary authors, Fitzgerald, Hemingway, Dreiser, Anderson, Lewis, and others.

Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing.

Membering Austin Clarke reflects on the life and writing of Austin Clarke, whose depictions of Black life in Canada enlarged our understanding of what Canadian literature looks like. Despite being one of Canada's most widely published, and most richly awarded writers, Austin Clarke (1934-2016) is not a household name. This collection addresses Clarke's marginalization in Canadian literature by demonstrating that his writing on Black diasporic life and the immigrant experience is a foundational, if untold, part of the story of CanLit.

Kanada, 1934: Das Mädchen Pearly Everlasting, zu Deutsch Silberimmortelle, ist fünfzehn und in einem Holzfällercamp mitten im Wald aufgewachsen – zusammen mit dem Bären Bruno, der seit ihrer Geburt ein Teil der Familie ist. Doch dann beschuldigt man Bruno, einen Mann getötet zu haben. Der Bär wird weggebracht, niemand weiß, wohin. Verzweifelt und entschlossen macht Pearly sich zu Fuß auf den Weg durch die tief verschneite kanadische Landschaft, um Bruno zu suchen.

In 2008, I was diagnosed with bladder cancer. I underwent two years of treatment, including chemotherapy, radiation, and surgery. In January of 2010, I had my bladder removed, and thankfully, I have been cancer free since then.

In Mi'kmaw, three similarly shaped words have drastically different meanings: kesalul means "I love you"; kesa'lul means "I hurt you"; and ke'sa'lul means "I put you into the fire." In spoken-word artist and critically acclaimed author (I'm Finding My Talk) Rebecca Thomas's first poetry collection, listeners will feel Thomas's deep love, pain, and frustration as she holds us all to task, along the way mourning the loss of her childhood magic, exploring the realities of growing up off reserve, and offering up a new Creation Story for Canada.

In these exquisitely rendered poems, people fall in and out of love, in and out of religious belief and in and out of accepting the distance between their imagined lives and the lives they live. They look back as much as forward and pick mercilessly at the open wounds of failed relationships. They inhabit geographies that are both their emancipators and captors. And they find joy, or succumb to sorrow, amid life’s inescapable ephemerality and fragility.

Part lyric essay, part prose poetry, Where Things Touch grapples with the manifold meanings and possibilities of beauty. Drawing on her experiences as a physician-in-training, Orang considers clinical encounters and how they relate to the concept and very idea of beauty. Such considerations lead her to questions about intimacy, queerness, home, memory, love, and other aspects of human existence. Throughout, beauty is ultimately imagined as something inextricably tied to care: the care of lovers, of patients, of art and literature, and the various non-human worlds that surround us.

On her first book tour at the age of 26, Lee Maracle was asked a question from the audience, one she couldn't possibly answer at that moment. But she has been thinking about it ever since. As time has passed, she has been asked countless similar questions, all of them too big to answer, but not too large to contemplate. These questions, which touch upon subjects such as citizenship, segregation, labor, law, prejudice and reconciliation, to name a few, are the heart of My Conversations with Canadians.

Bla_K is a collection of previously out-of-print essays and new works by one of Canada's most important writers and thinkers. Through an engagement with her earlier work, M. NourbeSe Philip comes to realize the existence of a repetition in the world: the return of something that, while still present, has become unembedded from the world, disappeared. Her imperative becomes to make us see what has gone unseen by writing memory upon the margin of history, in the shadow of empire and at the frontier of silence.

Kazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant.