Phil Spector: Murderer. Musical genius. His story is told from the perspective of those who knew him best, his famous so-called friends. Blood On The Tracks is part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, the host of the award winning music and true crime podcast, DISGRACELAND, featuring the fictionalized voices of Lenny Bruce, Ronnie Spector, Ike Turner, Debbie Harry and more. Just like Phil Spector, this podcast sounds like nothing you’ve heard before. Because you can’t push the needle into the red, without leaving a little blood on the tracks. Blood On The Tracks launches August 12, 2020 and will be released weekly on Wednesdays. This podcast is explicit and features adult content.

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Phil Spector’s own personal Socrates, Lenny Bruce, reminisces on the unforgettable time he spent with the Tycoon of Teen. Lenny’s tales involve censorship and the long arm of Johnny Law, Frank Zappa and Merv Griffin, and family secrets revealed after late night deli runs. All this and more in the season one premiere of Blood on the Tracks.

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Leader of the Ronettes, voice behind “Be My Baby,” and the former wife of Phil Spector, Ronnie Spector peels back the curtain to expose the darker side of one of the most infamous couples of the 1960s. Ronnie’s life with Phil takes a nosedive from rubbing elbows with The Beatles and The Rolling Stones to being held prisoner in her own house.

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The Rolling Stones’ bad boy guitarist dishes deep on his love for Ronnie Bennett, as well as the lengths he went to in order to keep it a secret from the jealous Phil Spector. In addition to his stories about secret trysts, Keith talks X-rated recording sessions, American cops with itchy trigger fingers, and the wrath of Phil Spector.

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Ike Turner goes deep about getting high, about his myriad marriages and drug busts, and about his tempestuous relationship with ex-wife Tina Turner. Game recognizes game when his path crosses Phil Spector’s, and the two engage in a shady tête-à-tête that ends in arson, narcs, and the SWAT team.

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Leonard Cohen recalls his time with Phil Spector as a time of great confusion and soul searching. It’s also a time of bad omens, punctuated by being held against his will and being held at gunpoint. Despite cameos by Bob Dylan and Allen Ginsberg, and trips to islands off the coast of Greece and Zen retreats in California, Leonard’s memories keep coming back to one word: guns.

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Debbie Harry, Blondie frontwoman and siren of the ‘70s NYC punk scene, talks about making the jump from the Big Apple to the City of Angels, with stops at The Whisky, KROQ, American Bandstand, and, of course, Phil Spector’s mansion. Her story is also The Ramones’ story, and both the beauty and the beasts share the good, the bad, and the downright weird in their tales of working with pop music’s most reclusive and abusive record producer.

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From Let It Be to Imagine to an infamous “lost weekend” in Los Angeles, no Beatle had more face time with Phil Spector than John Lennon. John reminisces on being drunkenly tied to a bed, having a gun fired at him in the studio, and lawyering up simply to get his own session tapes back. Every crazy story has the same crazy common denominator: Phil Spector.

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