Thorn and Talon cover art

Thorn and Talon

Warhammer 40,000

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Thorn and Talon

By: Dan Abnett
Narrated by: Gareth Armstrong, Lisa Coleman, Jane Collingwood, Rupert Degas, Jonathan Keeble
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About this listen

The Inquisition is the most powerful and secretive organisation within the Imperium. Its agents, the Inquisitors, are the last line of defence for mankind. Gregor Eisenhorn, dedicated servant of the Inquisition, takes to the field again in three audio dramas: 'Regia Occulta', 'Master Imus's Transgression' and 'Thorn Wishes Talon'.

'Regia Occulta' finds him on a world wracked by ethereal storms and haunted by a terrifying beast. In 'Master Imus's Transgression', the Inquisitor investigates the mysterious affair of a mild-mannered clerk who confesses to a crime. Gideon Ravenor, once Eisenhorn's pupil, is now crippled and confined to a life support chair. He uses his powerful psychic talents to enact the Emperor's will. When he receives a mysterious message, Ravenor and his loyal followers travel to a distant world where they battle fierce cultists. But what are the cultists looking for? And what is the meaning of the message: Thorn Wishes Talon?

©2011 Games Workshop Limited (P)2011 Games Workshop Limited Science Fiction

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It may look short but it is every bit as good! I love the atmospheric audio effects added. The perfectly picked narrator(s) are legendary and beyond professional, sucking you into irresistible immersion. Then the audio effects trap you, unable to escape the induced imagination that transports you on a seemingly one way trip into the Warhammer 40k universe. You will not return untouched. No one will.

Short but oh so sweet, so very sweet

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I allready listen to the storis in Magos and then i could hear what the reader said. DO NOT buy this one. So disapointed 😤😤😤😤

Not worth bying.

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the ambient sounds could do with a little adjustment as I couldn't hear the story at times

it's alright

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Can hardly hear the narrative, background noise ruins it, totally distracting, which is a shame

Background noise

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