Rob and Duncan are joined by Alex Massie and Henry Dyer to watch Peter Weir's magnificent 2003 Napoleonic naval epic. How did it compare to the novels? Is this the only war movie in history where an American character was removed? And why are people getting bits of the script tattooed onto their bodies?

Next week, we're still at sea with Das Boot.

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Rob and Duncan are joined by John Crace, sketchwriter for The Guardian, to watch Mosquito Squadron, a film John's dad took him to see in the cinema. Is this the perfect example of the less-than-golden age of war movies? Is there any movie it doesn't rip off? What does it say about life on the home front? And, hang on a second, were the land-based bouncing bombs real?

Next week, all aboard HMS Surprise as we watch Master And Commander.

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Rob and Duncan turn their attention to the American Civil War, watching the 1989 true story of the 54th Massachusetts Infantry Regiment, one of the Union Army's first African American regiments. The film won Denzel Washington an Oscar, launched Andre Braugher, and caught Morgan Freeman just as his career was taking off. But it also captures much of the changing way war was fought in the Nineteenth Century, which gives Duncan a chance to plug his new book Blood And Treasure: The Economics of Conflict from the Vikings to Ukraine.

Next week: Mosquito Squadron

Suggestions? Comments? Drop us a line at warmovietheatre@gmail.com.

Visit us at facebook.com/WarMovieTheatre or on Bluesky and Twitter.

Hosted on Acast. See acast.com/privacy for more information.