Showing results for "fyodor dostoevsky" in Genre Fiction

The book probes the possible roles of four brothers in the unresolved murder of their father, Fyodor Karamazov. At the same time, it carefully explores the personalities and inclinations of the brothers themselves. Their psyches together represent the full spectrum of human nature, the continuum of faith and doubt. Ultimately, this novel seeks to understand the real meaning of faith and existence and includes much beneficial philosophical and spiritual discussion that moves the reader towards faith.

A century after it first appeared, Crime and Punishment remains one of the most gripping psychological thrillers. A poverty-stricken young man, seeing his family making sacrifices for him, is faced with an opportunity to solve his financial problems with one simple but horrifying act: the murder of a pawnbroker. She is, he feels, just a parasite on society. But does the end justify the means? Rodion Romanovitch Raskolnikov makes his decision and then has to live with it.

Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel. A masterpiece on many levels, it transcends the boundaries of a gripping murder mystery to become a moving account of the battle between love and hate, faith and despair, compassion and cruelty, good and evil.

One of 46 books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives listeners a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

Often considered one of the first ever psychological thrillers, Crime and Punishment is a gripping tale of a poverty-stricken young man in Saint Petersburg, Russia, who hatches a plan to kill someone for money. Once the deed is done, he finds himself racked with guilt, confusion and disgust for his act. In this new recording, Will Poulter gives new life to the troubled protagonist, Rodion Raskolnikov, in a performance that will have you questioning where we draw the line between right and wrong.

Completed six years after Dostoyevsky's own term as a convict, The House of the Dead is a semi-autobiographical account of life in a Siberian prison camp, and the physical and mental effects it has on those who are sentenced to inhabit it. Alexandr Petrovitch Goryanchikov, a gentleman of the noble class, has been condemned to 10 years of hard labor for murdering his wife.

“White Nights” tells the story of a lonely man who wanders the streets of St. Petersburg over the course of four nights, searching for an escape from his isolation.

The murder of brutal landowner Fyodor Karamazov changes the lives of his sons irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, driven to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother, Smerdyakov. Dostoyevsky's dark masterwork evokes a world where the lines between innocence and corruption, good and evil, blur and everyone's faith in humanity is tested.

Fyodor Dostoevsky's Crime and Punishment is universally regarded as one of literature's finest achievements, as the great Russian novelist explores the inner workings of a troubled intellectual. Raskolnikov, a nihilistic young man in the midst of a spiritual crisis, makes the fateful decision to murder a cruel pawnbroker, justifying his actions by relying on science and reason, and creating his own morality system. Dehumanized yet sympathetic, exhausted yet hopeful, Raskolnikov represents the best and worst elements of modern intellectualism. The aftermath of his crime and Petrovich's murder investigation result in an utterly compelling, truly unforgettable cat-and-mouse game. This stunning dramatization of Dostoevsky's magnum opus brings the slums of St. Petersburg and the demons of Raskolnikov's tortured mind vividly to life.

A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.

In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues.

In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".

The Gambler paints a stark picture of the attractions—and addictions—of gambling. Using skillful characterization, Dostoevsky faithfully depicts life among the gambling set in old Germany. This probing psychological novel explores the tangled love affairs and complicated lives of Alexey Ivanovitch, a young gambler, and Polina Alexandrovna, the woman he loves.

A Gentle Spirit, from 1876, was released in Dostoyevsky's one-man periodical, A Writer's Diary, which was always eagerly anticipated in his contemporary Russia. The short novel is a despairing man's monologue on the night after his young wife's suicide, and through his incoherent speech by her deathbed the background of the tragedy slowly unfolds. The narrator is a retired officer who now earns his living as a pawnbroker.

Inspired by the true story of a political murder that horrified Russians in 1869, Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia.

A century after it first appeared, Crime and Punishment remains one of the most gripping psychological thrillers. A poverty stricken young man, seeing his family making sacrifices for him, is faced with an opportunity to solve his financial problems with one simple but horrifying act: the murder of a pawnbroker. She is, he feels, just a parasite on society. But does the end justify the means?

The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

In "Notes from Underground" by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas or about a curtain of secrets and mysteries. The hero of the "underground", the author of the notes, is a collegiate assessor who retired after receiving a small inheritance. He lives poorly, in a wretched room on the outskirts of Petersburg. And the "underground" is psychological.

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. This audio edition of Notes from Underground is the only recording of Pevear and Volokhonsky's translation of Dostoevsky’s classic work.