Showing titles in Coming of Age

All This Could be Different introduces us to Sneha. A recent college graduate freshly arrived in Milwaukee, she occupies her days with rote, stressful work as a young consultant for a battery production corporation. She is, as her boss reminds her, a 'contractor, no benefits'. Her nights are spent ordering furniture off the internet, trying out the newfangled invention of dating apps and avoiding confrontation with the terrifying property manager who lives below her. But the rewards are bountiful.

Until twenty-four hours ago, Mickey Hayward was living the life she’d always dreamed of: Working as a full-time writer for a trendy media company (tick). In a committed, loving relationship (tick). Now she’s fired, tossed aside for a more ‘agreeable’ younger Black writer. Sick of always being overlooked and undervalued, she responds with an online letter detailing the racism she’s faced within the industry. But when it’s met with overwhelming silence, and her girlfriend suggests they go on a break, Mickey’s carefully crafted life starts to fall apart.

Eighteen years old, pregnant and working as a pizza delivery girl, our dysfunctional heroine is deeply lost and in complete denial about it all. She’s grieving the death of her father, avoiding her loving boyfriend and flagrantly ignoring her future. Her world is further upended when she becomes obsessed with Jenny, a stay-at-home mother new to the neighbourhood, who comes to depend on weekly deliveries of pickle-covered pizzas for her son’s happiness.

Benson and Mike are two young guys who live together in Houston. Mike is a Japanese American chef at a Mexican restaurant and Benson's a Black day care teacher, and they've been together for a few years - good years - but now they're not sure why they're still a couple. There's the sex, sure and the meals Mike cooks for Benson, and, well, they love each other. But when Mike finds out his estranged father is dying in Osaka just as his acerbic Japanese mother, Mitsuko, arrives in Texas for a visit, Mike picks up and flies across the world to say goodbye.

Anthony has decided to come out to his school in a big way and faces backlash, not just from his fellow students, but the principal as well. Cameron’s mom is still drinking and his dad remains absent. Can he turn to his boyfriend for support? Mindy has the hots for a guy who is most certainly taken, a predicament that intensifies when they're paired for a project. Silvia’s secrets are catching up with her, Keisha struggles to set aside her feelings for a girl she can’t have, and Omar’s dreams are about to crash and burn.

Written in a Yorkshire dialect that brings a place and its people magnificently to life, We Pretty Pieces of Flesh takes you by the hand and drags you through Doncaster’s schoolyards, alleyways and nightclubs, bringing back the intimate treachery of adolescence and how we betray ourselves when we don’t trust our friends. Like The Glorious Heresies and Shuggie Bain, it tracks hard-edged lives and makes them sing, turning one overlooked and forgotten place into the very centre of the world.

Joyful, defiant and dazzling, this is the story of Rafi Aziz—a Northern boy dreaming of his name up in lights. It's 1981 in the suburbs of Blackburn and, as Rafi's mother reminds him daily, the family moved here from Pakistan to give him the best opportunities. But Rafi longs to follow his own path. Flamboyant, dramatic and musically gifted, he wants to be a Bollywood star.

In 1990, three boys are born, unrelated but intertwined by circumstance: Dayo, Iseul, and Youssef. They are adopted as infants and share a bedroom perched atop a mosque in one of Staten Island’s most diverse and underserved neighborhoods. The three boys are an inseparable trio but conspicuous: Dayo is of Nigerian origin, Iseul is Korean, and Youssef indeterminately Middle Eastern. Youssef shares everything with his brothers except for one secret: He sees a hallucinatory double, an imaginary friend who seems absolutely real, a shape-shifting familiar he calls Brother.

Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and major countercultural figure.

Lisa and Elliot have been best friends ever since the day they met as children. Popular, bright and sporty, Lisa was Elliot's biggest supporter when the school bullies made his life a misery, and for that, he will always be grateful. Twenty years later, life has pulled the pair apart, and Lisa is struggling. Her marriage is floundering, her teenage kids are being secretive and she's so tired she can't think straight. So when Elliot knocks on the door, looking much better than she remembers, she can't help but be delighted to see her old friend again.

Supernatural creatures create chaos across an unforgiving Western landscape in the first book of a propulsive and cinematic fantasy adventure starring ever fearless Nettie Lonesome. Nettie Lonesome dreams of a greater life than toiling as a slave in the sandy desert. But when a stranger attacks her, Nettie wins more than the fight. Now she's got friends, a good horse, and a better gun. But if she can't kill the thing haunting her nightmares and stealing children across the prairie, she'll lose it all - and never find out what happened to her real family.

Michigan, 1985. The drowning of a teenage girl causes ripples in the small town of Kettle Lake, though for most the waters settle quickly. For sixteen year old Joanne Kennedy, however, the tragedy dredges up untold secrets and causes her mother to drift farther from reality and her family. When troubled newcomer Lucinda arrives in town, she offers Joanne a chance of real friendship, and together the teenagers push against the boundaries of family, self-image, and their sexuality during the tension of a long, stifling summer.

At a meatpacking facility in Missouri, Dee-Dee and her coworkers kill and butcher 40,000 chickens in a single shift. The work is repetitive and brutal, with each stab and cut a punishment to her hands and joints, but Dee-Dee's more concerned with what is happening inside her body. After a series of devastating miscarriages, Dee-Dee has found herself pregnant, and she is determined to carry this child to term.

Brought up in a devout household in Ireland, Jay is now living in London with her girlfriend, determined to live day to day and not think too much about either the future or the past. But when she learns that her beloved older brother, who died in a terrible accident, may be made into a Catholic saint, she realises she must at last confront her family, her childhood and herself . . .

When Anastasia’s beloved mother dies, she has no choice but to go to rural Skimpole and move in with ‘the Aunt’ – too fearsome for a first name, an outcast from the village who lives in a dilapidated mansion with two servants and an unruly pack of dogs. The many mysteries of Skimpole are irresistibly intriguing: how did Anastasia’s father really die? Who wrote the extremely raunchy love letters she has found in the Aunt’s bedroom, signed ‘Big Willy’? And why does everyone in the village hate the Aunt so much?

Amar can’t wait to tell everyone his wonderful news: he’s found The One, and he’s getting married. But it turns out announcing his engagement on a group chat might not have been the best way to let his strict Muslim Bangladeshi family know that his happy-ever-after partner is a man—and a white man at that.

In the North of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of its own, they find a spiritual connection to the past. What comes next but human sacrifice?

Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in “awful kid stuff,” the experience forms Jim’s ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Growing up , TJ was Cam's boy next door. When Cam needed a home, TJ's parents—Mae and Jin—took him in. Their family bakery became Cam's safe place. Until he left, and it wasn't anymore. Years later, Cam's world is falling apart. The love of his life, Kai, is gone: but his ghost keeps haunting Cam, and won't let go. And Cam's not sure he wants to let go, not sure he's ready. When he has a chance to return to his home town, to work in a gay bar clinging on in a changing city landscape, he takes it.