Showing titles in Gothic

Andrew's acclimation to his post-transition body isn't easy. His senses are sharper, he's bigger, stronger, and hungrier. Nathalie fears that the changes in the man she loves are more than physical. Measuring up to this new version of him is going to be a challenge. Carol and Robert are disillusioned with each other. They are not destined mates, and love is not on the horizon. When Robert's three months are up, he might be left with nothing to show for his sacrifice.

I made a mistake. Hearts are the most fragile part of the body, and I trusted mine with Jude Carlisle. My villain. My weakness. My stepbrother. Fairytales have a way of turning the most innocent things wicked. Jude lied through his teeth, and I fell for every word. Then he burned both our families to the ground in a sick game of revenge and never looked back.

My name is Amethyst DeMille, and I'm in love with a vampire. Sounds complicated, doesn't it? Yet the fact that he's a sexy, centuries-old blood-drinking vampire isn't what makes our relationship complicated. It's because we live in the same house together, work at the same exclusive club together, and he happens to be my best friend with absolutely no idea how I feel about him.

My husband hates me. But he’s also the only man who can save me. Taken by a stranger, Santiago is my only hope. Except that I don’t know if he’s dead or alive. And for as cruel as he can be, the thought he might be gone is unbearable. But he has nine lives, my monster. He’s not finished with me yet. And soon I’m back at The Manor. Locked in my room. At his mercy. I know I am despised. I know I have become the face of his vengeance. But there’s something else, too. Something between us. It’s a dark and gnarled thing. And it has its claws around my heart.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

After the tragic death of Bridget’s parents, her grandmother took her in. Vera Bitter raised her from behind a closed door—cold and uncaring from the moment she arrived at Bitter House. After Bridget’s high school graduation, Vera kicked her out without so much as a goodbye, and Bridget never heard from her again. Which is why, when she receives word of Vera’s passing and discovers she’s inherited the family manor, she’s immediately filled with dread. Those worries are amplified when she arrives at Bitter House after years away to find an enigmatic piece of her past waiting for her.

November 1816: Restless but naive Emeline Fitzpatrick is desperate to escape her stifling life in foggy Halifax. Her guardian is lining up repugnant suitors, but Emeline has her eyes set on a lieutenant in the British Navy. She just needs to persuade him to propose, or her one chance at happiness will be gone forever. But when Emeline’s hopes end in scandal, she finds herself with only one suitor left: the wealthy and enigmatic Captain Graves. Having already lost two wives to tragic circumstances, the widower is seeking a new companion in his cloistered seaside manor, Faraday House.

Like many girls, I too used to dream of fairytales. Until that illusion was shattered, and I saw firsthand just how cruel life could be. Now I just wished my nightmare would end. The life I knew ceased to exist as I suffered at the hands of my stepmother, who hated me. I fought to escape and once I did, I thought life would become normal again, but that couldn't have been further from the truth. Tragedy was woven in my bloodstream, hiding in my DNA structure. I had a sliver of peace before it all went to hell again.

Killingly, 1897. The female students of Mount Holyoke—an elite university in a sleepy rural town—are famous for their beauty and charm. Except for plain, quiet Agnes and Bertha, who spend their time reading, writing and wandering the dark woods of Killingly, and do not seem interested in ballgowns or young men. One autumn morning, Bertha vanishes—and the peaceful town of Killingly fractures into chaos. While a search team dredges the pond where she might have drowned, a private detective arrives in town and begins an investigation, discovering this quiet girl was keeping a terrible secret.

The rugged beauty of the Mount St. Helens wilderness is being haunted by a killer. Hikers, loggers, and local residents are dying in horrible, mysterious ways, and lawmen Bud O'Brien and Charlie Redtail are forced to think it just might be a monster...maybe Bigfoot itself.

In 1886, a respectable young woman must acquire a husband. But Violet Pring does not want to marry. She longs to be a professional artist and live on her own terms. When her scheming mother secures a desirable marriage proposal from an eligible Brighton gentleman for her, Violet protests. Her family believes she is deranged and deluded, so she is locked away in Hillwood Grange Lunatic Asylum against her will. In her new cage, Violet faces an even greater challenge: she must escape the clutches of a sinister and formidable doctor and set herself free.

