This Mournable Body
A Novel
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Narrated by:
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Adenrele Ojo
About this listen
Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow's boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point.
In This Mournable Body, Tsitsi Dangarembga returns to the protagonist of her acclaimed first novel, Nervous Conditions, to examine how the hope and potential of a young girl and a fledgling nation can sour over time and become a bitter and floundering struggle for survival.
As a last resort, Tambudzai takes an ecotourism job that forces her to return to her parents' impoverished homestead. It is this homecoming, in Dangarembga's tense and psychologically charged novel, that culminates in an act of betrayal, revealing just how toxic the combination of colonialism and capitalism can be.
©2018 Tsitsi Dangarembga (P)2018 HighBridge, a division of Recorded BooksWhat listeners say about This Mournable Body
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- Amazon Customer
- 02-02-23
Disappointed
I skipped book 2 when I noticed the same reader from book 1 was going to narrate it. Now I love Adenrele Ojo narration and have listened to several books she has narrated. My biggest criticism now is that this author simply has no desire to have her books read by a true native Shona speakers. I do not know what to make of this but find irony where pride should have been. No language deserves to be butchered like this.
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1 person found this helpful
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- A. Hunt
- 01-11-20
Superb book ruined by inappropriate accent
I can't understand why an author of the stature of Tsitsi Dangarembga should have her character voiced in an American accent. This is not a translation, but a book set in a country where English is an official language. I'm sure Americans would be annoyed if they bought an audiobook of Catcher in the Rye only to discover it was narrated with a British accent, or the Great Gatsby in an Aussie twang.
This is not to say that the narrator mightn't do a great job with another book. It just feels completely disrespectful to the author and fellow Zimbabweans, and Africans altogether, to have made this very poor and inappropriate choice. I just can't listen to it without wondering how this is still happening when we've had months of introspection over Black Lives Matter. It really should be re-recorded.
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25 people found this helpful
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- TW
- 03-05-19
Good story not sure about the narrator
As a Zimbabwean, I was excited to see a book from a writer from my country on Audible. The story is great and touches on the challenges of mental ill health. As a native speaker, I did find the super poor pronunciation of the Shona and Ndebele words pretty distracting - and wished she had practiced with the author so that words would have sounded as the author intended.
Still enjoyed the book though 😊
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13 people found this helpful
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- Amazon Customer
- 13-05-22
Good follow on..
Why no Zimbabwean narrator?.. As per first novel.. Otherwise good book.. Still listenable but many local words mispronounced
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1 person found this helpful
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- Essie N Sibanda
- 11-11-20
Great overview of life in post colonial Harare
Would've been enjoyable if narrator pronounced the Shona words &sing it better this disappointed readers
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5 people found this helpful
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- J. Deane
- 06-09-20
The unsatisfied life of a Zimbabwean
I got it off the Booker shortlist, having long been interested in the contemporary issues of Africa.
It took me a while to get started, and at first I found the second person narrative rather grating, but gradually became used to it.
The characters are richly drawn and inter-connected plausibly, though often through misunderstanding and misinterpreting each other, and after a series of adventures that builds into the climax of the tale.
The main protagonist does seem rather passive, rolling with events rather than in control of them, but I think that part of the authors point, demonstrating the triple alienation of being Black, female and older. Meanwhile more dynamic and often unscrupulous individuals shape the world around her.
By the end, I had really got involved with the characters, and their different perspectives, and internal battles with truth. The African situations, from the chaotic combi taxis, the importance of family, the disenchantment of the NGOs, the impact of tourism, the legacy of war all rang true.
is it good enough to win the Booker? I think so, but haven't read the competitors yet...
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4 people found this helpful
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- Flannelcat
- 01-09-22
Wrong reader
Like the listener above, I am disappointed with the narration. Chipo Chung did a great job of the previous two books so why choose an American reader whose accent makes all characters sound the same - and none of them Zimbabwean? I am returning it and will buy the physical book to find out the rest of Tambudzau’s story.
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1 person found this helpful
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- Alexandra
- 30-07-20
Please get the readers who know how to pronounce
Disappointing... please make sure your readers can actually pronounce the words in the book. Destroys the book. We have plenty of excellent Zimbabwean authors and am sure plenty of narrators who would do this beautiful book justice.
Disappointing.
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21 people found this helpful
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- Roshan Firouz
- 27-06-21
How did we end up in the US Deep South??
When I bought this title, I assumed it would be narrated by the same person who did the first two books. I cannot believe this completely different accent, totally wrong, totally foreign to Zimbabwe. What happened? Did somebody actually think this was a good idea, that the story would flow from one book to the next? I am now really regretting buying the third book, I cannot listen to the story and force myself to believe that this is still taking place in Southern Africa.
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4 people found this helpful
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- Apple Smith
- 08-02-21
Just goes on and on
Story seemed to just natter incessantly, and narrator’s voice didn’t help. Both left me feeling like I’d wasted my time... middling, monotonous, performative.
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