Knifepoint Horror

By: Soren Narnia
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  • Summary

  • Tales of supernatural suspense written and produced by Soren Narnia. The text of these stories is licensed under Creative Commons Attribution-NonCommercial-ShareAlike CC BY-NC-SA. Patreon: https://www.patreon.com/sorennarnia Also by the author: the podcast 'Those Snowy Nights You Read to Me, They'll Never Be Forgotten.'
    2007, 2010, 2013, 2021 by Soren Narnia
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Drama & Plays
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Episodes
  • rory

    rory
    Jan 5 2025

    When two colleagues in crime come together again after years apart, one reveals a looming threat more awful than incarceration… or even capital punishment.

    Music: “Soft Lights” by Kyle Preston and “Turn for the Worse” by Jordan Hatfield, all rights reserved.

    All stories on the Knifepoint Horror podcast are written by Soren Narnia, who can also be heard narrating or acting on the podcasts 'The Ghosts on This Road', 'Sibling Horror', 'SessionsX,' 'Let's Not Meet,' 'Campfire Radio Theater,' 'Tag Till We're Dead,' and others.

    Patreon: www.patreon.com/sorennarnia Patreon supporters have access to many unreleased offerings, including Soren's own narrations of several earlier podcast stories originally voiced by others; 'traces,' an audio story that creepily revisits the sites of Knifepoint Horror tales many listeners know very well; the 'Unchallenging Campfire Tales' collection for those who like their horror goofy sometimes; a (massive) PDF of the show's transcripts; and other original short audio stories plus narrations of some classic ones.

    Art by S. Patrick Brown, https://www.instagram.com/scalawagarts/
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    36 mins
  • here

    here
    Oct 16 2024

    A dark October country road, a driver, a hitchhiker... and a strange, strange story told across cold, lonely miles.

    All stories on the Knifepoint Horror podcast are written by Soren Narnia, who can also be heard narrating or acting on the podcasts 'The Ghosts on This Road', 'Sibling Horror', 'SessionsX,' 'Let's Not Meet,' 'Campfire Radio Theater,' 'Tag Till We're Dead,' and others.

    Patreon: www.patreon.com/sorennarnia Patreon supporters have access to many unreleased offerings, including Soren's own narrations of several earlier podcast stories originally voiced by others; 'traces,' an audio story that creepily revisits the sites of Knifepoint Horror tales many listeners know very well; the 'Unchallenging Campfire Tales' collection for those who like their horror goofy sometimes; a (massive) PDF of the show's transcripts; other original short audio stories and narrations of some classic ones; and most recently, Soren's recitation of eleven dark and disturbing poems by great writers.

    P.S. Counterweight Theatre Lab in Colorado Springs is adapting the Knifepoint Horror story 'The Copper Cup' for the stage next month... the details are at https://www.counterweighttheatre.com/current-upcoming.
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    17 mins
  • harbingers

    harbingers
    Sep 25 2024

    An educator's watch of the winter skies sets him in anxious motion to shelter the innocent.

    Music: “Cicada Killer” by idokay, “The Heir” by Emmanuel Jacob, “Meeting the Goddess” by Kyle Preston. All rights reserved. Interview with Ila Patton, Galax, Virginia, from the Blue Ridge Parkway Folklife Project collection (AFC 1982/009), American Folklife Center, Library of Congress.

    All stories on the Knifepoint Horror podcast are written by Soren Narnia, who can also can also be heard narrating or acting on the podcasts 'The Ghosts on This Road', 'Sibling Horror', 'SessionsX,' 'Let's Not Meet,' 'Campfire Radio Theater,' 'Tag Till We're Dead,' and others.

    Patreon: www.patreon.com/sorennarnia

    Art by S. Patrick Brown, https://www.instagram.com/scalawagarts/
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    39 mins

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Profile Image for Rebecca Galer

Incredible storyteller, complex and haunting

Have loved these for years, the stories are classic and strong yet fresh, contemporary and absorbing. There is a calmness and elegance to the production, pure narration with elements of sound design that draw you in and allow you to loose yourself in the stories. I find myself returning to them again and again. I find them brilliant and absolutely faultless- especially as they are without cliche or many of the missteps of the genre. Thank you for this work.

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