I answer to no one but Death. I am impenetrable, impervious, immortal. I exist to do Death's bidding and no one—not Reaper nor human nor Fae—can stand in my way. Except for the bewitching half-Fae, Catriona. She swears the magic in her family passed her by, but I know better. This woman is strong. This woman is powerful. And when her abilities surge forth, no one will be able to stop the Dark Fae from coming for her. Except for me. I want to keep her close. I want to keep her safe. I want lose myself to her, again and again.

Alexander Cole was a man ruled by his voracious appetite for carnal pleasures until a golden-haired devil in the guise of a goddess lures him into an encounter that costs him his humanity. With nothing left but bitterness in his heart, he locks himself away in his dilapidated Elizabethan mansion and chains the gates to all intruders....

It is December 1888. Jack the Ripper has not killed for over a month and London is beginning to relax as Christmas approaches. When Katherine Kramer cuts herself on a strange book at a dinner party, she quickly falls ill. Her husband Richard is a professor of medicine, but even his efforts are futile as the mysterious illness blazes through her. As Katherine dies, she gives birth to something nightmarish. Something which should not exist. Something which spurs Richard to embark on a terrifying journey of discovery as he chases the answer to one question: who or what killed his wife?

It’s winter 1947 when newlyweds Ellen and Tony Wylde move into an abandoned Cornish farmhouse overlooking the sea. For both, it’s a new beginning in the country, and together they’re bringing Carreg Cottage back to life. Yet Ellen can’t hide a creeping unease. There’s the ominous iconography painted on their bedroom ceiling, the sinister doll hidden away in the chimney. And Tony seems more familiar with the peculiar villagers than he’s letting on.

When Jane’s lover, Tom, returns from the navy to find her unhappily married to his betrayer, Jane is caught in an impossible situation. Still reeling from the loss of her mother at the hands of the witchfinder, Jane has no choice but to continue her dangerous work as a healer while keeping her young daughter safe. But as Tom searches for a way for him and Jane to be together, the witchfinder is still at large. Filled with vengeance, the witchfinder will stop at nothing in his quest to rid England of the scourge of witchcraft.

It is winter 1863, and Richard Shenstone, aged 17, has been sent down - "rusticated" - from Cambridge under a cloud of suspicion. Addicted to opium and tormented by sexual desire, he finds temporary refuge in a dilapidated old mansion on the southern English coast inhabited by his newly impoverished mother and his sister, Effie. Soon, graphic and threatening letters begin to circulate among his neighbors, and Richard finds himself the leading suspect in a series of crimes and misdemeanors ranging from vivisection to murder.

1918. Stripped of her reputation and haunted by a spirit she failed to protect, the young governess Grace Meadows finds herself out of time and growing more and more desperate. But when she’s offered a strange job from an eccentric medium, she never could have imagined what she was signing up for. Tasked with caring for a troubled young girl who has lost the ability to speak, Grace must unravel the dangerous secrets at the heart of a run-down country mansion and find the source of the horrors which now threaten both of their lives.

Thirty-three-year-old Todd is playing at the beach with his son, Anthony, when he catches sight of an approaching figure. Instantly, he recognises Jack, his high school tormentor. Radiant, repentant, and overjoyed to have 'run into' Todd, Jack suggests a meal to catch up. And can he spend the night? What follows is a fast-paced story of obsession and suspense, as Jack gaslights his way back into Todd's life, pushing his old 'friend' to the brink.

England, 1840. Orabella Mumthrope spies an unexpected visitor in her uncle’s parlor. Scruffy in appearance yet claiming to be the scion of a fabulously wealthy family, Elias Blakersby declares a deep desire to make Orabella his wife. The orphaned daughter of a white man and a Black woman—an outsider with no fortune or connections—Orabella never expected to marry. But her uncle has many debts, and Orabella, curious about the seeming devotion Elias bestows upon her, agrees.